Party Time! 50 Classic Party Tracks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Can’t Get You Out of My Head
drum machine-Programmierung:
Rob Davis (songwriter/producer was in Mud)
Techniker(in) und Mix:
Tim Orford
Produzent(in):
Rob Davis (songwriter/producer was in Mud) und Cathy Dennis
E-Gitarre und Keyboard:
Rob Davis (songwriter/producer was in Mud)
Hintergrundgesang und Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und KDB Pty Limited (in 2001)
produced for:
19 Productions
Musikvideos:
Can’t Get You Out of My Head von Kylie Minogue
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 27), Billboard Year-End Hot 100 singles of 2002 (Nummer: 45) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 207)
recording of:
Can’t Get You Out of My Head
Texter:
Cathy Dennis
Komponist(in):
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kylie Minogue3.953:51
2Crazy
recording of:
Crazy (Gnarls Barkley song)
Texter:
Thomas DeCarlo Callaway
Verfasser(in):
Gian Franco Reverberi und Gian Piero Reverberi
Komponist(in):
Brian Burton
Gnarls Barkley3:00
3She Said
Techniker(in):
Mark “Top” Rankin (engineer)
Produzent(in):
Ben Drew (UK rapper Ben Drew) und David McEwan
zusätzliche(r) Produzent(in):
Eric Appapoulay
Mix:
Eric Appapoulay, Ben Drew (UK rapper Ben Drew) und David McEwan
alto saxophone und baritone saxophone:
Jason Yarde (piano, saxophone)
Bassgitarre und Hintergrundgesang:
Eric Appapoulay
Bratsche / Viola:
Sonia Slany (violinist) und Bruce White (violist)
Cello:
Ian Burdge (cellist)
Flügelhorn und Trompete:
David Priseman
Geige / Violine:
Louisa Fuller (violinist), Sally Herbert (violinist, composer, and conductor), Everton Newson und Warren Zielinski (violinist)
Gitarre:
Tom Wright-Goss
Posaune:
Harry Brown (U.K. trombonist)
Schlagzeug:
Richard Cassell
Tenorsaxophon:
Zem Audu (Nigerian saxophonist and keyboardist)
Trompete:
Mark Crown (trumpeter)
alto saxophone, baritone saxophone, Flügelhorn, Tenorsaxophon, Posaune und Trompete arranger:
Jason Yarde (piano, saxophone)
recording of:
She Said
Verfasser(in):
Ben Drew (UK rapper Ben Drew)
Plan B3.353:28
4Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:54
5I Love It (clean)
Bearbeitung von:
I Love It (explicit) von Icona Pop (Swedish dance/electropop duo) feat. Charli XCX (Charli xcx)
Teil von:
Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 67)
recording of:
I Love It
Verfasser(in):
Patrik Berger, Charlotte Aitchison (Charli xcx) und Linus Eklöw
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Indiscipline Rights und Universal Music Publishing AB (Sweden)
Teil von:
Matuschkes Lieblinge 2012
Icona Pop feat. Charli XCX3.952:35
6Jump Around
House of Pain3:38
7Return of the Mack
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison43:30
8O.P. P (clean)
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1991) und Tommy Boy Music, LLC (not for release label!) (in 2004)
Samples:
ABC von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 96)
recording of:
O.P.P.
Komponist(in):
Anthony Criss, Berry Gordy, Keir Gist (Naughty by Nature’s DJ Keir Gist), Fonce Mizell, Freddie Perren, Deke Richards (American songwriter and record producer) und Vincent Brown
publisher:
Jobete Music Co., Inc. und Naughty Music (associated with Naughty By Nature)
Naughty by Nature3.854:30
9Pass Out (radio edit) (clean)
DJ-Mixer:
Richard Northen
recording of:
Pass Out
Verfasser(in):
Patrick Okogwu, Timothy McKenzie (UK singer-songwriter and record producer) und Marc Williams
Tinie Tempah23:56
10Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) und Stock Aitken Waterman
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
11Tightrope (The Solo version)
Janelle Monáe4:23
12Your Woman
Produzent(in):
Jyoti Mishra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
Samples:
My Woman von Lew Stone & His Monseigneur Band
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 408)
recording of:
Your Woman
Texter:
Bing Crosby und Irving Wallman
Komponist(in):
Jyoti Mishra, Irving Wallman und Max Wartell
basiert auf:
My Woman
White Town4.14:19
13Saturday Night (radio mix)
Musikvideos:
Saturday Night von Whigfield (Danish Euro‐dance artist)
recording of:
Saturday Night
Texter:
Larry Pignagnoli
Komponist(in):
Larry Pignagnoli und Davide Riva
publisher:
A La Mode, B. Mikulski Publ. (Bernhard Mikulski Publishing) und Labelle Music (publisher and production company)
Whigfield33:43
14Blue Monday ’88
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order3:49
15Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:42
16Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
17Everywhere
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:42
18Lady Marmalade
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
All Saints4:00
19Beat Goes On
recording of:
Beat Goes On (The All Seeing I version)
Verfasser(in):
Richard Barratt (British electronic musician), Sonny Bono, Jason Buckle (British electronic musician) und Dean Honer
basiert auf:
The Beat Goes On (arr. Rogers - Buddy Rich version)
The All Seeing I3:30
20Kiss
Produzent(in):
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
Sologesang:
Tom Jones (Welsh pop singer) (in 1988)
Interpret(in):
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
phonographisches Urheberrecht (℗) von:
China Records (UK label founded by Derek Green) (in 1988)
Samples:
Close (to the Edit) von Art of Noise, Dragnet von Art of Noise, Moments in Love von Art of Noise, Paranoimia (7″ mix) von The Art of Noise with Max Headroom (titular character from "Max Headroom") und Peter Gunn von The Art of Noise featuring Duane Eddy
Musikvideos:
Kiss von Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones33:31
21Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:24
22A Message to You Rudy (2002 remastered version)
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials42:52
23The Tears of a Clown
Produzent(in):
Bob Sargeant
cover recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Beat32:41
24Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:42
25Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:47
26Venus
Produzent(in):
Stock Aitken Waterman
Schlagzeug:
Linn 9000 (Linn 9000)
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1986) und London Records Ltd (London Records Ltd., not release label) (in 2023)
Musikvideos:
Venus von Bananarama
Teil von:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (Nummer: 2) und New York Post: 100 Greatest Covers (2007) (Nummer: 73)
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
recording of:
Venus (Shocking Blue (I’m Your Venus))
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Bananarama43:48
27Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:58
28Hounds of Love
Produzent(in):
Paul Epworth
cover recording of:
Hounds of Love
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Futureheads53:01
29Alright
Techniker(in):
John Cornfield
Produzent(in):
Sam Williams (producer & musician. ex‐member of The Animalhouse)
Mix:
John Cornfield und Sam Williams (producer & musician. ex‐member of The Animalhouse)
Bassgitarre:
Mick Quinn (von 1994-01 bis 1994-07)
Gitarre:
Mick Quinn (von 1994-02 bis 1994-08)
Klavier und Sologesang:
Gaz Coombes (von 1994-02 bis 1994-08)
Schlagzeug:
Danny Goffey (von 1994-02 bis 1994-08)
Hintergrundgesang:
Danny Goffey (von 1994-02 bis 1994-08) und Mick Quinn (von 1994-02 bis 1994-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
aufgenommen bei:
Sawmills Studio in Golant, Cornwall, England, Vereinigtes Königreich (von 1994-02 bis 1994-08)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 65)
recording of:
Alright (von 1994-02 bis 1994-08)
Verfasser(in):
Gaz Coombes, Danny Goffey und Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:00
30Tequila (Mint Royale Shot)
Produzent(in):
Edwyn Collins
remixer:
Mint Royale
recording of:
Tequila (Terrorvision cover)
Verfasser(in):
Chuck Rio (Daniel Flores)
zusätzliche(r) Verfasser(in):
Terrorvision (British rock band)
basiert auf:
Tequila
Terrorvision3.54:08
31Step On
Assistent recording engineer:
Dave Burnham (UK recording engineer)
recording engineer:
Ray Blair
Produzent(in) und Mix:
Paul Oakenfold und Steve Osborne (producer)
Bassgitarre:
Paul Ryder
Gitarre:
Mark Day (from Happy Mondays)
Keyboard:
Paul Davis (UK keyboardist for Happy Mondays)
Schlagzeug:
Gary Whelan
Sologesang:
Shaun Ryder
Interpret(in):
Bez (UK percussionist Black Grape/Happy Mondays)
arranger:
Paul Oakenfold und Steve Osborne (producer)
cover recording of:
He’s Gonna Step on You Again
Texter:
Shaun Ryder
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
recording of:
He’s Gonna Step on You Again
Texter:
Shaun Ryder
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
Happy Mondays3.555:19
32Living for the Weekend
Hard‐Fi3:42
33Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
34I’ll Be There for You
leitende(r) Produzent(in):
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) und Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
Texter:
Allee Willis
Komponist(in):
Michael Skloff
zusätzliche(r) Komponist(in):
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:08
35Don’t Leave Me This Way
Interpret(in):
Sarah Jane Morris und The Communards (in 1986)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (in 1986)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards feat. Sarah Jane Morris34:48
36Things Can Only Get Better
recording of:
Things Can Only Get Better
Verfasser(in):
Peter Cunnah und Jamie Petrie
D:Ream4:16
37International Rescue
Techniker(in):
Richard Manwaring (Producer)
recording of:
International Rescue
Verfasser(in):
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill und Liam Sternberg
Fuzzbox3:29
38La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:52
39Love Shack
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s5:23
40Twist and Shout
cover recording of:
Twist and Shout
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
David Lindley2:44
41I Believe in a Thing Called Love
Assistent recording engineer:
Will Bartle
Techniker(in), Produzent(in) und Mix:
Pedro Ferreira
assistierende(r) Mix:
Nick Taylor (UK recording engineer)
Bass:
Frankie Poullain
Gitarre:
Dan Hawkins (member of The Darkness and Stone Gods) und Justin Hawkins
Schlagzeug:
Ed Graham
Sologesang:
Justin Hawkins
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
mixed at:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 94)
recording of:
I Believe in a Thing Called Love
Verfasser(in):
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham und Justin Hawkins
The Darkness4.13:37
42Rio
Produzent(in):
Colin Thurston
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran45:15
43December, 1963 (Oh What a Night!) (2007 remastered version)
recording engineer:
Steve Maslow
Produzent(in):
Bob Gaudio
Mix:
Val Garay
Bass:
Don Ciccone
Gitarre:
John Paiva
Keyboard:
Bob Gaudio und Lee Shapiro
Klavier:
Bob Gaudio
Schlagzeug:
Gerry Polci
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci und John Paiva
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Lee Shapiro
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 64)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3.853:31
44Something Got Me Started
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd (not for release label use!) (in 1991)
produced for:
Oliverea Productions Ltd. und Simply Red Records Ltd.
recording of:
Something Got Me Started
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Hucknall (lead singer of Simply Red) und McIntyre
publisher:
EMI Songs und So What Ltd
Simply Red2.84:00
45We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:41
46Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:26
47Living in a Box
Koproduzent(in):
Tom Lord Alge
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987)
produced for:
The Burgess Worldco
recording of:
Living in a Box
Texter und Komponist(in):
Steve Piggott und Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) und Empire Music Ltd.
Living in a Box3.353:06
48I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
49Geno (2000 remastered version)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
50I’m a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.652:45

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