The John Adams Edition

~ Release by John Adams; Berliner Philharmoniker, Adams, Dudamel, Gilbert, Petrenko, Rattle (see all versions of this release, 1 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
#TitleArtistRatingLength
1The Gospel According to the Other Mary, Act One, Scene 1: “The Next Day in the City Jail” (Mary, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene I. "The next day in the city jail we were searched for drugs" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:19
2The Gospel According to the Other Mary, Act One, Scene 1: “Now a Certain Woman Named Martha” (Countertenors, Martha)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene I. "Now a certain woman named Martha welcomed him Into her house" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:54
3The Gospel According to the Other Mary, Act One, Scene 2: “And She Had a Sister Named Mary” (Countertenors, Martha)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene II. "And she had a sister named mary" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams1:45
4The Gospel According to the Other Mary, Act One, Scene 2: “I Am Surprised That I Am Beginning to Pray Daily” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene II. "I am surprised that I am beginning to pray daily" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams3:28
5The Gospel According to the Other Mary, Act One, Scene 2: Chorus “En un día de amor yo bajé hasta la tierra" (Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene II. Chorus "En un día de amor" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:43
6The Gospel According to the Other Mary, Act One, Scene 3: “Now a Certain Man Was Sick” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Now a certain man was sick, named Lazarus" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:19
7The Gospel According to the Other Mary, Act One, Scene 3: Lazarus Dies While His Sisters Await Jesus
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. Lazarus Dies (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:06
8The Gospel According to the Other Mary, Act One, Scene 3: “Why Standest Thou Afar off, O Lord?” (Martha, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Why standest thou afar off, lord?" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:36
9The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "In my own quietly explosive here" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams3:02
10The Gospel According to the Other Mary, Act One, Scene 3: “Don’t Touch My Left Arm” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Don't touch my left arm!" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:24
11The Gospel According to the Other Mary, Act One, Scene 3: “When Mary Was Come Where Jesus Was” (Countertenors, Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "When Mary was come where Jesus was" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams3:46
12The Gospel According to the Other Mary, Act One, Scene 3: “Jesus Said, Take Ye Away the Stone” (Countertenors, Martha, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Jesus said, take ye away the stone" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:14
13The Gospel According to the Other Mary, Act One, Scene 3: “And When He Thus Had Spoken” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary, Act I Scene III. "And When He Thus Had Spoken" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:41
14The Gospel According to the Other Mary, Act One, Scene 3: Chorus “Drop Down, Ye Heavens, from Above”
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. Chorus "Drop down, ye heavens" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:55
15The Gospel According to the Other Mary, Act One, Scene 4: “Then Jesus Six Days Before the Passover” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams0:44
16The Gospel According to the Other Mary, Act One, Scene 4: “For the Grave Cannot Praise Thee” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene IV. "For the grave cannot praise thee" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams7:08
17The Gospel According to the Other Mary, Act One, Scene 4: “Then Took Mary a Pound of Ointment” (Countertenors, Mary, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:48
18The Gospel According to the Other Mary, Act One, Scene 5: “And There Were Some That Had Indignation Within Themselves” (Lazarus, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene V. "And there were some who had indignation within themselves" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams1:53
19The Gospel According to the Other Mary, Act One, Scene 5: “We Know There Will Be No Utopias” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene V. "We know there will be no utopias" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams6:17
20The Gospel According to the Other Mary, Act One, Scene 5: “Tell Me, How Is This Night Different” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene V. "Tell me: how is this night different from all other night?" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams11:37
21The Gospel According to the Other Mary, Act Two, Scene 1: Chorus “Who Rips His Own Flesh Down the Seams”
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act II, Scene I. Chorus "Who rips his flesh down the seams" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act II
John Adams4:01
22The Gospel According to the Other Mary, Act Two, Scene 1: “Martha and Mary, Not Knowing What Was Happening” (Countertenors, Chorus, Lazarus, Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams5:58
23The Gospel According to the Other Mary, Act Two, Scene 2: Introduction
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:20
24The Gospel According to the Other Mary, Act Two, Scene 2: “Up at Two a.m., Picketed All Day” (Martha)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act II, Scene II. "Up at two A.M., picketed all day" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act II
John Adams1:58
25The Gospel According to the Other Mary, Act Two, Scene 2: “The Said Defendants” (Men’s Chorus, Martha)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:52
26The Gospel According to the Other Mary, Act Two, Scene 2: Chorus “Jesus, incomparable perdonador de injurias” (Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:11
27The Gospel According to the Other Mary, Act Two, Scene 3: “And They Were Come unto a Place Called Golgotha” (Countertenors, Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act II, Scene III. Golgotha (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act II
John Adams6:14
28The Gospel According to the Other Mary, Act Two, Scene 3: “Daughters of Jerusalem, Weep Not for Me” (Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:37
29The Gospel According to the Other Mary, Act Two, Scene 3: “Now There Stood by the Cross of Jesus” (Martha, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams1:14
30The Gospel According to the Other Mary, Act Two, Scene 3: “When Jesus Saw His Mother” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:13
31The Gospel According to the Other Mary, Act Two, Scene 4: “When the Rain Began to Fall” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:54
32The Gospel According to the Other Mary, Act Two, Scene 4: “On Earth When He Heard the First Rain” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:35
33The Gospel According to the Other Mary, Act Two, Scene 4: “His Son Cried Out to Him” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams1:56
34The Gospel According to the Other Mary, Act Two, Scene 5: “Now in the Place Where He Was Crucified There Was a Garden” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:30
35The Gospel According to the Other Mary, Act Two, Scene 5: Mary Awakens on the Third Morning
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:24
36The Gospel According to the Other Mary, Act Two, Scene 5: Chorus “It Is Spring” (Chorus, Mary)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:17
37The Gospel According to the Other Mary, Act Two, Scene 6: “And, Behold, There Was a Great Earthquake” (Soloists, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
contralto vocals:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
tenor vocals:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:09
38The Gospel According to the Other Mary, Act Two, Scene 6: “Why Seek Ye the Living Among the Dead?” (Women’s Chorus, Martha, Countertenors, Mary, Men’s Chorus, Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2017-01-26 until 2017-01-28)
contralto vocals [Martha]:
Tamara Mumford (mezzo‐soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams7:36