Seven Classic Albums

~ Release by Bill Evans (see all versions of this release, 1 available)

Tracklist

1▼CD: New Jazz Conceptions / Everybody Digs Bill Evans
#TitleRatingLength
1I Love You
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Love You (Mexican Hayride musical) (from 1956-09-18 until 1956-09-27)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:55
2Five
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Five (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
4:02
3I Got It Bad (And That Ain’t Good)
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1956-09-18 until 1956-09-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
1:39
4Conception
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Conception (from 1956-09-18 until 1956-09-27)
composer:
George Shearing (British jazz pianist)
4:47
5Easy Living
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Easy Living (from 1956-09-18 until 1956-09-27)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:53
6Displacement
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Displacement (from 1956-09-18 until 1956-09-27)
writer:
Bill Evans (pianist)
2:35
7Speak Low
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Speak Low (One Touch of Venus) (from 1956-09-18 until 1956-09-27)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
5:09
8Waltz for Debby
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recording of:
Waltz for Debby (instrumental) (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
1:20
9Our Delight
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Our Delight (from 1956-09-18 until 1956-09-27)
composer:
Tadd Dameron
4:43
10My Romance
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
My Romance (from 1956-09-18 until 1956-09-27)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
2:00
11No Cover, No Minimum
recording of:
No Cover, No Minimum
composer:
Bill Evans (pianist)
7:31
12Minority
recorded in:
New York, New York, United States (on 1958-12-15)
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Minority (on 1958-12-15)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
55:22
13Young and Foolish
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Young and Foolish (on 1958-12-15)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
55:53
14Lucky to Be Me
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (on 1958-12-15)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
3:40
15Night and Day
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-12-15)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
57:36
16Epilogue
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans (pianist)
publisher:
Folkways Music and TRO-Acorn Music
0:41
17Tenderly
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Tenderly (on 1958-12-15)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:33
18Peace Piece
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
4.56:43
2▶CD: Everybody Digs Bill Evans (cont) / The Ivory Hunters / Portrait in Jazz
3▶CD: Portrait in Jazz (cont) / Know What I Mean
4▶CD: Explorations / Waltz for Debby