Quincy Jones: Verve Ultimate Cool

~ Release by Quincy Jones (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Comin' Home Baby
cover recording of:
Comin’ Home Baby (original instrumental)
composer:
Ben Tucker
Quincy Jones2:45
2A Sunday Kind of Love
alto saxophone:
Porter Kilbert (on 1960-04-21) and Phil Woods (US jazz woodwind player) (on 1960-04-21)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1960-04-21)
bass:
Buddy Catlett (on 1960-04-21)
drums (drum set):
Joe Harris (jazz drummer/percussionist) (on 1960-04-21)
French horn:
Julius Watkins (on 1960-04-21)
piano:
Patti Bown (on 1960-04-21)
tenor saxophone:
Budd Johnson (on 1960-04-21) and Jerome Richardson (on 1960-04-21)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1960-04-21), Quentin Jackson (on 1960-04-21), Melba Liston (US jazz trombonist) (on 1960-04-21) and Åke Persson (on 1960-04-21)
trumpet:
Benny Bailey (on 1960-04-21), Lennie Johnson (trumpet) (on 1960-04-21), Floyd Standifer (trumpet, saxophone, vocals) (on 1960-04-21) and Clark Terry (American swing trumpeter) (on 1960-04-21)
conductor:
Quincy Jones (on 1960-04-21)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1960-04-21)
Quincy Jones2:32
3Killer Joe
recording of:
Killer Joe
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Atlantic Music (US publishing company, affiliated with BMI)
Quincy Jones25:10
4Quintessence
alto saxophone:
Phil Woods (US jazz woodwind player)
Quincy Jones and His Orchestra4:20
5Cast Your Fate to the Wind
Quincy Jones2:45
6Bluesette
assistant engineer:
Joan DeCola
engineer:
Phil Schier
producer:
Quincy Jones
double bass:
Chuck Rainey (American bassist) (in 1975)
drums (drum set):
Grady Tate (in 1975)
guest solo trombone:
Frank Rosolino (in 1975)
guitar and whistle:
Toots Thielemans (in 1975)
keyboard:
Don Grusin (in 1975)
vocals:
Tom Bahler (in 1975), Jim Gilstrap (in 1975), Jesse Kirkland (American singer-songwriter, background vocals) (in 1975), Myrna Matthews (in 1975), Paulette McWilliams (in 1975), Leon Ware (US singer-songwriter, composer, pianist, keyboardist) (in 1975) and Carolyn Willis (in 1975)
phonographic copyright (℗) by:
A&M Records, Inc.
recording of:
Bluesette (Original instrumental version) (in 1975)
composer:
Toots Thielemans
Quincy Jones7:01
7Charade
recorded in:
New York, New York, United States (on 1964-02-06)
double bass:
Milt Hinton (on 1964-02-06) and Major Holley (on 1964-02-06)
drums (drum set):
Osie Johnson (on 1964-02-06)
guitar:
Vinnie Bell (on 1964-02-06)
percussion:
Phil Kraus (on 1964-02-06)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-02-06)
reeds:
George Berg (on 1964-02-06), Rahsaan Roland Kirk (on 1964-02-06), Romeo Penque (on 1964-02-06), Seldon Powell (on 1964-02-06), Jerome Richardson (on 1964-02-06) and Phil Woods (US jazz woodwind player) (on 1964-02-06)
trombone:
Billy Byers (on 1964-02-06), Urbie Green (on 1964-02-06), Dick Hixson (trombonist) (on 1964-02-06), Quentin Jackson (on 1964-02-06) and Tony Studd (on 1964-02-06)
trumpet:
John Bello (on 1964-02-06), Jimmy Maxwell (Trumpet) (on 1964-02-06), Ernie Royal (on 1964-02-06) and Snooky Young (on 1964-02-06)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1964-02-06)
conductor:
Quincy Jones (on 1964-02-06)
arranger:
Quincy Jones
recording of:
Charade
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
part of:
The 36th Academy Award for Best Original Song (number: 2)
Rahsaan Roland Kirk feat. Quincy Jones and His Orchestra3:16
8Superwoman (Where Were You When I Needed You)
Quincy Jones feat. Patti Austin5:27
9Moonglow
Quincy Jones2:47
10Evening in Paris
Quincy Jones and His Orchestra5:05