Gramophone Awards 98

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Mass for Double Choir: Gloria
choir vocals:
Westminster Cathedral Choir (from 1997-07-07 until 1997-07-11)
conductor:
James O’Donnell (organist and choir master) (from 1997-07-07 until 1997-07-11)
recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (from 1997-07-07 until 1997-07-11)
recording of:
Messe pour double choeur a cappella: II. Gloria (from 1997-07-07 until 1997-07-11)
composer:
Frank Martin (Swiss composer) (from 1922 until 1926)
part of:
Messe pour double choeur a cappella
Frank Martin5:35
2Violin Concerto: Presto capriccioso alla napolitana
engineer:
Duncan Mitchell (engineer) (in 1996-01)
producer:
Chris Hazell
violin:
Joshua Bell (violinist) (in 1996-01)
orchestra:
Baltimore Symphony Orchestra (in 1996-01)
conductor:
David Zinman (conductor) (in 1996-01)
balance engineer:
Simon Eadon (classical music engineer) (in 1996-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (in 1996-01)
recording of:
Violin Concerto: II. Presto capriccioso alla napolitana (revised 1943) (in 1996-01)
premiered in:
Wolverhampton, West Midlands, England, United Kingdom (on 1944-01-17)
composer:
William Walton (British composer and conductor) (from 1938 until 1939)
revised by:
William Walton (British composer and conductor) (in 1943)
part of:
Violin Concerto (revised 1943)
revision of:
Violin Concerto: II. Presto capriccioso alla napolitana (original version, seldom performed)
Sir William Walton6:35
3Belsazar
engineer and balance engineer:
Jonathan Allen (engineer)
producer:
John Fraser (UK producer)
editor:
Jennifer Howells and Simon Kiln
piano:
Julius Drake (pianist) (in 1997-07)
tenor vocals:
Ian Bostridge (tenor) (in 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1997-07)
recording of:
Belsatzar, op. 57 (in 1997-07)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Belsatzar
Robert Schumann4:48
4Whisky Galore: Preludio
orchestra:
Royal Ballet Sinfonia (in 1997-01)
conductor:
Kenneth Alwyn (conductor) (in 1997-01)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1997-01)
partial recording of:
Whisky Galore (in 1997-01)
composer:
Ernest Irving
Ernest Irving2:22
5Hor che'l ciel e la terra (prima parte)
engineer:
Laurence Heym
producer:
Yolanta Skura
choir vocals:
Concerto Italiano (in 1997-02)
orchestra:
Concerto Italiano (in 1997-02)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor) (in 1997-02)
recording of:
Hor che’l ciel e la terra: I. E’l vento tace (in 1997-02)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Hor che’l ciel e la terra e’l vento tace SV 147
Claudio Monteverdi6:01
6String Quartet no. 4: Non troppo lento
recording engineer:
Martin Atkinson (engineer) (from 1996-08 until 1996-09) and Graham Meek (from 1996-08 until 1996-09)
producer:
Christopher Pope (producer)
editor:
Simon Bertram
cello:
András Fejér (Hungarian cellist) (from 1996-08 until 1996-09)
string quartet:
Takács Quartet (in 1996-08)
viola:
Roger Tapping (British violist) (from 1996-08 until 1996-09)
violin [violin I]:
Edward Dusinberre (from 1996-08 until 1996-09)
violin [violin II]:
Károly Schranz (violinist) (from 1996-08 until 1996-09)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (from 1996-08 until 1996-09)
recording of:
String Quartet no. 4, Sz. 91, BB 95: III. Non troppo lento (in 1996-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1928)
part of:
String Quartet no. 4, Sz. 91, BB 95
Béla Bartók5:39
7Il turco in Italia: "Serva ... Servo"
baritone vocals [Poeta]:
Roberto de Candia (baritone) (in 1997)
bass vocals [Selim]:
Michele Pertusi (operatic bass) (in 1997)
mezzo-soprano vocals [Fiorilla]:
Cecilia Bartoli (mezzo‐soprano) (in 1997)
tenor vocals [Narciso]:
Ramón Vargas (tenor) (in 1997)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1997)
conductor:
Riccardo Chailly (conductor) (in 1997)
recording of:
Il turco in Italia: Atto I, scena 1. “Serva…” “Servo…” (Selim, Fiorilla, Poeta, Narciso) (in 1997)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
Gioachino Rossini3:40
8Gentil senora mia
conductor:
Dominique Visse (countertenor)
Juan Vásquez3:10
9Les Fêtes d'Hébé: Première et Deuxième Rigadouns / Dieu charmantJean‐Philippe Rameau3:18
10Chicago: My Own Best Friend
assistant engineer:
Paul J. Falcone, Chris Hilt and Mark Johnson (engineer)
engineer:
James Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
editor:
Ken Hahn
spoken vocals:
Rob Fisher (US composer, arranger, musical director, conductor, pianist)
vocals:
Bebe Neuwirth and Ann Reinking
conductor:
Rob Fisher (US composer, arranger, musical director, conductor, pianist)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1996-11-18)
recording of:
My Own Best Friend (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Chicago (Kander & Ebb musical)
John Kander2:46
11The Miraculous Mandarin: Maestoso (excerpt)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók7:30
12Pigmalion: Ouverture
conductor:
Christophe Rousset (French harpsichordist & conductor)
performer:
Les Talens Lyriques (French classical musical ensemble)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1996-10-28 until 1996-10-30)
recording of:
Pygmalion: Ouverture (from 1996-10-28 until 1996-10-30)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pygmalion (Pigmalion)
Jean‐Philippe Rameau4:46
13The Mask of Orpheus: Second Allegorical Flower of Reason / First Terrible Death / Second Whisper of Change
choir vocals:
BBC Singers (professional chamber choir of the BBC)
orchestra:
BBC Symphony Orchestra
conductor:
Martyn Brabbins (conductor) and Sir Andrew Davis (conductor, keyboardist, composer, arranger)
partial recording of:
The Mask of Orpheus
composer:
Sir Harrison Birtwistle (composer) (from 1973 until 1984)
librettist:
Peter Zinovieff (British electronic composer)
Sir Harrison Birtwistle4:54
14Canción y danza 9
recording engineer:
Tony Faulkner (recording engineer)
assistant producer:
Oliver Rivers
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Stephen Hough (pianist) (from 1996-07-22 until 1996-07-23)
piano technician:
Phil Sanders (Piano Tuner)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1996-07-22 until 1996-07-23)
recording of:
Cançó i dansa núm. 9 (from 1996-07-22 until 1996-07-23)
composer:
Frederic Mompou (composer and pianist) (in 1948)
Federico Mompou4:40
15Arcadiana: O Albion
strings:
Endellion Quartet (from 1997-03 until 1997-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1997-03 until 1997-05)
recording of:
Arcadiana, op. 12: VI. O Albion (from 1997-03 until 1997-05)
composer:
Thomas Adès (British composer, pianist and conductor) (in 1994)
part of:
Arcadiana, op. 12
Thomas Adès3:29
16Die stille Stadt
producer:
Michael Haas (classical music producer)
editor:
Nigel Gayler and Deborah Gilbert (engineer)
mezzo-soprano vocals:
Iris Vermillion (mezzo-soprano)
soprano vocals:
Iris Vermillion (mezzo-soprano) (from 1996-04-25 until 1996-04-29)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1996-04-25 until 1996-04-29)
conductor:
Riccardo Chailly (conductor) (from 1996-04-25 until 1996-04-29)
orchestrator:
Colin Matthews (English composer) and David Matthews (British orchestral, chamber composer)
balance engineer:
John Dunkerley (engineer) and Simon Eadon (classical music engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-25 until 1996-04-29)
recording of:
Die stille Stadt (from 1996-04-25 until 1996-04-29)
lyricist and librettist:
Richard Dehmel
composer:
Alma Mahler
part of:
5 Lieder
Alma Mahler3:02
17Piano Trio, op. 12 (excerpt)
sound engineer:
Max Wilcox (engineer/editor/producer)
cello:
Peter Wiley (cellist) (in 1996-06)
piano:
Menahem Pressler (pianist) (in 1996-06)
piano trio:
Beaux Arts Trio (in 1996-06)
violin:
Ida Kavafian (violinist and violist) (in 1996-06)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1996-06)
recording of:
Piano Trio no. 1 in E-flat major, op. 12: III. Finale. Presto (in 1996-06)
composer:
Johann Nepomuk Hummel (Austrian composer)
part of:
Piano Trio no. 1 in E-flat major, op. 12
Johann Nepomuk Hummel4:50