Golden Hits (remastered, explicit)

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
43:20
2Rags and Old Iron
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
remixer:
Layo & Bushwacka! (DJs Layo Paskin & Matthew Benjamin)
cover recording of:
Rags and Old Iron (in 1961)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.654:07
3Don’t Smoke in Bed
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
33:13
4Do Nothin’ Till You Hear from Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.652:48
5Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:02
6Little Girl Blue
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
44:20
7I Got It Bad (and That Ain’t Good)
lead vocals:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
2.54:04
8I Love to Love
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I Love to Love (Herbert Baker song) (in 1961)
lyricist and composer:
Herbert Baker
33:24
9Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
34:04
10That’s Him over There
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
That’s Him Over There (in 1959)
lyricist:
Marilyn Bergman
composer:
Lew Spence
4.252:30
11Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
vocals:
Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
4.652:33
12My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3.93:39
13It Might as Well Be Spring
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1959-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3.753:54
14I Like the Sunrise
lead vocals:
Nina Simone
cover recording of:
Liberian Suite: I Like the Sunrise
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music and Tempo Music, Inc. (Duke Ellington’s music publishing company)
32:59
15Forbidden Fruit
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
recording of:
Forbidden Fruit (in 1961)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
33:47
16Can’t Get out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
42:34
17Satin Doll
instrumental cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
4.653:35
18You’ll Never Walk Alone
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
33:45
19You Better Know It
cover recording of:
You Better Know It
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
42:22
20Solitaire
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Solitaire (in 1959)
writer:
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) and Carl Nutter
53:25