Unforgettable Fifties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Tutti Frutti
recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard2:22
2Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:58
3Blueberry Hill (live)
Sound-Engineering:
Ron McMaster (US mastering & cutting engineer)
Audio-Engineering:
Dieter Dirks (German audio engineer) (am 1977-03-20), Martin Rushent (am 1977-03-20) und Peter Wolsey (German audio engineer) (am 1977-03-20)
Produzent(in):
Tim Read (producer) (in 1977-03) und Martin Rushent (in 1977-03)
baritone saxophone:
Roger Lewis (Sax Player - Dirty Dozen Brass Band) (am 1977-03-20)
Bassgitarre:
Carlton McWilliams (guitar player) (am 1977-03-20)
Gitarre:
David Douglas (guitar) (am 1977-03-20) und Roy Montrell (am 1977-03-20)
Klavier und Sologesang:
Fats Domino (am 1977-03-20)
Schlagzeug:
Smokey Johnson (am 1977-03-20)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1977-03-20), Fred Kemp (am 1977-03-20) und Walter Kimble (sax player) (am 1977-03-20)
Trompete:
Dave Bartholomew (am 1977-03-20) und Thomas Johnson (trumpet player) (am 1977-03-20)
conductor:
Dave Bartholomew (am 1977-03-20)
phonographisches Urheberrecht (℗) von:
United Artists Records Ltd. (vom 1977 bis heute)
aufgenommen bei:
Deutsches Museum in München, Bayern, Deutschland (am 1977-03-20)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977)
engineered at:
EMI Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977)
Bearbeitung von:
Blueberry Hill (live, 1977-03-20: Deutsches Museum, Munich, West Germany; with speech) von Fats Domino
live cover recording of:
Blueberry Hill (am 1977-03-20)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.53:07
4Heartaches by the Number
recording of:
Heartaches by the Number
Texter und Komponist(in):
Harlan Howard
publisher:
Good Ol’ Harlan Music, Sony/ATV Tree Publishing und Legacy of Harlan Perry Howard, LLC (in 1959)
Guy Mitchell2:32
5Rock Around the Clock
E-Gitarre:
Danny Cedrone (am 1954-04-12)
Gitarre:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
vocals:
Bill Haley (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:10
6Save the Last Dance for Me (live)
live recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:10
7Out Here
The Clovers2:14
8Problem Child
recording of:
Problem Child
Texter und Komponist(in):
Sam Phillips (founder of Sun Records)
Roy Orbison2:05
9The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:40
10Bonnie B
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Leo Lodner (von 1960-01-21 bis 1960-01-25)
Gitarre:
Roland Janes (von 1960-01-21 bis 1960-01-25)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1960-01-21 bis 1960-01-25)
Schlagzeug:
Jimmy Van Eaton (von 1960-01-21 bis 1960-01-25)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1960-01-21 bis 1960-01-25)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
recording of:
Bonnie B (von 1960-01-21 bis 1960-01-25)
Texter und Komponist(in):
Charles Underwood
Jerry Lee Lewis2:20
11Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
12Java Jive
The Ink Spots3:04
13Jezebel
recording of:
Jezebel
Texter und Komponist(in):
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. und Domino Publishing Co. Ltd.
Frankie Laine3:16
14Friendly Persuasion
Pat Boone3:01
15Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Doris Day2:15
16All the Way (live)
live recording of:
All the Way (from “The Joker Is Wild”)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
Frank Sinatra3:41
17God Bless This Child
recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:11
18Chicago (live)
live cover recording of:
Chicago (That Toddlin’ Town)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Frank Sinatra2:07