| # | Title | Artist | Rating | Length |
|---|
| 1 | Bad Day | Daniel Powter | 3.1 | 3:54 |
| 2 | A Shoulder to Cry On | Tommy Page | | 3:22 |
| 3 | Lost in Your Eyes | Debbie Gibson | 5 | 3:33 |
| 4 | Hard to Say I’m Sorry (remastered) | Chicago | 5 | 3:41 |
| 5 | Way Back Into Love- assistant engineer:
- Arjun Agerwala and Rudyard Lee Cullers
- engineer:
- Geoff Sanoff
- producer:
- Steven M. Gold and Adam Schlesinger
- mixer:
- Bob Clearmountain
- bass, drums (drum set) [drums], guitar, keyboard [keyboards] and percussion:
- Adam Schlesinger
- viola:
- Katie Kresek
- violin:
- Janey Choi, Conrad Harris and Kiku Eromoto
- background vocals:
- Britta Phillips
- vocals:
- Haley Bennett and Hugh Grant
- strings arranger:
- Bob Burke
- phonographic copyright (℗) by:
- Warner Bros. Entertainment Inc. (in 2007)
- recorded at:
- Stratosphere Sound in Chelsea, New York, New York, United States
- mixed at:
- Mix This in Pacific Palisades, Los Angeles, California, United States
- part of:
- Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 31)
- recording of:
- Way Back Into Love
- composer:
- Adam Schlesinger
| Hugh Grant & Haley Bennett | 3.9 | 4:38 |
| 6 | Superwoman- additional recording engineer:
- Bob Brown , Craig Burbidge and Tim Jaquette
- recording engineer and mixer:
- Jon Gass
- assistant engineer:
- Toni Greene and Fred Howard
- executive producer:
- Benny Medina and Leonard Richardson
- producer:
- L.A. & Babyface
- bass:
- Kayo
- drums (drum set) [drums] and percussion:
- L.A.
- keyboard [keyboards]:
- Babyface
- background vocals:
- Babyface , Carmen Carter, Bunny Hull and Karyn White
- mixed for:
- Ratstyle Productions
- produced for:
- La'Face, Inc.
- recorded at:
- Studio Masters in Los Angeles, California, United States
- mixed at:
- Elumba Recording Studio in Hollywood, Los Angeles, California, United States
- recording of:
- Superwoman (from 1988-03 until 1988-04)
- writer:
- Antonio M. Reid, Kenneth Edmonds and Daryl Simmons
- publisher:
- Green Skirt Music , Hip Trip and Kear Music
| Karyn White | 3 | 5:47 |
| 7 | Always | Atlantic Starr | | 4:48 |
| 8 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:48 |
| 9 | What Can I Do | The Corrs | | 4:15 |
| 10 | Forever Young | Alphaville | 4.5 | 3:47 |
| 11 | Kiss From a Rose | Seal | 3.85 | 4:48 |
| 12 | Miss You Like Crazy | Natalie Cole | 3 | 3:54 |
| 13 | To Be With You- assistant engineer:
- Chris Kupper, David Luke , Scott Ralston, Michael Semanick and Andy Udoff
- engineer and mixer:
- Kevin Elson and Tom Size
- producer:
- Kevin Elson
- bass guitar [bass]:
- Billy Sheehan
- drums (drum set) [drums]:
- Pat Torpey
- guitar:
- Paul Gilbert
- lead vocals [vocals]:
- Eric Martin
- phonographic copyright (℗) by:
- Atlantic Recording Corp. (in 1991), Warner Music International (in 1991) and Warner Music H.K. Ltd. (in 1997)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- music videos:
- To Be With You by Mr. Big
- recording of:
- To Be With You
- writer:
- David Grahame and Eric Martin
- publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Mr. Big | 4.4 | 3:29 |
| 14 | Don’t Know Much | Linda Ronstadt feat. Aaron Neville | 3 | 3:32 |
| 15 | Nothing’s Gonna Change My Love for You- producer:
- Michael Masser
- mixer:
- Bill Schnee
- bass guitar:
- Nathan East
- drums (drum set):
- Carlos Vega
- guitar:
- Dann Huff and Paul Jackson
- keyboard:
- Robbie Buchanan
- solo guitar and lead vocals:
- George Benson
- background vocals:
- Richard Marx and Deborah Thomas
- arranger:
- Robbie Buchanan
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1985) and WEA International Inc. (in 1985)
- mixed at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Nothing’s Gonna Change My Love for You
- lyricist:
- Gerald Goffin and Michael Masser
- composer:
- Michael Masser
- publisher:
- Almo Music Corp. , EMI Music Publishing Germany , Lauren Wesley Music , Prince Street Music , Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , Universal‐MCA Music Publishing , Universal/MCA Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| George Benson | | 4:03 |
| 16 | There You’ll Be (remastered version) | Faith Hill | 4 | 3:41 |
| 17 | I’d Love You to Want Me | Lobo | 3 | 4:02 |
| 18 | How Am I Supposed to Live Without You- assistant engineer:
- John Kovorek and John Van Nest
- engineer and mixer:
- Jürgen Koppers
- producer:
- Robbie Buchanan and Jack White
- bass guitar:
- Dennis Belfield (in 1982)
- drums (drum set):
- Doane Perry (in 1982) and Carlos Vega (in 1982)
- guitar:
- Michael Landau (in 1982)
- percussion:
- Lenny Castro (in 1982)
- synthesizer:
- Michael Boddicker (in 1982)
- background vocals:
- Jim Haas (in 1982), Jon Joyce (in 1982) and Joe Pizzulo (in 1982)
- lead vocals:
- Laura Branigan (in 1982)
- recorded at:
- Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
- recording of:
- How Am I Supposed to Live Without You (in 1982)
- writer:
- Michael Bolton and Doug James
- publisher:
- EMI Blackwood Music Inc., EMI Songs Ltd. and Is Hot Music Ltd.
- sub-publisher:
- フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Laura Branigan | | 4:23 |
| 19 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Phil Collins | 3.8 | 3:24 |
| 20 | Glory of Love (theme from The Karate Kid, Pt. II)- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:18 |
| 21 | I Swear | All‐4‐One | 4 | 4:20 |
| 22 | Fallen | Lauren Wood | | 3:41 |
| 23 | How Can I Tell Her | Lobo | | 4:19 |
| 24 | Sailing- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, background vocals and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and synthesizer:
- Rob Meurer
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979, in 1981, in 2001)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Sailing
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music , Universal Music Corp. and Universal Music–MGB Songs
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 4.1 | 4:16 |
| 25 | The Blower’s Daughter | Damien Rice | 4.6 | 4:47 |
| 26 | Goodbye My Lover | James Blunt | 3.4 | 4:19 |
| 27 | To Where You Are | Josh Groban | | 3:53 |
| 28 | Desperado | Linda Ronstadt | | 3:34 |
| 29 | If Ever You’re in My Arms Again | Peabo Bryson | 4 | 4:11 |
| 30 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott “Abada” Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 4:55 |
| 31 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 32 | I Don’t Want to Talk About It | Everything but the Girl | 4 | 4:18 |
| 33 | Foolish Beat | Debbie Gibson | 4.5 | 4:22 |
| 34 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:56 |
| 35 | From a Distance | Bette Midler | 2.5 | 4:39 |
| 36 | I’ll Stand by You | Pretenders | 3.55 | 4:00 |
| 37 | Pretty Boy | M2M | 3.35 | 4:39 |
| 38 | Runaway | The Corrs | 3.65 | 4:25 |
| 39 | Kiss Me | Sixpence None the Richer | 4.4 | 3:29 |
| 40 | I Love You Always Forever | Donna Lewis | 3.9 | 4:00 |
| 41 | Holding Back the Years | Simply Red | 4 | 4:26 |
| 42 | Make It With You | Bread | 5 | 3:12 |
| 43 | Baby, Come to Me | Patti Austin with James Ingram | | 3:36 |
| 44 | Through the Fire | Chaka Khan | | 4:47 |
| 45 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:18 |
| 46 | If You Don’t Know Me by Now | Simply Red | 3.4 | 3:25 |
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