Early Music Log: J.S Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2023 fra bernardo

Annotation last modified on 2026-05-28 10:19 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Mass in F Major, BWV 233: I. Kyrie
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe1:26
2Mass in F Major, BWV 233: II. Christe
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe1:30
3Mass in F Major, BWV 233: III. Kyrie
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe1:34
4Mass in F Major, BWV 233: IV. Gloria in excelsis Deo
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe5:41
5Mass in F Major, BWV 233: V. Domine Deus
solo bass vocals:
Thomas Bauer (German baritone) (in 2003-06)
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe3:25
6Mass in F Major, BWV 233: VI. Qui tollis peccata mundi
solo soprano vocals:
Sybilla Rubens (soprano) (in 2003-06)
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe4:19
7Mass in F Major, BWV 233: VII. Quoniam tu solus Sanctus
solo alto vocals:
Stéphanie Houtzeel (in 2003-06)
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe4:39
8Mass in F Major, BWV 233: VIII. Cum Sancto Spiritu
orchestra:
Collegium Vocale Gent (in 2003-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-06)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Sibylla Rubens, Stéphanie Houtzeel, Thomas E. Bauer, Collegium Vocale Gent & Philippe Herreweghe2:38
9Pastorale in F Major, BWV 590: I. Alla Siciliana
solo organ:
Ton Koopman (conductor, organist and harpsichordist) (in 2003)
recorded at:
Maria Saaler Dom (Catholic church in the town of Maria Saal) in Maria Saal, Kärnten (Carinthia), Austria (in 2003)
live recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: I. (Pastorella) (in 2003)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman1:46
10Pastorale in F Major, BWV 590: II. Allemande
solo organ:
Ton Koopman (conductor, organist and harpsichordist) (in 2003)
recorded at:
Maria Saaler Dom (Catholic church in the town of Maria Saal) in Maria Saal, Kärnten (Carinthia), Austria (in 2003)
live recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: II. (a tempo giusto) (in 2003)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman1:49
11Pastorale in F Major, BWV 590: III. Aria
solo organ:
Ton Koopman (conductor, organist and harpsichordist) (in 2003)
recorded at:
Maria Saaler Dom (Catholic church in the town of Maria Saal) in Maria Saal, Kärnten (Carinthia), Austria (in 2003)
live recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: III. (Adagio) (in 2003)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman1:48
12Pastorale in F Major, BWV 590: IV. Alla Gigue
solo organ:
Ton Koopman (conductor, organist and harpsichordist) (in 2003)
recorded at:
Maria Saaler Dom (Catholic church in the town of Maria Saal) in Maria Saal, Kärnten (Carinthia), Austria (in 2003)
live recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: IV. (Allegro) (in 2003)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman2:40
13Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: I. Chorus "Tönet, ihr Pauken! Erschallet, Trompeten!,"
choir vocals:
Amsterdam Baroque Choir (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman8:15
14Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: II. Recitative (tenor) "Heut ist der Tag"
solo tenor vocals:
Jörg Dürmüller (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": II. Recitativo (Tenor) "Heut ist der Tag" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman0:54
15Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: III. Aria (soprano) "Blast die wohlgegriffnen Flöten"
solo soprano vocals:
Deborah York (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": III. Aria (Sopran) "Blast die wohlgegriffnen Flöten" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman3:34
16Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: IV. Recitative (soprano) "Mein knallendes Metall"
solo soprano vocals:
Deborah York (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IV. Recitativo (Sopran) "Mein knallendes Metall" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman0:46
17Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: V. Aria (alto) "Fromme Musen! Meine Glieder"
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": V. Aria (Alt) "Fromme Musen! meine Glieder!" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman3:40
18Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: VI. Recitative (alto) "Unsre Königin im Lande"
solo alto vocals:
Annette Markert (mezzo-soprano) (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VI. Recitativo (Alt) "Unsre Königin im Lande" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman0:55
19Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: VII. Aria (bass) "Kron und Preis gekrönter Damen"
solo bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VII. Aria (Bass) "Kron und Preis gekrönter Damen" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman4:36
20Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: VIII. Recitative (bass) "So dringe in das weite Erdenrund"
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VIII. Recitativo (Bass) "So dringe in das weite Erdenrund" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman1:07
21Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: IX. Chorus "Blühet, ihr Linden in Sachsen, wie Zedern"
choir vocals:
Amsterdam Baroque Choir (in 2003-06)
orchestra:
Amsterdam Baroque Orchestra (in 2003-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-06: organ)
recorded at:
Stiftskirche Melk (in 2003-06)
live recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IX. Coro "Blühet, ihr Linden in Sachsen, wie Zedern!" (in 2003-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Deborah York, Annette Markert, Jörg Dürmüller, Klaus Mertens, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir & Ton Koopman2:04
22Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [no tempo indication]
cello:
Frieda Krause-Litschauer (Cellist) (in 1950)
double bass:
Alfred Planiavsky (Austrian double-bass player and tenor) (in 1950)
harpsichord:
Bruno Seidlhofer (pianist, harpsichordist and organist) (in 1950)
viola:
Alfred Altenburger (violinist) (in 1950), Eduard Melkus (violinist) (in 1950) and Edith Steinbauer (in 1950)
viola da gamba:
Nikolaus Harnoncourt (conductor) (in 1950) and Gustav Leonhardt (conductor, harpsichordist) (in 1950)
conductor:
Josef Mertin (Austrian musicologist, ensemble leader, singer, organist and organ builder) (in 1950)
recorded at:
Casino Baumgarten (former castle in Vienna, now a venue) in Penzing, Wien (Vienna), Austria (in 1950)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Nikolaus Harnoncourt, Gustav Leonhardt, Edith Steinbauer, Eduard Melkus, Alfred Altenburger, Frieda Krause-Litschauer, Bruno Seidlhofer & Josef Mertin6:36
23Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio, ma non tanto
cello:
Frieda Krause-Litschauer (Cellist) (in 1950)
double bass:
Alfred Planiavsky (Austrian double-bass player and tenor) (in 1950)
harpsichord:
Bruno Seidlhofer (pianist, harpsichordist and organist) (in 1950)
viola:
Alfred Altenburger (violinist) (in 1950), Eduard Melkus (violinist) (in 1950) and Edith Steinbauer (in 1950)
viola da gamba:
Nikolaus Harnoncourt (conductor) (in 1950) and Gustav Leonhardt (conductor, harpsichordist) (in 1950)
conductor:
Josef Mertin (Austrian musicologist, ensemble leader, singer, organist and organ builder) (in 1950)
recorded at:
Casino Baumgarten (former castle in Vienna, now a venue) in Penzing, Wien (Vienna), Austria (in 1950)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (in 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Nikolaus Harnoncourt, Gustav Leonhardt, Edith Steinbauer, Eduard Melkus, Alfred Altenburger, Frieda Krause-Litschauer, Bruno Seidlhofer & Josef Mertin4:33
24Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
cello:
Frieda Krause-Litschauer (Cellist) (in 1950)
double bass:
Alfred Planiavsky (Austrian double-bass player and tenor) (in 1950)
harpsichord:
Bruno Seidlhofer (pianist, harpsichordist and organist) (in 1950)
viola:
Alfred Altenburger (violinist) (in 1950), Eduard Melkus (violinist) (in 1950) and Edith Steinbauer (in 1950)
viola da gamba:
Nikolaus Harnoncourt (conductor) (in 1950) and Gustav Leonhardt (conductor, harpsichordist) (in 1950)
conductor:
Josef Mertin (Austrian musicologist, ensemble leader, singer, organist and organ builder) (in 1950)
recorded at:
Casino Baumgarten (former castle in Vienna, now a venue) in Penzing, Wien (Vienna), Austria (in 1950)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (in 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Nikolaus Harnoncourt, Gustav Leonhardt, Edith Steinbauer, Eduard Melkus, Alfred Altenburger, Frieda Krause-Litschauer, Bruno Seidlhofer & Josef Mertin5:58