Johann Sebastian Bach: Intégrale pour orgue

~ Release by Johann Sebastian Bach; Olivier Vernet (see all versions of this release, 2 available)

Tracklist

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1Concerto in C nach dem Concerto op. 7 n° 11 (RV 208) "Grosso Mogul" von Antonio Vivaldi, BWV 594: I. [Allegro]
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto C-Dur (nach A. Vivaldi, RV 208), BWV 594: I. (Allegro) (in 1997-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto for Violin in D major, RV 208 "Grosso Mogul": I. Allegro
part of:
Concerto C-Dur (nach A. Vivaldi, RV 208), BWV 594
Johann Sebastian Bach6:35
2Concerto in C nach dem Concerto op. 7 n° 11 (RV 208) "Grosso Mogul" von Antonio Vivaldi, BWV 594: II. Recitativo - Adagio
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto C-Dur (nach A. Vivaldi, RV 208), BWV 594: II. Recitativo Adagio (in 1997-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto for Violin in D major, RV 208 "Grosso Mogul": II. Recitativo: Grave
part of:
Concerto C-Dur (nach A. Vivaldi, RV 208), BWV 594
Johann Sebastian Bach2:26
3Concerto in C nach dem Concerto op. 7 n° 11 (RV 208) "Grosso Mogul" von Antonio Vivaldi, BWV 594: III. Allegro
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto C-Dur (nach A. Vivaldi, RV 208), BWV 594: III. Allegro (in 1997-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto for Violin in D major, RV 208 "Grosso Mogul": III. Allegro
part of:
Concerto C-Dur (nach A. Vivaldi, RV 208), BWV 594
Johann Sebastian Bach7:41
4"Liebster Jesu, wir sind hier", BWV 633
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Liebster Jesu, wir sind hier, BWV 633 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 35) and Bach-Werke-Verzeichnis (number: BWV 633)
Johann Sebastian Bach1:57
5"Liebster Jesu, wir sind hier" BWV 634
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Liebster Jesu, wir sind hier, BWV 634 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 36) and Bach-Werke-Verzeichnis (number: BWV 634)
Johann Sebastian Bach2:00
6Concerto in C nach dem 1. Satz eines Konzerts von Johann Ernst von Sachsen-Weimar, BWV 595: I. Allegro
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto C-Dur (nach Johann Ernst von Sachsen-Weimar), BWV 595 (arrangement of an unknown concerto by Johann Ernst Prince of Saxe-Weimar) (in 1997-11)
composer:
Johann Ernst von Sachsen-Weimar
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 595)
Johann Sebastian Bach3:48
7"Dies sind die heil'gen zehn Gebot", BWV 635
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Dies sind die heil’gen zehn Gebot’, BWV 635 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 37) and Bach-Werke-Verzeichnis (number: BWV 635)
Johann Sebastian Bach1:16
8"Vater unser im Himmelreich", BWV 636
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Vater unser im Himmelreich, BWV 636 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 38) and Bach-Werke-Verzeichnis (number: BWV 636)
Johann Sebastian Bach1:16
9Trio in G, BWV 586
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Trio G-Dur nach Georg Philipp Telemann, BWV 586 (in 1997-11)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 586)
Johann Sebastian Bach4:00
10"Durch Adams Fall ist ganz verderbt", BWV 637
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Durch Adams Fall ist ganz verderbt, BWV 637 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715)
part of:
Das Orgel-Büchlein (number: 39) and Bach-Werke-Verzeichnis (number: BWV 637)
Johann Sebastian Bach1:12
11"Es ist das Heil uns kommen her", BWV 638
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Es ist das Heil uns kommen her, BWV 638 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 40) and Bach-Werke-Verzeichnis (number: BWV 638)
Johann Sebastian Bach1:00
12"Ich ruf' zu dir, Herr Jesu Christ", BWV 639
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 77), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 639), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 639), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 639) and Das Orgel-Büchlein (number: 41)
Johann Sebastian Bach2:45
13Concerto in G nach einem Concerto von Johann Ernst von Sachsen-Weimar, BWV 592: I. [Allegro]
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto G-Dur nach Johann Ernst von Sachen-Weimar, BWV 592: I. (Allegro assai) (in 1997-11)
composer:
Johann Ernst von Sachsen-Weimar
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto G-Dur (nach Johann Ernst von Sachsen-Weimar), BWV 592
Johann Sebastian Bach3:02
14Concerto in G nach einem Concerto von Johann Ernst von Sachsen-Weimar, BWV 592: II. Grave
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto G-Dur nach Johann Ernst von Sachen-Weimar, BWV 592: II. Grave (in 1997-11)
composer:
Johann Ernst von Sachsen-Weimar
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto G-Dur (nach Johann Ernst von Sachsen-Weimar), BWV 592
Johann Sebastian Bach2:21
15Concerto in G nach einem Concerto von Johann Ernst von Sachsen-Weimar, BWV 592: III. Presto
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto G-Dur nach Johann Ernst von Sachen-Weimar, BWV 592: III. Presto (in 1997-11)
composer:
Johann Ernst von Sachsen-Weimar
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto G-Dur (nach Johann Ernst von Sachsen-Weimar), BWV 592
Johann Sebastian Bach1:48
16"In dich hab ich gehoffet, Herr", BWV 640
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
In dich hab ich gehoffet, Herr, BWV 640 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 42) and Bach-Werke-Verzeichnis (number: BWV 640)
Johann Sebastian Bach0:44
17"Wenn wir in höchsten Nöten sein", BWV 641
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Wenn wir in höchsten Nöten sein, BWV 641 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 641), Bach Compendium (number: BC K 70) and Das Orgel-Büchlein (number: 43)
Johann Sebastian Bach1:52
18"Wer nur den lieben Gott läßt walten", BWV 642
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Wer nur den lieben Gott läßt walten, BWV 642 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 642), Bach Compendium (number: BC K 71) and Das Orgel-Büchlein (number: 44)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach1:23
19Allabreve in D, BWV 589
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Allabreve in D major, BWV 589 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 64) and Bach-Werke-Verzeichnis (number: BWV 589)
Johann Sebastian Bach3:26
20"Alle Menschen müssen sterben", BWV 643
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Chorale Prelude, BWV 643 "Alle Menschen müssen sterben" (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 45) and Bach-Werke-Verzeichnis (number: BWV 643)
Johann Sebastian Bach1:23
21"Ach wie nichtig, ach wie flüchtig", BWV 644
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Ach wie nichtig, ach wie flüchtig, BWV 644 (in 1997-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 46) and Bach-Werke-Verzeichnis (number: BWV 644)
Johann Sebastian Bach0:39
22Concerto in G nach dem Concerto op 7 n° 2 von Antonio Vivaldi, BWV 973: I. [Allegro assai]
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto in G major, BWV 973: I. [Allegro assai] (in 1997-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
harpsichord arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 2 in G major after Antonio Vivaldi, BWV 973
Johann Sebastian Bach2:31
23Concerto in G nach dem Concerto op 7 n° 2 von Antonio Vivaldi, BWV 973: II. Largo cantabile
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto in G major, BWV 973: II. Largo (in 1997-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
harpsichord arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 2 in G major after Antonio Vivaldi, BWV 973
Johann Sebastian Bach2:02
24Concerto in G nach dem Concerto op 7 n° 2 von Antonio Vivaldi, BWV 973: III. Allegro
recording engineer:
Eric Baratin (engineer/producer)
organ:
Olivier Vernet (organist) (in 1997-11)
phonographic copyright (℗) by:
Ligia Digital (in 1997)
recorded at:
Église Saint-Jean-Baptiste de Saessolsheim in Saessolsheim, Bas-Rhin, Grand Est (Great East), France (in 1997-11)
recording of:
Concerto in G major, BWV 973: III. Allegro (in 1997-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
harpsichord arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 2 in G major after Antonio Vivaldi, BWV 973
Johann Sebastian Bach2:26
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11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD: 'Clavier-Übung 0'
17▶CD: Concertos pour 2, 3 et 4 orgues
18▶CD: Son premier enregistement, Montélimar, 05/1988
19▶CD: Œuvres diverses et transcriptions