Tracklist

1CD
2CD
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1Rigoletto, Act III, excerpt: Aria, “La donna è mobile” (“Woman is fickle”), Part 1
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Verdi1:05
2Rigoletto, Act III, excerpt: Aria, “La donna è mobile” (“Woman is fickle”), Part 2
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Verdi1:55
3Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 1
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Verdi1:32
4Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 2
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Verdi1:04
5Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 3
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Verdi0:43
6Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 4
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Verdi2:16
7The Moldau (Vltava), from My Fatherland (Má Vlast), Part 1
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana1:11
8The Moldau (Vltava), from My Fatherland (Má Vlast), Part 2
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana1:50
9The Moldau (Vltava), from My Fatherland (Má Vlast), Part 3
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana0:57
10The Moldau (Vltava), from My Fatherland (Má Vlast), Part 4
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana1:41
11The Moldau (Vltava), from My Fatherland (Má Vlast), Part 5
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana2:22
12The Moldau (Vltava), from My Fatherland (Má Vlast), Part 6
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana0:40
13The Moldau (Vltava), from My Fatherland (Má Vlast), Part 7
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana1:41
14The Moldau (Vltava), from My Fatherland (Má Vlast), Part 8
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana1:19
15A German Requiem, Fourth Movement, Part 1
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
partial recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms1:26
16A German Requiem, Fourth Movement, Part 2
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
partial recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms1:13
17A German Requiem, Fourth Movement, Part 3
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
partial recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms1:12
18A German Requiem, Fourth Movement, Part 4
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
partial recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms0:53
19A German Requiem, Fourth Movement, Part 5
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
partial recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms1:06
20Symphony no. 3 in F major, Fourth Movement, Part 1
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:28
21Symphony no. 3 in F major, Fourth Movement, Part 2
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:21
22Symphony no. 3 in F major, Fourth Movement, Part 3
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:32
23Symphony no. 3 in F major, Fourth Movement, Part 4
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:31
24Symphony no. 3 in F major, Fourth Movement, Part 5
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms1:25
25Symphony no. 3 in F major, Fourth Movement, Part 6
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:23
26Symphony no. 3 in F major, Fourth Movement, Part 7
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:26
27Symphony no. 3 in F major, Fourth Movement, Part 8
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:06
28Symphony no. 3 in F major, Fourth Movement, Part 9
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:31
29Symphony no. 3 in F major, Fourth Movement, Part 10
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms0:31
30Symphony no. 3 in F major, Fourth Movement, Part 11
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms1:17
31Symphony no. 3 in F major, Fourth Movement, Part 12
orchestra:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
Brahms2:08
32Carmen, Act I: no. 3. Chorus, “Avec la garde montante” (“Along with the relief guard”), Part 1
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet2:23
33Carmen, Act I: no. 3. Chorus, “Avec la garde montante” (“Along with the relief guard”), Part 2
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet0:20
34Carmen, Act I: no. 3. Chorus, “Avec la garde montante” (“Along with the relief guard”), Part 3
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet1:07
35Carmen, Act I: Recitative, “C’est bien là” (“It is right there”)
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet1:19
36Carmen, Act I: no. 4. Chorus, “La cloche a sonné” (“The bell has rung”), Part 1
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet1:21
37Carmen, Act I: no. 4. Chorus, “La cloche a sonné” (“The bell has rung”), Part 2
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet2:11
38Carmen, Act I: no. 4. Chorus, “La cloche a sonné” (“The bell has rung”), Part 3
baritone vocals:
Claude Calès (French baritone)
bass vocals:
Robert Geay (bass vocals)
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
Bizet1:11
39Carmen, Act I: no. 5. Habanera, “L’amour est un oiseau rebelle” (“Love is a rebellious bird”)
choir vocals:
Chœur du Grand Théâtre de Genève (from 1963-05 until 1963-06)
mezzo-soprano vocals [Carmen]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1963-05 until 1963-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1963-05 until 1963-06)
conductor:
Thomas Schippers (conductor and composer) (from 1963-05 until 1963-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
Grand Théâtre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1963-05 until 1963-06)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1963-05 until 1963-06)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Bizet4:02
40The Nutcracker, Three Dances From Act II: March, Part 1
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:59
41The Nutcracker, Three Dances From Act II: March, Part 2
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:12
42The Nutcracker, Three Dances From Act II: March, Part 3
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky1:07
43The Nutcracker, Three Dances From Act II: Dance of the Sugar Plum Fairy, Part 1
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:39
44The Nutcracker, Three Dances From Act II: Dance of the Sugar Plum Fairy, Part 2
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:32
45The Nutcracker, Three Dances From Act II: Dance of the Sugar Plum Fairy, Part 3
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:38
46The Nutcracker, Three Dances From Act II: Trepak (Russian Dance), Part 1
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:27
47The Nutcracker, Three Dances From Act II: Trepak (Russian Dance), Part 2
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:20
48The Nutcracker, Three Dances From Act II: Trepak (Russian Dance), Part 3
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Tchaikovsky0:29
49Symphony no. 9 in E minor, From the New World, Second Movement, Part 1
orchestra:
The Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
Dvořák4:27
50Symphony no. 9 in E minor, From the New World, Second Movement, Part 2
orchestra:
The Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
Dvořák4:30
51Symphony no. 9 in E minor, From the New World, Second Movement, Part 3
orchestra:
The Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
Dvořák3:20
52Pagliacci, Act I, Canio’s Aria, Part 1
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Francesco Molinari‐Pradelli (conductor)
Leoncavallo0:49
53Pagliacci, Act I, Canio’s Aria, Part 2
tenor vocals:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Francesco Molinari‐Pradelli (conductor)
Leoncavallo2:49
54The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 1
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
New York Philharmonic
conductor:
Bruno Walter (conductor)
Mahler0:49
55The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 2
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
New York Philharmonic
conductor:
Bruno Walter (conductor)
Mahler0:50
56The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 3
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
New York Philharmonic
conductor:
Bruno Walter (conductor)
Mahler0:55
57The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 4
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
New York Philharmonic
conductor:
Bruno Walter (conductor)
Mahler0:36
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Credits

Release

ASIN:US: 0393102513 [info]

Release group

part of:The Norton Recordings (order: 5)