Mendelssohn: Vom Himmel hoch / Britten: A Ceremony of Carols / Saint-Saëns: Oratorio de Noël

~ Release by Mendelssohn, Britten, Saint‐Saëns; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A 1.1Vom Himmel hoch. Chorkantate über Luthers Weihnachtslied: No. 1 Coro
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Vom Himmel hoch: I. Chor "Vom Himmel hoch"
composer:
Felix Mendelssohn (composer) (in 1831)
part of:
Vom Himmel hoch, MWV A 10
Felix Mendelssohn Bartholdy5:37
A 1.2Vom Himmel hoch. Chorkantate über Luthers Weihnachtslied: No. 2 Aria
baritone vocals:
Egbert Junghanns (baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Vom Himmel hoch: II. Arie "Es ist der Herr Christ, unser Gott"
composer:
Felix Mendelssohn (composer) (in 1831)
part of:
Vom Himmel hoch, MWV A 10
Felix Mendelssohn Bartholdy2:03
A 1.3Vom Himmel hoch. Chorkantate über Luthers Weihnachtslied: No. 3 Choral
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Vom Himmel hoch: III. Choral "Er bringt euch alle Seligkeit"
composer:
Felix Mendelssohn (composer) (in 1831)
part of:
Vom Himmel hoch, MWV A 10
Felix Mendelssohn Bartholdy0:39
A 1.4Vom Himmel hoch. Chorkantate über Luthers Weihnachtslied: No. 4 Aria
soprano vocals:
Ute Selbig (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Vom Himmel hoch: IV. Arie "Sei willkommen, du edler Gast"
composer:
Felix Mendelssohn (composer) (in 1831)
part of:
Vom Himmel hoch, MWV A 10
Felix Mendelssohn Bartholdy3:21
A 1.5Vom Himmel hoch. Chorkantate über Luthers Weihnachtslied: No. 5 Arioso
baritone vocals:
Egbert Junghanns (baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Vom Himmel hoch: V. Arioso "Das also hat gefallen dir"
composer:
Felix Mendelssohn (composer) (in 1831)
part of:
Vom Himmel hoch, MWV A 10
Felix Mendelssohn Bartholdy1:16
A 1.6Vom Himmel hoch. Chorkantate über Luthers Weihnachtslied: No. 6 Schlußchor
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Vom Himmel hoch: VI. Chor "Lob, Ehr sei Gott im höchsten Thron"
composer:
Felix Mendelssohn (composer) (in 1831)
part of:
Vom Himmel hoch, MWV A 10
Felix Mendelssohn Bartholdy1:38
A 2.1A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 1 Einzug
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Introduction
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: I. Procession
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:08
A 2.2A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 2 Willkomm Jul!
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Willkumm, Jul!
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: II. Wolcum Yole!
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:31
A 2.3A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 3 Es ist kein Ros
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Est ist kein Ros
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: III. There is no Rose
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten2:16
A 2.4aA Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 4 Wann hub dies Kindlein
harp:
Jutta Zoff (German harpist)
choir vocals:
Dresdner Kreuzchor
solo treble vocals:
Norbert Kleinschmidt (German choir director and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Wann hub dies Kindlein
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: IV. (a) That yongë child
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:25
A 2.4bA Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 5 Budaideli
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Bubaideli
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: IV. (b) Balulalow
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:11
A 5A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 6 Wie Tau im Aprill
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Wie Tau im Aprill
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: V. As dew in Aprille
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:10
A 2.6A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 7 Der kleine Knab
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Der kleine Knab
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: VI. This little babe
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:37
A 2.7A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 8 Zwischenspiel
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: VII. Interlude. Andante pastorale
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942, from 1942-03 until 1943)
part of:
A Ceremony of Carols, op. 28
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten3:48
A 2.8A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 9 In kalter Wintersnacht
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
solo treble vocals:
Norbert Kleinschmidt (German choir director and conductor) and Michael Koch ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: In kalter Wintersnacht
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: VIII. In Freezing Winter Night
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten3:29
A 2.9A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 10 Frühlings-Chor
harp:
Jutta Zoff (German harpist)
choir vocals:
Dresdner Kreuzchor
solo treble vocals:
Norbert Kleinschmidt (German choir director and conductor) and Michael Koch ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Frühlingschor
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: IX. Spring Carol
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:06
A 2.10A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 11 Adam lag gebunden
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Adam lag gebunden
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: X. Deo gracias!
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:18
A 2.11A Ceremony of Carols op. 28. Ein Kranz von Lobeschören: No. 12 Abgang
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Hodie Christus natus est
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: XI. Recession
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:09
B 1Oratorio de Noël op. 12: No. 1 Prélude
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: I. Prélude (dans le style de Séb. Bach) (Christmas Oratorio, Op. 12: I. Prelude (in the style of Seb. Bach))
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns3:42
B 2Oratorio de Noël op. 12: No. 2 Récit et Choeur
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
alto vocals and contralto vocals:
Annette Markert (mezzo-soprano)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: II. Récit et chœur: Et pastores errant - Gloria (Christmas Oratorio, Op. 12: II. Recitative and Chorus: Et pastores erant - Gloria)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:49
B 3Oratorio de Noël op. 12: No. 3 Air
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: III. Air: Expectans expectavi Dominum (Christmas Oratorio, Op. 12: III. Aria: Expectans expectavi Dominum)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns2:56
B 4Oratorio de Noël op. 12: No. 4 Air et Choeur
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: IV. Air et chœur: Domine, ego credidi (Christmas Oratorio, Op. 12: IV. Aria and Chorus: Domine, ego credidi)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns2:56
B 5Oratorio de Noël op. 12: No. 5 Duo
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: V. Duo: Benedictus qui venit (Christmas Oratorio, Op. 12: V. Duet: Bendedictus qui venit)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:03
B 6Oratorio de Noël op. 12: No. 6 Choeur
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: VI. Chœur: Quare fremuerunt gentes (Christmas Oratorio, Op. 12: VI. Chorus: Quare fremuerunt gentes)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns3:37
B 7Oratorio de Noël op. 12: No. 7 Trio
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: VII. Trio: Tecum principium (Christmas Oratorio, Op. 12: VII. Trio: Tecum principium)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:20
B 8Oratorio de Noël op. 12: No. 8 Quatuor
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
alto vocals and contralto vocals:
Annette Markert (mezzo-soprano)
baritone vocals:
Egbert Junghanns (baritone)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: VIII. Quatuor: Alleluja (Christmas Oratorio, Op. 12: VIII. Quartet: Alleluja)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns2:15
B 9Oratorio de Noël op. 12: No. 9 Quintette et Choeur
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
alto vocals and contralto vocals:
Annette Markert (mezzo-soprano)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: IX. Quintette et chœur: Consurge, Filia Sion (Christmas Oratorio, Op. 12: IX. Quintet and Chorus: Consurge, Filia Sion)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:59
B 10Oratorio de Noël op. 12: No. 10 Choeur
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: X. Chœur: Tollite hostias (Christmas Oratorio, Op. 12: X. Chorus: Tollite hostias)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns1:09