The Great Composers: Puccini: Madam Butterfly / Turandot

~ Veröffentlichung von Giacomo Puccini; Ambrosian Opera Chorus, Philharmonia Orchestra, Lorin Maazel / Wiener Sängerknaben, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Lorin Maazel (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Madama Butterfly: Atto I. “Dovunque al mondo”
Baritongesang:
Ingvar Wixell (baritone)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:15
2Madama Butterfly: Atto I. “Quanto cielo! Quanto mar!”
Baritongesang:
Ingvar Wixell (baritone)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:40
3Madama Butterfly: Atto I. “Vogliatemi bene”
Soprangesang:
Renata Scotto (operatic soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:24
4Madama Butterfly: Atto II. “Un bel dì vedremo”
Soprangesang und Soprangesang [Butterfly]:
Renata Scotto (operatic soprano) (von 1978-02-26 bis 1978-06-05)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1978-02-26 bis 1978-06-05)
conductor:
Lorin Maazel (conductor) (von 1978-02-26 bis 1978-06-05)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (von 1978-02-26 bis 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1977)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:08
5Madama Butterfly: Atto II. “Che tua madre dovrà”
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:00
6Madama Butterfly: Atto II. “Scuoti quella fronda”
Mezzosoprangesang:
Gillian Knight (mezzo-soprano)
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
teilweise recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:20
7Madama Butterfly: Atto II. Humming chorus
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:16
8Madama Butterfly: Atto III. “Con onor muore”
Soprangesang:
Renata Scotto (operatic soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:23
9Turandot: Atto I. “Popolo di Pekino!”
Bass-Gesang [Un mandarino]:
Kurt Rydl (operatic bass)
Chorgesang:
Chor der Wiener Staatsoper
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” (Un mandarino, La folla, Guardie, Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:06
10Turandot: Atto I. “Perchè tarda la luna”
Chorgesang:
Chor der Wiener Staatsoper
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto I. “Perché tarda la luna” (La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini4:49
11Turandot: Atto I. “Signore ascolta!…Non piangere, Liù!”
Bass-Gesang:
John‐Paul Bogart (operatic bass)
Soprangesang:
Katia Ricciarelli (soprano) (in 1983-09)
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor) (in 1983-09)
aufgenommen bei:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien, Österreich (in 1983-09)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1983-09)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini4:57
12Turandot: Atto II. “Ho una casa nell’ Honan”
Baritongesang:
Robert Kerns (baritone)
Tenor-Gesang:
Helmut Wildhaber (tenor) und Heinz Zednik (tenor)
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto II, scena 1. “Ho una casa nell’Honan” (Ping, Pang, Pong)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:34
13Turandot: Atto II. “In questa reggia”
Chorgesang:
Chor der Wiener Staatsoper
Soprangesang:
Marton Éva (soprano)
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:49
14Turandot: Atto III. “Nessun dorma!”
Chorgesang:
Chor der Wiener Staatsoper
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:14
15Turandot: Atto III. “Tu che di gel sei cinta”
Soprangesang:
Katia Ricciarelli (soprano)
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:51
16Turandot: Atto III. Finale
Chorgesang:
Chor der Wiener Staatsoper
Orchester:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto III, scena 2. Finale “Diecimilla anni al nostro Imperatore!” (La folla, Turandot)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:45

Nennungen

Veröffentlichung

Teil von:The Great Composers (Marshall Cavendish UK) (Nummer: 31) (Reihenfolge: 25)
Discogs:https://www.discogs.com/release/24338438 [Info]