All Time Jazz Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

cover says track 1 is It Takes Two to Tango by Louis Armstrong
cover catno. BOUL0951, cd itself catno. BOUL0297

Annotation last modified on 2018-04-16 17:48 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Cry Me a River
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player)
double bass:
Milt Hinton
drums (drum set):
Panama Francis (US swing jazz drummer) (in 1959)
flute:
Jerome Richardson
guitar:
Kenny Burrell
piano:
Joe Zawinul (jazz and fusion keyboard player)
lead vocals:
Dinah Washington
vocals:
Dinah Washington
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
Cry Me a River (from 1959-06 until 1959-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington2:28
2You’re the Cream in My Coffee
live recording of:
You’re the Cream in My Coffee
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Mel Tormé1:58
3Don’t Get Around Much Anymore
instrumental recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Duke Ellington & His Band3:18
4That Ole Devil Called Love
alto saxophone:
Jack Cressey (on 1944-11-08) and Hymie Shertzer (on 1944-11-08)
double bass:
Haig Stephens (on 1944-11-08)
drums (drum set):
George Wettling (on 1944-11-08)
guitar:
Carl Kress (on 1944-11-08)
piano:
Dave Bowman (jazz pianist) (on 1944-11-08)
tenor saxophone:
Larry Binyon (on 1944-11-08) and Dave Harris (tenor saxo) (on 1944-11-08)
trumpet:
Russ Case (US trumpeter & bandleader) (on 1944-11-08)
vocals:
Billie Holiday (on 1944-11-08)
recording of:
That Ole Devil Called Love (on 1944-11-08)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
5Too Marvellous for Words
cover recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Nat King Cole Trio42:21
6Fascinating Rhythm
instrumental recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Benny Goodman & His Orchestra2:16
7My Heart Belongs to Daddy
double bass:
Beverly Peer (on 1939-02-17)
drums (drum set):
Chick Webb (on 1939-02-17)
guitar:
Bobby Johnson (US guitarist) (on 1939-02-17)
piano:
Tommy Fulford (on 1939-02-17)
reeds:
Garvin Bushell (on 1939-02-17) and Hilton Jefferson (on 1939-02-17)
tenor saxophone:
Teddy McRae (on 1939-02-17)
trombone:
George Matthews (trombone) (on 1939-02-17), Nat Story (on 1939-02-17) and Sandy Williams (American jazz trombonist) (on 1939-02-17)
trumpet:
Taft Jordan (on 1939-02-17), Bobby Stark (on 1939-02-17) and Dick Vance (US jazz trumpeter and arranger) (on 1939-02-17)
woodwind:
Wayman Carver (on 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1939-02-17)
cover recording of:
My Heart Belongs to Daddy (on 1939-02-17)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
Ella Fitzgerald43:09
8Exactly Like You
recorded in:
Paris, Île-de-France, France (on 1937-04-21)
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21), Pierre “Baro” Ferret (on 1937-04-21) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1702-1)
instrumental recording of:
Exactly Like You (on 1937-04-21)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
Django Reinhardt2:30
9Caldonia
recording of:
Caldonia (What Makes Your Big Head Hard?)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
Louis Jordan & His Tympani Five2:41
10Little Brown Jug
recording of:
Little Brown Jug (arr. Finegan 1939)
writer:
Joseph Eastburn Winner (composer/publisher) (in 1868)
arranger:
John Wasson and Bill Finegan (in 1939)
arrangement of:
Little Brown Jug
Glenn Miller & His Orchestra2:52
11Mack the Knife
live recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:24
12One O’Clock Jump
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone and baritone saxophone:
Earle Warren (on 1937-07-07) and Jack Washington (on 1937-07-07)
clarinet:
Herschel Evans (on 1937-07-07), Earle Warren (on 1937-07-07) and Lester Young (saxophonist) (on 1937-07-07)
double bass and double bass [bass]:
Walter Page (on 1937-07-07)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-07-07)
electric guitar:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-07-07)
guitar:
Freddie Green (on 1937-07-07)
piano:
Count Basie (pianist) (on 1937-07-07)
tenor saxophone:
Herschel Evans (on 1937-07-07) and Lester Young (saxophonist) (on 1937-07-07)
trombone:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-07-07), George Hunt (on 1937-07-07) and Dan Minor (on 1937-07-07)
trumpet:
Buck Clayton (on 1937-07-07), Ed Lewis (jazz trumpeter) (on 1937-07-07) and Bobby Moore (jazz musician) (on 1937-07-07)
arranger:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-07-07) and Buster Smith (saxophone) (on 1937-07-07)
recording of:
One O’Clock Jump (on 1937-07-07)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie & His Orchestra3:03
13Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Hoagy Carmichael3:17
14Ain’t Misbehavin’
instrumental recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
writer:
Andy Razaf
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Fats Waller3:03
15What a Difference a Day Makes
vocals:
Sarah Vaughan (on 1947-12-29)
cover recording of:
What a Diff’rence a Day Made (on 1947-12-29)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Sarah Vaughan2:47
16Frenesi
instrumental recording of:
Frenesí
lyricist and composer:
Alberto Domínguez
Artie Shaw & His Orchestra3:04
17The Music Goes ’round & ’round
clarinet:
Sid Stoneburn (on 1935-12-09)
double bass:
Gene Traxler (on 1935-12-09)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1935-12-09)
guitar:
William Schaffer (on 1935-12-09)
piano:
Dick Jones (pianist, producer) (on 1935-12-09)
tenor saxophone:
John van Eps (producer/arranger/keyboardist) (on 1935-12-09)
trombone:
Tommy Dorsey (swing trombone player & band leader) (on 1935-12-09)
trumpet:
Sterling Bose (on 1935-12-09)
vocals:
Tommy Dorsey (swing trombone player & band leader) (on 1935-12-09) and Edythe Wright (on 1935-12-09)
orchestra:
Tommy Dorsey and His Clambake Seven (on 1935-12-09)
conductor:
Tommy Dorsey (swing trombone player & band leader)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (on 1935-12-09)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
Tommy Dorsey’s Gambake Seven3:22
18Sweet Georgia Brown
instrumental cover recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Earl Hines2:17
19That Old Black Magic
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Billy Eckstine3:20
20I’ve Heard That Song Before
alto saxophone:
Claude Lakey (on 1942-07-31) and Sam Marowitz (saxophonist and clarinetist) (on 1942-07-31)
baritone saxophone:
George Davis (40s jazz saxophone) (on 1942-07-31)
cello:
Elias Friede (on 1942-07-31)
double bass:
Thurman Teague (Jazz bassist) (on 1942-07-31)
drums (drum set):
Mickey Scrima (jazz percussionist) (on 1942-07-31)
French horn:
Willard T. Culley (on 1942-07-31)
guitar:
Benny Heller (on 1942-07-31)
piano:
Al Lerner (big band composer/conductor/pianist) (on 1942-07-31)
tenor saxophone:
Corky Corcoran (on 1942-07-31)
trombone:
Hoyt Bohannon (on 1942-07-31), Dalton Rizzotto (Jazz trombonist) (on 1942-07-31) and Harry Rodgers (US big-band trombonist and arranger) (on 1942-07-31)
trumpet:
Claude Bowen (on 1942-07-31), Nick Buono (trumpet player) (on 1942-07-31) and Harry James (US big band leader, trumpeter & actor) (on 1942-07-31)
viola:
Bill Spears (on 1942-07-31)
violin:
Sam Caplan (on 1942-07-31) and Abraham Hochstein (on 1942-07-31)
vocals:
Helen Forrest (on 1942-07-31)
recording of:
I’ve Heard That Song Before (on 1942-07-31)
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
Harry James & His Orchestra2:59

Credits

Release

manufactured in:the E.U. (Europe)
manufactured by:Technicolor (manufacturing, press releases and communications company)
distributed by:Archbuild Ltd.
copyrighted (©) by:Archbuild Ltd. (in 2007)
phonographic copyright (℗) by:K-tel Entertainment (UK) Ltd (in 2001)
licensed from:K-tel Entertainment (UK) Ltd