No. 1 Evergreen Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (guitarist) (on 1951-08-17)
harp:
Ann Mason Stockton (American harpist) (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (Violin player) (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (violinist) (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:12
2The Great Pretender
recording of:
The Great Pretender
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters2:37
3Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:59
4Will You Still Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:38
5Raindrops Keep Falling On My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 345)
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
B.J. Thomas42:53
6The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
7Tell Laura I Love Her
recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
E.B. Marks Music Corp. and Steeplechase Music
Ray Peterson4.52:51
8Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.53:01
9Under the Boardwalk
recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters2:44
10Bye Bye Love
recording of:
Bye Bye Love
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:48
11Corrina Corrina
Ray Peterson2:37
12Ob-La-Di, Ob-La-Da
cover recording of:
Ob‐La‐Di, Ob‐La‐Da
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Marmalade3:12
13Silence Is Golden
producer:
Mike Smith (60’s & 70’s UK Producer)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1967) and CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. and Windswept Pacific Music Ltd.
The Tremeloes3.653:12
14Undercover Angel
Alan O’Day3:39
15Before the Next Teardrop Falls
cover recording of:
Before the Next Teardrop Falls
writer:
Vivian Keith and Ben Peters (country music songwriter)
publisher:
Shelby Singleton Music Inc.
Freddy Fender52:34
16Let Your Love Flow
Billy Joe Royal2:36
17So Much in Love
recording of:
So Much in Love
writer:
Billy Jackson (US soul/disco producer & songwriter), Roy Straigis and George Williams (US soul singer/songwriter)
publisher:
ABKCO Japan Publishing and ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Tymes2:22
18Hurt So Bad
The Lettermen2:15
19A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Wayne Fontana32:00
20Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex “Sam and Dave”) (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
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