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noTitreÉvaluationDurée
1Oh, Better Far to Live and Die
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (du 1958-12-30 au 1959-01-02)
conductor :
Sir Malcolm Sargent (conductor) (du 1958-12-30 au 1959-01-02)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1961)
recording of :
The Pirates of Penzance: Act I, no. 3. “Oh, better far to live and die” … “I am a Pirate King!” (Pirate King, Pirates) (du 1958-12-30 au 1959-01-02)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
2:54
2Oh, Sisters, Deaf to Pity's Name... Poor Wandering One!
voix de soprano [Mabel] :
Elsie Morison (soprano) (du 1958-12-30 au 1959-01-02)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (du 1958-12-30 au 1959-01-02)
conductor :
Sir Malcolm Sargent (conductor) (du 1958-12-30 au 1959-01-02)
compilation de :
The Pirates of Penzance: Act I. “Oh, sisters, deaf to pity’s name” (Mabel, Girls) par Elsie Morison (soprano), Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations), Sir Malcolm Sargent (conductor) et The Pirates of Penzance: Act I. “Poor wandering one” (Mabel, Girls) par Elsie Morison (soprano), Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations), Sir Malcolm Sargent (conductor)
recording of :
The Pirates of Penzance: Act I, no. 8. “Oh, sisters, deaf to pity’s name” (Mabel, Girls) (recitative before Act I, no. 8. “Poor wand’ring one…”) (du 1958-12-30 au 1959-01-02)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
recording of :
The Pirates of Penzance: Act I, no. 8. “Poor wand’ring one …” (Mabel, Girls) (du 1958-12-30 au 1959-01-02)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
3:34
3I Am the Very Model of a Modern Major General
voix de baryton [Major‐General Stanley] :
George Baker (Dutch singer/songwriter) (du 1958-12-30 au 1959-01-02)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (du 1958-12-30 au 1959-01-02)
conductor :
Sir Malcolm Sargent (conductor) (du 1958-12-30 au 1959-01-02)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1961)
recording of :
The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major‐General” (Major‐General, Chorus) (du 1958-12-30 au 1959-01-02)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
3:11
4When a Felon's Not Engaged in His Employment
voix de basse [Sergeant] :
Owen Brannigan (operatic bass) (du 1958-12-30 au 1959-01-02)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (du 1958-12-30 au 1959-01-02)
conductor :
Sir Malcolm Sargent (conductor) (du 1958-12-30 au 1959-01-02)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1961)
recording of :
The Pirates of Penzance: Act II, no. 24. “When a felon’s not engaged in his employment” (Sergeant, Policemen) (du 1958-12-30 au 1959-01-02)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
2:22
5With Cat-Like Tread
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (du 1958-12-30 au 1959-01-02)
conductor :
Sir Malcolm Sargent (conductor) (du 1958-12-30 au 1959-01-02)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1961)
recording of :
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen) (du 1958-12-30 au 1959-01-02)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
2:45
6I Am the Monarch of the Sea
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
H.M.S. Pinafore: Act I, no. 8. “I Am the Monarch of the Sea” (Sir Joseph, Cousin Hebe, Chorus)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I, no. 8. “Now Give Three Cheers…” (Captain, Sir Joseph, Cousin Hebe and Chorus)
recording of :
H.M.S. Pinafore: Act I, no. 8. “Now Give Three Cheers…” (Captain, Sir Joseph, Cousin Hebe and Chorus)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I
1:10
7When I Was a Lad I Served a Term
chœurs :
Glyndebourne Festival Chorus (le 1957)
voix principale [Hebe] :
Marjorie Thomas (contralto) (le 1957)
voix principale [Sir Joseph Porter] :
George Baker (baritone) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
H.M.S. Pinafore: Act I, no. 9, “When I Was a Lad” (Sir Joseph) (le 1957)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I
recording of :
H.M.S. Pinafore: Act I, no. 9a “For I Hold That on the Seas” (Sir Joseph, Cousin Hebe, Chorus) (le 1957)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I
3:28
8Never Mind the Why and Wherefore
voix principale [Captain Corcoran] :
John Cameron (baritone) (le 1957)
voix principale [Josephine] :
Elsie Morison (soprano) (le 1957)
voix principale [Sir Joseph Porter] :
George Baker (baritone) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
H.M.S. Pinafore: Act II, no. 16 “Never Mind the Why and Wherefore” (Josephine, Captain, Sir Joseph) (le 1957)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act II
2:54
9Oh Joy, Oh Rapture Unforeseen
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
H.M.S. Pinafore: Act II, No. 21, Finale, “Oh Joy, Oh Rapture Unforeseen” (Josephine, Ralph, Hebe, Dick, Captain Corcoran, Buttercup, Sir Joseph, Company)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettiste :
William Gilbert (English dramatist, librettist, poet and illustrator)
partie de :
H.M.S. Pinafore: Act II
3:14
10A Wand'ring Minstrel I
voix :
Glyndebourne Chorus (le 1957)
voix de ténor :
Richard Lewis (Welsh tenor) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettiste :
William Gilbert (English dramatist, librettist, poet and illustrator)
partie de :
The Mikado: Act I
recording of :
The Mikado: Act I, no 2. “A Wand’ring Minstrel I” (Nanki-Poo, Chorus)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
4:19
11Behold the Lord High Executioner
voix :
Glyndebourne Chorus (le 1957)
voix de baryton :
Geraint Evans (baritone) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
The Mikado: Act I, no. 5, “Behold the Lord High Executioner…” (Ko-Ko and Men)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act I
2:59
12Three Little Maids From School
voix :
Glyndebourne Chorus (le 1957)
voix de contralto :
Marjorie Thomas (contralto) (le 1957)
voix de soprano :
Elsie Morison (soprano) (le 1957) et Jeannette Sinclair (soprano) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act I
1:36
13A More Humane Mikado
voix :
Glyndebourne Chorus (le 1957)
voix de basse :
Owen Brannigan (operatic bass) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
The Mikado: Act II, no. 17, “A More Humane Mikado” (Mikado, Chorus)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act II
4:20
14When Britain Really Ruled the Waves
chœurs :
Glyndebourne Festival Chorus (le 1959)
voix principale [Earl of Mountararat] :
Ian Wallace (English bass-baritone opera singer) (le 1959)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1959)
conductor :
Sir Malcolm Sargent (conductor) (le 1959)
recording of :
Iolanthe: Act II, no. 16 “When Britain Really Ruled the Waves” (Lord Mountararat, Chorus) (le 1959)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
Iolanthe: Act II
3:02
15If You Go In
voix principale [Earl of Mountararat] :
Ian Wallace (English bass-baritone opera singer) (le 1959)
voix principale [Earl Tolloller] :
Alexander Young (tenor) (le 1959)
voix principale [Lord Chancellor] :
George Baker (baritone) (le 1959)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1959)
conductor :
Sir Malcolm Sargent (conductor) (le 1959)
recording of :
Iolanthe: Act II, no. 21 “If You Go In You’re Sure to Win” (Tolloller, Mountararat, Lord Chancellor) (le 1959)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
Iolanthe: Act II
2:33
16If We're Weak Enough to Tarry
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
Iolanthe: Act II, No. 22, Duet “If We’re Weak Enough to Tarry” (Phyllis, Strephon)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
Iolanthe: Act II
1:37
17In Enterprise of Martial Kind
voix de baryton :
Geraint Evans (baritone)
voix de contralto :
Monica Sinclair (contralto)
voix de soprano :
Edna Graham (soprano)
voix de ténor :
Alexander Young (tenor)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
The Gondoliers: Act I: "In Enterprise of The Martial Kind" (Duke, Casilda, Duchess, Luiz)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers: Act I
1:48
18When a Merry Maiden Marries
voix de contralto :
Marjorie Thomas (contralto)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
The Gondoliers: Act I: no. 9a. “When a Merry Maiden Marries” (Tessa)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers: Act I
3:28
19Then One of Us Will Be a Queen
voix de baryton :
John Cameron (baritone)
voix de contralto :
Marjorie Thomas (contralto)
voix de soprano :
Elsie Morison (soprano)
voix de ténor :
Richard Lewis (Welsh tenor)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
The Gondoliers, Act I Finale: “Now, Pray, What Is the Cause” (Chorus)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers, Act I Finale: “Kind Sir, You Cannot Have the Heart…” (Ensemble)
recording of :
The Gondoliers, Act I Finale: “Then One of Us Will Be a Queen” (Marco, Giuseppe, Gianetta, Tessa)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers, Act I Finale: “Kind Sir, You Cannot Have the Heart…” (Ensemble)
recording of :
The Gondoliers, Act I Finale: “Then One of Us Will Be a Queen” (Marco, Giuseppe, Gianetta, Tessa)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers, Act I Finale: “Kind Sir, You Cannot Have the Heart…” (Ensemble)
2:55
20Take a Pair of Sparkling Eyes
voix de ténor :
Richard Lewis (Welsh tenor)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
The Gondoliers: Act II, no. 13, Song: “Take a Pair of Sparkling Eyes” (Marco)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers: Act II
3:20
21Dance a Cachuca, Fandango, Bolero
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
interprète :
Glyndebourne Chorus
recording of :
The Gondoliers: Act II, No. 15, Chorus, “Dance a Cachucha” (Company)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Gondoliers: Act II
partie de :
The Gondoliers: Act II
2:20
22When I Put This Uniform On
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
Patience: Act I. 5. “When I First Put This Uniform On” (Colonel, Chorus of Dragoons)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettiste :
William Gilbert (English dramatist, librettist, poet and illustrator)
1:29
23A Magnet Hung in a Hardware Shop
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
Patience: Act II. 13. “A Magnet Hung in a Hardware Shop” (Grosvenor, Chorus of Maidens)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettiste :
William Gilbert (English dramatist, librettist, poet and illustrator)
partie de :
Patience: Act II
2:30
24So Go to Him and Say to Him
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
Patience: Act II. 15. “So Go to Him, and Say to Him” (Jane, Bunthorne)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettiste :
William Gilbert (English dramatist, librettist, poet and illustrator)
partie de :
Patience: Act II
2:25
25When Maiden Loves She Sits and Sighs
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor :
Sir Malcolm Sargent (conductor)
recording of :
The Yeoman of the Guard: Act I, No. 1, Song, "When Maiden Loves, she Sits and Sighs", (Phoebe)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Yeomen of the Guard: Act I
3:30
26I Have a Song to Sing, O!
chœurs :
Glyndebourne Festival Chorus (le 1957)
voix principale [Elsie Maynard] :
Elsie Morison (soprano) (le 1957)
voix principale [Jack Point] :
Geraint Evans (baritone) (le 1957)
orchestre :
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (le 1957)
conductor :
Sir Malcolm Sargent (conductor) (le 1957)
recording of :
The Yeoman of the Guard: Act I, No. 7, Duet, “I Have a Song to Sing, O!”, (Point, Elsie, and Chorus) (le 1957)
parolier et compositeur :
[traditional] (Traditionnel, special purpose artist)
parolier supplémentaire :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur supplémentaire :
Arthur Sullivan (Sir Arthur Sullivan, composer)
est basée sur :
Green Grow the Rushes, O
partie de :
The Yeomen of the Guard: Act I
3:42

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ASIN :US: B000027FGI [info]