Best of 80’s: Anni Ottanta

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge

This medium has too many tracks to load at once, so it’s been paginated.

1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
2Walking on Sunshine
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.63:41
3Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
4Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
5Video Killed the Radio Star
Musikvideos:
Video Killed the Radio Star von Buggles und Video Killed the Radio Star von Buggles
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 56)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes (English keyboardist), Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Buggles4.64:13
6Love Is a Battlefield
Produzent(in):
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman und Peter Coleman (British engineer & producer)
Mix:
Neil Giraldo (multi-instrumentalist, songwriter, producer) und Peter Coleman (British engineer & producer)
Bassgitarre:
Roger Capps
E-Gitarre:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
vocals:
Pat Benatar
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4.14:11
7One Night in Bangkok (radio edit / from “Chess”)
Murray Head3:13
8Running in the Family (7″ version)
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
Level 4233:57
9Electricity
Techniker(in):
Paul Collister und Chester Valentino (Paul Collister)
Produzent(in):
Orchestral Manoeuvres in the Dark und Chester Valentino (Paul Collister)
Bass:
Andy McCluskey
elektronisches Schlagzeug / E-Drums [electronic percussion]:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
aufgenommen bei:
The Gramophone Suite in Liverpool, Merseyside, England, Vereinigtes Königreich (in 1979)
recording of:
Electricity
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Dinsong Music, EMI/Virgin Music Publishing Ltd. und VC II
Orchestral Manoeuvres in the Dark33:39
10Pull Up to the Bumper
recording engineer:
Alex Sadkin
assistierende(r) Techniker(in):
Benji Armbrister
Produzent(in) und Mix:
Chris Blackwell (Island Records) und Alex Sadkin
Sologesang:
Grace Jones
aufgenommen bei und mixed at:
Compass Point Studios in Nassau, Bahamas
Musikvideos:
Pull Up to the Bumper (music video) von Grace Jones
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3.654:42
11Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:26
12Atomic
zusätzliche(r) Produzent(in):
Matt Gray (UK techno DJ/producer, former video game composer) und Brian Higgins (British producer and song writer)
remixer:
Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer) und Xenomania
recording of:
Atomic
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie4:39
13Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:49
14New Gold Dream (81/82/83/84)
Techniker(in) und Produzent(in):
Peter Walsh (UK producer)
Bassgitarre:
Derek Forbes
Effektgerät:
Charlie Burchill und Michael MacNeil
Gitarre:
Charlie Burchill
Keyboard:
Michael MacNeil
membranophone und Schlagzeug:
Mel Gaynor und Mike Ogletree
Gast vocals:
Sharon Campbell
Sologesang:
Jim Kerr (of Simple Minds)
arranger:
Peter Walsh (UK producer)
recording of:
New Gold Dream (81‐82‐83‐84)
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing (do not use as a release label!) (von 1982 bis 2007), Bucks Music Group Ltd. (Bucks Music Group) (von 2008 bis 2014), EMI Music Publishing Ltd. (PRS‐affiliated) (von 2008 bis 2014, vom 2015 bis heute), Hornall Music (limited company) (von 2008 bis 2014), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (vom 2015 bis heute) und Sony/ATV Music Publishing (UK) Ltd. (vom 2015 bis heute)
Simple Minds3.55:39
15Let Me Go
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Let Me Go!
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 1754:23
16Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:13
17The Riddle
assistierende(r) Techniker(in):
Dave Meegan (producer)
Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
Sologesang:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
Musikvideos:
The Riddle von Nik Kershaw
recording of:
The Riddle
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. und Rondor Musikverlag GmbH
Nik Kershaw3.253:51
18Steppin’ Out
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:22
19More Than This
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (in 1982)
Gitarre:
Neil Hubbard (in 1982) und Phil Manzanera (in 1982)
Keyboard:
Bryan Ferry (in 1982)
Perkussion:
Jimmy Maelen (percussion) (in 1982)
Saxophon:
Andy Mackay (of Roxy Music) (in 1982)
Schlagzeug:
Andy Newmark (in 1982)
Hintergrundgesang:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
Teil von:
Mixtape – Game Soundtrack (Nummer: 16)
recording of:
More Than This (in 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music3.84:31
20Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:06
21Eyes Without a Face
Techniker(in) und Mix:
Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Sal Cuevas
Gitarre:
Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Thommy Price
Hintergrundgesang:
Perri Lister
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1999)
aufgenommen bei und mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol4.654:59
22The Look of Love, Pt. 1
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:30
23All Night Long (All Night) (single version)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
Musikvideos:
All Night Long (All Night) von Lionel Richie
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 84) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 277)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie4.156:23
24Slave to the Rhythm
Synclavier-Programmierung und zusätzliche(r) Produzent(in):
Stephen Lipson
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
Sologesang:
Grace Jones
Sprecher:
Grace Jones und Paul Morley
recording of:
Slave to the Rhythm
Verfasser(in):
Simon Darlow (songwriter, keyboardist & guitarist), Trevor Horn, Stephen Lipson und Bruce Woolley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), Sony/ATV Music Publishing Allegro (UK), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France, Universal Music Publishing France (not for release label use!), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
basiert auf:
Ladies and Gentlemen: Miss Grace Jones (original version of “Slave to the Rhythm”)
Grace Jones6:35
25I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:24
26Part‐Time Lover
Partner-Produzent(in):
Gary Olazabal
Produzent(in):
Stevie Wonder
Schlagzeug und Synthesizer und Sologesang:
Stevie Wonder
Hintergrundgesang:
Philip Bailey, Billy Durham, Renee Hardaway, Keith John (Soul vocalist, songwriter), Melody McCully, Peter Byrne (UK singer, in Naked Eyes), Darryl Phinnessee, Syreeta (US singer‐songwriter active 1970s–80s) und Luther Vandross
zusätzlich Sologesang:
Luther Vandross
recording of:
Part‐Time Lover
Texter, Komponist(in) und arranger:
Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder54:13
27Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:25
28Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
29Every Little Thing She Does Is Magic
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Klavier:
Jean Roussel
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
recording of:
Every Little Thing She Does Is Magic
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.754:21
30Alive and Kicking
Produzent(in):
Bob Clearmountain und Jimmy Iovine
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds3.54:47
31I Was Made for Lovin’ You
recording engineer und Mix:
Jay Messina
assistierende(r) Techniker(in):
Jim Galante und Jon Mathias (engineer)
Produzent(in):
Vini Poncia
Keyboard und Hintergrundgesang:
Vini Poncia
Schlagzeug:
Anton Fig
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:28
32Run to You
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-21)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-21)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm and lead guitars]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm guitar] und Sologesang:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-21)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-21)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-21)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-21)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-21)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-21)
Teil von:
The Downloader’s Music Source Book (Nummer: 175)
recording of:
Run to You (von 1984-03-27 bis 1984-09-21)
geschrieben in:
Vancouver, British Columbia, Kanada (von 1983-01-12 bis 1983-01-14)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (von 1983-01-12 bis 1983-01-14) und Jim Vallance (von 1983-01-12 bis 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music und Calypso Toonz (in 1984)
Bryan Adams3.753:53
33Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:57
34(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:29
35Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1983) und Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police44:12
36The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:16
37Enola Gay
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:32
38Gloria
recording of:
Gloria (original Italian version)
Verfasser(in):
Giancarlo Bigazzi und Umberto Tozzi
publisher:
Ed. Melodi s.r.l. Casa Editrice
Umberto Tozzi4:25
39Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:14
40Cosa resterà degli anni 80
Raf5:12
41Figli delle stelle
recording of:
Figli delle stelle
Texter und Komponist(in):
Alan Sorrenti
Alan Sorrenti4:35
42Settembre
Alberto Fortis4:17
43Per Elisa
Produzent(in):
Angelo Carrara (Italian record producer)
phonographisches Urheberrecht (℗) von:
EMI Italiana S.p.A. (not for release label use! Italian subsidiary of EMI 1967–1997) (in 1981)
Teil von:
Winners of the Sanremo Music Festival (Nummer: 1981)
recording of:
Per Elisa
Texter:
Alice (Italian singer Carla Bissi) und Franco Battiato (Italian singer-songwriter and composer)
Komponist(in):
Franco Battiato (Italian singer-songwriter and composer) und Giusto Pio
Alice3:37
44Bomba o non bomba
Antonello Venditti45:08
45Tu sei l’unica donna per me
recording of:
Tu sei l'unica donna per me
Texter und Komponist(in):
Alan Sorrenti
Alan Sorrenti3:51
46Fiore di maggio
Fabio Concato3:53
47Ti amo
recording of:
Ti amo
Texter und Komponist(in):
Giancarlo Bigazzi und Umberto Tozzi
Umberto Tozzi4.54:06
48Dimmelo tu perchè
Fiordaliso4:37
49Ti pretendo
recording of:
Ti pretendo
Verfasser(in):
Gianna Albini, Giancarlo Bigazzi und Raf (Italian pop singer)
Raf4:26
50Buona domenica
Antonello Venditti5:38
51Cuccurucucù
recording of:
Cuccurucucù
Texter:
Franco Battiato (Italian singer-songwriter and composer)
Komponist(in):
Franco Battiato (Italian singer-songwriter and composer) und Giusto Pio
publisher:
EMI Music Publishing Italia Srl (Italian branch of EMI Music Publishing)
übersetzte Version von:
Cuccurucucú (Spanish version)
Franco Battiato4:11
52Ti ricordo ancora
Fabio Concato4:30
53Voglio vederti danzare
Franco Battiato3:44
54Dr. Jazz & Mr. Funk
Ladri di biciclette4:59
55Sotto il segno dei pesci
Antonello Venditti6:03
56Solo tu
Matia Bazar3:28
57Io vagabondo (che non sono altro)
Nomadi3:14
58Domenica bestiale
Fabio Concato4:03
59Primavera (You to Me Are Everything)
Marina Rei4:31
60Per un’ora d’amore
recording of:
Per un'ora d'amore
Texter:
Gianni Belfiore (songwriter) und Aldo Stellita (Italian musician)
Komponist(in):
Piero Cassano und Carlo Marrale
Matia Bazar4:01
61La cura
vocals:
Franco Battiato (Italian singer-songwriter and composer) (in 1996)
recording of:
La cura (in 1996)
Texter:
Franco Battiato (Italian singer-songwriter and composer) und Manlio Sgalambro
Komponist(in):
Franco Battiato (Italian singer-songwriter and composer)
publisher:
L’Ottava Edizioni Musicali s.r.l. (publisher) und Universal Music Italia s.r.l. (NOT for release label use! IT subsidiary of UMG)
Franco Battiato4:03
62Ladri di biciclette
Ladri di biciclette3:37
63Vacanze romane
Produzent(in):
Roberto Colombo
recording of:
Vacanze romane
Verfasser(in):
Giancarlo Golzi und Carlo Marrale
Matia Bazar4:14
64Maracaibo
Lu Colombo3:54
65Una musica può fare
Max Gazzè4:11
66Liberi… liberi
Vasco Rossi6:15
67Mi innamoro di te
cover recording of:
M’innamoro di te
Texter:
Cristiano Minellono
Komponist(in):
Dario Farina
Ricchi e Poveri3:34
68Basta ’na jurnata e sole
Pino Daniele3:35
69Che sarà
recording of:
Che sarà (original Italian version)
Texter:
Franco Migliacci
Komponist(in):
Jimmy Fontana (Italian singer‐songwriter), Lilli Greco und Carlo Pes
publisher:
RCA France Société, Universal Music Publishing Ricordi srl, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), AdD (publisher) (in 1971) und R (publisher) (in 1971)
Ricchi e Poveri3:45
70L’angelo azzurro
Umberto Rosario Balsamo3:28
71Tango… (della gelosia)
Vasco Rossi3:07
72Donne
Zucchero & The Randy Jackson Band3:36
73Se mi innamoro
Ricchi e Poveri3:54
74Balla
Umberto Rosario Balsamo3:15
75Scrivimi
recording of:
Scrivimi
Texter:
Nino Buonocore und Michele De Vitis
Komponist(in):
Nino Buonocore
Nino Buonocore3:57
76Sally
Vasco Rossi4:43
77Il volo
Produzent(in):
Corrado Rustici
arranger:
Luciano Luisi, Corrado Rustici und Zucchero
recording of:
Il volo
Texter und Komponist(in):
Zucchero
Zucchero45:31
78Ti sento
Matia Bazar4:15
79La prima cosa bella
recording of:
La prima cosa bella
Texter:
Mogol (Italian lyricist)
Komponist(in):
Nicola Di Bari und Gian Franco Reverberi
Ricchi e Poveri4:15
80Senza una donna (original Italian version)
Zucchero4:27
81Tu sei l’unica donna per me
recording of:
Tu sei l'unica donna per me
Texter und Komponist(in):
Alan Sorrenti
Alan Sorrenti3:45
82Stranamore (pure questo è amore)
Roberto Vecchioni4:19
83Chillo è nu buono guaglione
Pino Daniele2:49
84De Do Do Do, De Da Da Da
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass, Synthesizer und Sologesang:
Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07)
E-Gitarre:
Andy Summers (von 1980-07-07 bis 1980-08-07)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07)
Hintergrundgesang:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07), Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07) und Andy Summers (von 1980-07-07 bis 1980-08-07)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1980), A&M Records Ltd. (in 1980, in 2003) und A&M Records, Inc. (in 1980, in 1997)
aufgenommen bei:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1980-07-07 bis 1980-08-07)
recording of:
De Do Do Do, De Da Da Da (von 1980-07-07 bis 1980-08-07)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. (beendet), GM Sumner, Magnetic Publishing Ltd., Chappell Music (UK) (vom 1980 bis ????), Chappell Music Co. (vom 1980 bis ????), Virgin Music (Publishers) Ltd. (vom 1980 bis ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (vom 1980 bis ????), Virgin Publishing (vom 1984 bis ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (vom 2003 bis ????) und Songs of Universal, Inc. (BMI) (vom 2022-02 bis heute)
The Police3.54:08
85Dancing on the Ceiling
Produzent(in):
James Anthony Carmichael und Lionel Richie
Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael, Lionel Richie und Carlos Rios (producer/guitarist)
Hintergrundgesang arranger:
Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Dancing on the Ceiling
Texter:
Lionel Richie
Komponist(in):
Michael Frenchik, Lionel Richie und Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music und Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie3.94:32
86Sara
Antonello Venditti4:28
87Il tuo culo e il tuo cuore
Roberto Vecchioni4:28
88Je so’ pazzo
recording of:
Je so' pazzo
Texter und Komponist(in):
Pino Daniele
Pino Daniele2:59
89It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:25
90Hot in the City (single version)
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Hot in the City (extended version) von Billy Idol (English rock singer‐songwriter)
Musikvideos:
Hot in the City (uncensored version) von Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) und Rare Blue Music Inc
Billy Idol3.83:39
91I Don’t Want to Be a Hero
Musikvideos:
I Don’t Want to Be a Hero von Johnny Hates Jazz
recording of:
I Don’t Want to Be a Hero
Texter und Komponist(in):
Clark Datchler
publisher:
Stage Three Music Limited
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Johnny Hates Jazz4.53:28
92Wishful Thinking
Produzent(in):
Mike Howlett
vocals:
Eddie Lundon (China Crisis)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Wishful Thinking
Texter:
Eddie Lundon (China Crisis)
Komponist(in):
Gary Daly und Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:42
93Miss Me Blind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Miss Me Blind von Culture Club (English pop group)
recording of:
Miss Me Blind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club34:32
94Something About You
recording engineer und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in) und Koproduzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Bassgitarre und Sologesang:
Mark King (bass guitarist and vocalist)
Gitarre:
Boon Gould
Keyboard:
Wally Badarou und Mike Lindup
Schlagzeug:
Phil Gould
vocals:
Mike Lindup
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
Musikvideos:
Something About You von Level 42
recording of:
Something About You
Verfasser(in):
Wally Badarou, Boon Gould, Phil Gould, Mark King (bass guitarist and vocalist) und Mike Lindup
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Level 423.654:26
95Square Rooms
recording of:
Square Rooms
Verfasser(in):
Al Corley, Harold Faltermeyer und Peter Wood (UK keyboardist/pianist)
publisher:
Kilauea Musikverlag und Ufaton (publisher)
Al Corley3:42
96Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:32
97Black Man Ray
Produzent(in):
Walter Becker
recording of:
Black Man Ray
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis33:39
98The War Song
assistierende(r) Techniker(in):
Peter Lees
Techniker(in):
Gordon Milne (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1984)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
Gast-Posaune:
Kenneth McGregor (in 1984)
Gast-Saxophon:
Steve Grainger (saxophonist) (in 1984)
Gast-Trompete:
Ron Williams (Trumpeter) (in 1984)
Gast Hintergrundgesang:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) und Clare Torry (in 1984)
vocals:
Boy George (in 1984)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1984)
Musikvideos:
The War Song von Culture Club (English pop group)
recording of:
The War Song (in 1984)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3.654:13
99Tarzan Boy
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:24
100Bella Ciao (1943–1945)
I Gufi2:50
This medium has too many tracks to load at once; currently showing 100 out of 105 total. Load all tracks...

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2023)
kostenlos streamen:https://open.spotify.com/album/3cKUUWW5MPv8AWe9uHvj2X [Info] (beendet)