The Very Best of Astrud Gilberto

~ Release by Astrud Gilberto (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Goodbye Sadness (Tristeza)
double bass [bass]:
José Marino (bassist) (on 1966-09-21)
drums (drum set) [drums]:
Claudio Slon (on 1966-09-21)
organ and piano:
Walter Wanderley (on 1966-09-21)
percussion:
Bobby Rosengarden (on 1966-09-21)
vocals:
Astrud Gilberto (on 1966-09-21)
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1966-09-21)
recording of:
Goodbye Sadness
writer:
Haroldo Lobo and Niltinho
translator:
Norman Gimbel
3:34
2The Shadow of Your Smile
recorded in:
Los Angeles, California, United States (on 1965-06-03)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (on 1965-06-03)
conductor:
Don Sebesky (on 1965-06-03)
arranger:
Don Sebesky
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-06-03)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
32:32
3Manha de Carnaval
2:59
4I Will Wait for You
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
solo trumpet and trumpet:
Johnny Coles (US jazz trumpeter) (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
cover recording of:
I Will Wait for You (from 1965-11-22 until 1966-02-04)
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
publisher:
Universal Music Publishing MGB France and Warner Chappell Music France
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 2)
translated version of:
Les Parapluies de Cherbourg: Devant le garage (aka “Les Parapluies de Cherbourg”)
4:41
5Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:20
6Once Upon a Summertime
3:05
7A Certain Smile
recording of:
A Certain Smile
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
1:29
8Certain Sadness
recording of:
Certain Sadness
lyricist and composer:
John Court and Carlos Lyra
3:10
9Here's That Rainy Day
recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:46
10It's a Lovely Day Today
recording engineer and engineer:
Rudy van Gelder
producer:
Creed Taylor (task: Reissue)
vocals:
Astrud Gilberto
orchestra:
The Walter Wanderley Trio
recording of:
It’s a Lovely Day Today
lyricist and composer:
Irving Berlin (in 1950)
2:41
11Call Me
3:22
12Misty Roses
recording engineer:
Brooks Arthur
producer:
Creed Taylor
vocals:
Astrud Gilberto
conductor:
Don Sebesky
arranger:
Don Sebesky
cover recording of:
Misty Roses
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Faithful Virtue Music, Robbins Music Co. Ltd., Robbins Music Corp. Ltd., Trio Music Co., Inc. (Chardon), Trio Music Company, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
2:38
13A Felicidade
recording engineer:
Val Valentin (on 1965-12-06)
producer:
Creed Taylor
double bass:
Ron Carter (US jazz double-bassist) (on 1965-12-06)
percussion:
Dom Um Romão (on 1965-12-06)
trombone:
Bob Brookmeyer (on 1965-12-06)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1965-12-06)
vocals:
Astrud Gilberto (on 1965-12-06)
orchestra:
Al Cohn and His Orchestra
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
cover recording of:
A felicidade (on 1965-12-06)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
publisher:
Ross-Jungnickel, Inc.
2:48
14Berimbau
recorded in:
New York, New York, United States (on 1965-12-23)
recording engineer:
Val Valentin (on 1965-12-23)
producer:
Creed Taylor
berimbau and percussion:
Dom Um Romão (on 1965-12-23)
double bass:
Ron Carter (US jazz double-bassist) (on 1965-12-23)
trombone:
Bob Brookmeyer (on 1965-12-23)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1965-12-23)
vocals:
Astrud Gilberto (on 1965-12-23)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (on 1965-12-23)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recording of:
Berimbau (Portuguese original) (on 1965-12-23)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Baden Powell
52:28
15Come Softly to Me / Hushabye
recorded in:
New York, New York, United States (on 1964-01-29)
vocals:
Astrud Gilberto (on 1964-01-29)
conductor:
Norman Bergen (on 1964-01-29)
arranger:
Norman Bergen
cover recording of:
Come Softly to Me (on 1964-01-29)
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
cover recording of:
Hushabye (on 1964-01-29)
writer:
Doc Pomus (in 1959) and Mort Shuman (US singer, pianist & songwriter) (in 1959)
is based on:
All the Pretty Little Horses
2:52
16Crickets Song for Anamaria
recording of:
Crickets Sing for Anamaria
lyricist:
Ray Gilbert and Paulo Sérgio Valle
composer:
Marcos Valle
version of:
Os grilos
1:35
17In the Wee Small Hours
vocals:
Astrud Gilberto (on 1968-12-12)
conductor:
Albert Gorgoni (guitarist, composer, arranger, and producer) (on 1968-12-12)
arranger:
Albert Gorgoni (guitarist, composer, arranger, and producer)
recorded at:
Century Sound Recording Studio in New York, New York, United States (on 1968-12-12)
cover recording of:
In the Wee Small Hours of the Morning (on 1968-12-12)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
2:17
18Insensatez
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
double bass [bass]:
Joe Mondragon (in 1965-01)
flute:
Bud Shank (in 1965-01, from 1965-01-27 until 1965-01-28)
guitar:
Antonio Carlos Jobim (in 1965-01), João Donato (in 1965-01) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (in 1965-01, from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (in 1965-01, from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1965-01, from 1965-01-27 until 1965-01-28)
cover recording of:
How Insensitive (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:48
19It Might as Well Be Spring
double bass [bass]:
Gene Cherico (on 1964-10-06)
drums (drum set) [drums]:
Helcio Milito (on 1964-10-06)
guitar:
Kenny Burrell (on 1964-10-06)
tenor saxophone:
Stan Getz (on 1964-10-06)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1964-10-06)
vocals:
Astrud Gilberto (on 1964-10-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-10-06)
live recording of:
It Might as Well Be Spring (State Fair) (on 1964-10-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
24:25
20Meditation
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Meditation (from 1965-01-27 until 1965-01-28)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
additional translator:
Eddy Marnay (French lyricist)
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), New Thunder Music Co., Songs of Universal, Inc. (BMI) and 大洋音楽 (Taiyō Music)
translated version of:
Meditação
2:40