The Complete Nat Hentoff Sessions

~ Release by Cecil Taylor (see all versions of this release, 5 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Cell Walk for Celeste [take 1]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
11:30
2Cell Walk for Celeste [take 3]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
9:51
3Cell Walk for Celeste [take 8]
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (drums) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
11:44
4Section C
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Section C (in 1961-01)
composer:
Cecil Taylor
10:24
5Jumpin’ Punkins [take 4]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Jumpin' Punkins (in 1961-01)
composer:
Mercer Ellington
8:15
6Things Ain’t What They Used to Be [take 1]
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10) and Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
10:08
7Things Ain’t What They Used to Be [take 3]
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-10)
drums (drum set):
Dennis Charles (drums) (on 1961-01-10)
piano:
Cecil Taylor (on 1961-01-10)
tenor saxophone:
Archie Shepp (on 1961-01-10)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (on 1961-01-10)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
8:56
8Cindy’s Main Mood
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cindy’s Main Mood (in 1961-01)
composer:
Billy Higgins (US jazz drummer), Buell Neidlinger and Cecil Taylor
5:14
4▶CD