Black Radio

~ Release by Robert Glasper Experiment (see all versions of this release, 14 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleRatingLength
C1Ah Yeah
assistant engineer:
Todd Bergman
engineer:
Keith Lewis
co-producer:
Bryan‐Michael Cox (US R&B/hip‐hop producer/songwriter) and Robert Glasper (piano)
mixer:
Qmillion
bass:
Derrick Hodge
drums (drum set):
Chris Dave (drummer, Chris “Daddy” Dave)
finger snaps [snapping]:
Musiq Soulchild
piano and Rhodes piano:
Robert Glasper (piano)
vocals:
Chrisette Michele and Musiq Soulchild
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
co-produced for:
Team Idris, LLC
recorded at and engineered at:
Threshold Sound in Santa Monica, California, United States
mixed at:
Flying Dread Studios in Los Angeles, California, United States
recording of:
Ah Yeah
writer:
Chrisette Michele Payne, Robert Glasper (piano), Derrick Hodge and Taalib Johnson (Musiq Soulchild)
5:08
C2The Consequences of Jealousy
assistant engineer:
Todd Bergman
engineer:
Keith Lewis
producer:
Robert Glasper (piano)
mixer:
Qmillion
bass:
Derrick Hodge
drums (drum set):
Chris Dave (drummer, Chris “Daddy” Dave)
piano and Rhodes piano:
Robert Glasper (piano)
turntable:
Jahi Sundance
vocoder:
Casey Benjamin
vocals:
Meshell Ndegeocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
arranger:
Casey Benjamin
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at and engineered at:
Threshold Sound in Santa Monica, California, United States
mixed at:
Flying Dread Studios in Los Angeles, California, United States
recording of:
The Consequences of Jealousy
lyricist:
Meshell Ndegeocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
composer:
Robert Glasper (piano)
publisher:
I Am a Jazzy Guy and Revolutionary Jazz Giant
6:07
C3Why Do We Try
assistant engineer:
Todd Bergman
engineer:
Keith Lewis
producer:
Robert Glasper (piano)
mixer:
Qmillion
bass:
Derrick Hodge
drums (drum set):
Chris Dave (drummer, Chris “Daddy” Dave)
percussion:
Chris Dave (drummer, Chris “Daddy” Dave) and Stokley
piano and Rhodes piano:
Robert Glasper (piano)
saxophone:
Casey Benjamin
vocals:
Stokley
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at and engineered at:
Threshold Sound in Santa Monica, California, United States
mixed at:
Flying Dread Studios in Los Angeles, California, United States
cover recording of:
Why Do We Try
writer:
Jeffrey Allen (saxophone / keyboard with Mint Condition), Ricky Kinchen, Homer O’Dell, Stokley and Lawrence Waddell
6:31
D1Black Radio
assistant engineer:
Todd Bergman
engineer:
Keith Lewis
producer:
Robert Glasper (piano)
mixer:
Qmillion
bass:
Derrick Hodge
drums (drum set):
Chris Dave (drummer, Chris “Daddy” Dave)
piano and synthesizer:
Robert Glasper (piano)
saxophone:
Casey Benjamin
turntable:
Jahi Sundance
vocals:
yasiin bey (Yasiin Bey, fka Mos Def)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at and engineered at:
Threshold Sound in Santa Monica, California, United States
mixed at:
Flying Dread Studios in Los Angeles, California, United States
recording of:
Black Radio
writer:
Chris E. Dave (drummer, Chris “Daddy” Dave), Dante Smith (Yasiin Bey, fka Mos Def), Robert Glasper (piano) and Derrick Hodge
publisher:
Drum Hedz 713 Music, I Am a Jazzy Guy, Medina Sounds Music (also printed on releases as "Medina Sound Music") and Son of Knowledge Music
5:25
D2Letter to Hermione
assistant engineer:
Todd Bergman
engineer:
Keith Lewis
producer:
Robert Glasper (piano)
mixer:
Qmillion
bass:
Derrick Hodge
drums (drum set):
Chris Dave (drummer, Chris “Daddy” Dave)
flute:
Casey Benjamin
piano:
Robert Glasper (piano)
vocals:
Bilal (US jazz/neo-soul vocalist Bilal Oliver)
arranger:
Robert Glasper (piano)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at and engineered at:
Threshold Sound in Santa Monica, California, United States
mixed at:
Flying Dread Studios in Los Angeles, California, United States
cover recording of:
Letter to Hermione
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG RM Chrysalis Music France, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Éditer à Paris, EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), Fleur Music Ltd. (publisher), Mainman Saag (New York), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, フジパシフィックミュージック (Fujipacific Music, Inc.), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4:51
D3Smells Like Teen Spirit
assistant engineer:
Todd Bergman
engineer:
Keith Lewis
producer:
Robert Glasper (piano)
mixer:
Qmillion
bass:
Derrick Hodge
drums (drum set):
Chris Dave (drummer, Chris “Daddy” Dave)
percussion:
Stokley
piano and Rhodes piano:
Robert Glasper (piano)
turntable:
Jahi Sundance
vocoder:
Casey Benjamin
additional vocals:
Lalah Hathaway
arranger:
Robert Glasper (piano)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at and engineered at:
Threshold Sound in Santa Monica, California, United States
mixed at:
Flying Dread Studios in Los Angeles, California, United States
cover recording of:
Smells Like Teen Spirit
lyricist:
Kurt Cobain (lead singer and guitarist for Nirvana)
composer:
Chris Novoselic, Kurt Cobain (lead singer and guitarist for Nirvana) and David Grohl
publisher:
EMI‐Virgin Songs, Inc., MJ Twelve Music, Murky Slough Music, Primary Wave Tunes, The End of Music LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), The End of Music (in 1991) and Virgin Songs, Inc. (in 1991)
7:24