Christmas Oratorio / A Ceremony of Carols

~ Release by Saint‐Saëns, Benjamin Britten; Dresden Kreuzchor, Dresden Philharmonic, Martin Flämig (see all versions of this release, 2 available)

Annotation

SPARS: DDD

Annotation last modified on 2024-07-27 09:59 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Christmas Oratorio, op. 12: Prelude
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: I. Prélude (dans le style de Séb. Bach) (Christmas Oratorio, Op. 12: I. Prelude (in the style of Seb. Bach))
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns3:42
2Christmas Oratorio, op. 12: Et pastores errant - Gloria in altissimis Deo
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
alto vocals and contralto vocals:
Annette Markert (mezzo-soprano)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: II. Récit et chœur: Et pastores errant - Gloria (Christmas Oratorio, Op. 12: II. Recitative and Chorus: Et pastores erant - Gloria)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:52
3Christmas Oratorio, op. 12: Expectans, expectavi Dominum
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: III. Air: Expectans expectavi Dominum (Christmas Oratorio, Op. 12: III. Aria: Expectans expectavi Dominum)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns2:53
4Christmas Oratorio, op. 12: Domine, ergo credidi - Qui in hunc mundum venisti
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: IV. Air et chœur: Domine, ego credidi (Christmas Oratorio, Op. 12: IV. Aria and Chorus: Domine, ego credidi)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns2:58
5Christmas Oratorio, op. 12: Benedictus, qui venit in nominee Domine
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: V. Duo: Benedictus qui venit (Christmas Oratorio, Op. 12: V. Duet: Bendedictus qui venit)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:05
6Christmas Oratorio, op. 12: Quare fremuerunt gentes?
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: VI. Chœur: Quare fremuerunt gentes (Christmas Oratorio, Op. 12: VI. Chorus: Quare fremuerunt gentes)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns3:40
7Christmas Oratorio, op. 12: Tecum principium
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: VII. Trio: Tecum principium (Christmas Oratorio, Op. 12: VII. Trio: Tecum principium)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns4:22
8Christmas Oratorio, op. 12: Alleluia
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
alto vocals and contralto vocals:
Annette Markert (mezzo-soprano)
baritone vocals:
Egbert Junghanns (baritone)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: VIII. Quatuor: Alleluja (Christmas Oratorio, Op. 12: VIII. Quartet: Alleluja)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns2:18
9Christmas Oratorio, op. 12: Consurgo, Filia Sion
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
alto vocals and contralto vocals:
Annette Markert (mezzo-soprano)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: IX. Quintette et chœur: Consurge, Filia Sion (Christmas Oratorio, Op. 12: IX. Quintet and Chorus: Consurge, Filia Sion)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns5:00
10Christmas Oratorio, op. 12: Tollite hostias
harp:
Jutta Zoff (German harpist)
organ:
Michael‐Christfried Winkler (organist)
baritone vocals:
Egbert Junghanns (baritone)
choir vocals:
Dresdner Kreuzchor
contralto vocals:
Annette Markert (mezzo-soprano)
mezzo-soprano vocals:
Elisabeth Wilke (mezzo-soprano)
soprano vocals:
Ute Selbig (soprano)
tenor vocals:
Armin Ude (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
Oratorio de Noël, op. 12: X. Chœur: Tollite hostias (Christmas Oratorio, Op. 12: X. Chorus: Tollite hostias)
composer:
Camille Saint‐Saëns (composer) (in 1858-12)
part of:
Oratorio de Noël, op. 12 (Christmas Oratorio, Op. 12)
Camille Saint‐Saëns1:46
11A Ceremony of Carols, op. 28: Introduction
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Introduction
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: I. Procession
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:08
12A Ceremony of Carols, op. 28: Willkumm, Jul!
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Willkumm, Jul!
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: II. Wolcum Yole!
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:33
13A Ceremony of Carols, op. 28: Est ist kein Ros
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Est ist kein Ros
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: III. There is no Rose
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten2:17
14A Ceremony of Carols, op. 28: Wann hub dies Kindlein
harp:
Jutta Zoff (German harpist)
choir vocals:
Dresdner Kreuzchor
solo treble vocals:
Norbert Kleinschmidt (German choir director and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Wann hub dies Kindlein
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: IV. (a) That yongë child
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:26
15A Ceremony of Carols, op. 28: Bubaideli
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Bubaideli
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: IV. (b) Balulalow
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:11
16A Ceremony of Carols, op. 28: Wie Tau im Aprill
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Wie Tau im Aprill
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: V. As dew in Aprille
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:12
17A Ceremony of Carols, op. 28: Der kleine Knab
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Der kleine Knab
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: VI. This little babe
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:39
18A Ceremony of Carols, op. 28: Intermezzo
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: VII. Interlude. Andante pastorale
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942, from 1942-03 until 1943)
part of:
A Ceremony of Carols, op. 28
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten3:52
19A Ceremony of Carols, op. 28: In kalter Wintersnacht
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
solo treble vocals:
Norbert Kleinschmidt (German choir director and conductor) and Michael Koch ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: In kalter Wintersnacht
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: VIII. In Freezing Winter Night
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten3:32
20A Ceremony of Carols, op. 28: Frühlingschor
harp:
Jutta Zoff (German harpist)
choir vocals:
Dresdner Kreuzchor
solo treble vocals:
Norbert Kleinschmidt (German choir director and conductor) and Michael Koch ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Frühlingschor
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: IX. Spring Carol
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:09
21A Ceremony of Carols, op. 28: Adam lag gebunden
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Adam lag gebunden
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: X. Deo gracias!
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:18
22A Ceremony of Carols, op. 28: Hodie Christus natus est
harp:
Jutta Zoff (German harpist)
choir vocals:
Knabenchor des Dresdner Kreuzchores
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Studio Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1987)
recording of:
A Ceremony of Carols, op. 28: Hodie Christus natus est
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
translated version of:
A Ceremony of Carols, op. 28: XI. Recession
part of:
A Ceremony of Carols, op. 28 (German version)
Benjamin Britten1:10

Credits

Release

manufactured in:United States
design:Adam Backhausen (design/illustration)
part of:Classical Christmas (order: 2)
Discogs:https://www.discogs.com/release/7951982 [info]
ASIN:US: B000001VMU [info]