Mod: The Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:55
2Here I Go Again
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (am 1969-05-16)
Bass [electric bass]:
Ronnie Baker (bass) (am 1969-05-16)
Gitarre:
Roland Chambers (am 1969-05-16) und Norman Harris (American Philly Soul guitarist, producer, and songwriter) (am 1969-05-16)
Horn:
Sam Reed and His Horn Section (am 1969-05-16)
Klavier:
Leon Huff (Philly soul producer, of Gamble & Huff) (am 1969-05-16)
Orgel:
Thom Bell (keyboards, songwriter, producer) (am 1969-05-16)
Saiteninstrumente:
Don Renaldo and His String Section (am 1969-05-16)
Schlagzeug:
Earl Young (am 1969-05-16)
Vibraphon:
Bobby Martin (US soul/R&B producer/arranger) (am 1969-05-16)
vocals:
Archie Bell (vocals, of Archie Bell & the Drells) (am 1969-05-16)
arranger:
Thom Bell (keyboards, songwriter, producer) und Leon Huff (Philly soul producer, of Gamble & Huff)
Archie Bell & the Drells52:06
3Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:43
4Something Good (Is Going to Happen to You)
vocals:
Carla Thomas
Carla Thomas2:38
5Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:37
6Looking for a Fox
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-11-10)
Gitarre:
Clarence Carter (am 1967-11-10)
Orgel:
Barry Beckett (am 1967-11-10)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-11-10)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-11-10), Andrew Love (am 1967-11-10) und Aaron Varnell (am 1967-11-10)
Trompete:
Gene Miller (American trumpeter) (am 1967-11-10) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1967-11-10)
vocals:
Clarence Carter (am 1967-11-10)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-11-10)
recording of:
Looking for a Fox
Verfasser(in):
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Wilbur Terrell
Clarence Carter2:18
7Satisfied (single version)
Ben Aiken2:37
8Cool Jerk
The Capitols2:36
9Respect
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
recording engineer:
Tom Dowd
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Booker T. Jones (in 1965-07) und Isaac Hayes (am 1965-07-09)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09)
Hintergrundgesang:
Earl Sims (am 1965-07-09)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
recording of:
Respect (in 1965-07)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Otis Redding3.852:11
10You’re Ready Now
Frankie Valli2:19
11Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:21
12B‐A‐B‐Y
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:55
13Walkin’ Up a One Way Street
Willie Tee2:41
14I Can’t Break the News to Myself
recording of:
I Can’t Break the News to Myself
Verfasser(in):
Larry Harrison und Jimmy Williams (50s/60s US funk/soul songwriter)
Ben E. King42:32
15I’m Gonna Run Away From You
recording of:
I’m Gonna Run Away From You
Texter und Komponist(in):
Bert Russell Berns
Tami Lynn2:51
16Beggin’
Produzent(in):
Bob Crewe
conductor:
Bob Crewe
arranger:
Artie Schroeck
recording of:
Beggin’ (in 1967)
Verfasser(in):
Peggy Farina und Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. und Seasons Four Music Corp.
Frankie Valli & The Four Seasons2:46
17Me and My Baby
recording of:
Me and My Baby
Verfasser(in):
Sonny Sanders und Barrett Strong
Mary Wells2:03
18Stupidity
Produzent(in):
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Stupidity
Verfasser(in):
Solomon Burke
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Solomon Burke1:56
19You Got to Pay Your Dues
The Drifters2:35
20Baby Help Me
recording of:
Baby Help Me
Texter und Komponist(in):
Bobby Womack
Percy Sledge2:33
21Mr. Creator
recording of:
Mr. Creator
Verfasser(in):
Nickolas Ashford und Valerie Simpson
The Apollas2:39
22Hold On, I’m Coming
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:36
23You Forgot How to Love
Patti LaBelle & The Bluebelles2:24
24What’cha Gonna Do About It (single version)
recording of:
Whatcha Gonna Do About It
Verfasser(in):
Gregory Carroll, Rex Garvin und Doris Payne
publisher:
Rachel Music Ltd.
Doris Troy1:52
25Walk On By
vocals:
Dionne Warwick
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 129)
recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:55
26Seven Days Too Long (mono)
Chuck Wood2:21
27Open the Door to Your Heart
Darrell Banks2:37
28Knock on Wood
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
Produzent(in):
Steve Cropper
baritone saxophone:
probably Floyd Newman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-07-13)
Gitarre:
Steve Cropper (am 1966-07-13)
Klavier:
Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
Orgel:
Booker T. Jones (am 1966-07-13)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1966-07-13)
Tenorsaxophon:
probably Andrew Love (am 1966-07-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-07-13)
vocals:
Eddie Floyd (am 1966-07-13)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (am 1966-07-13)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd43:04
29Somebody (Somewhere) Needs Me
recording of:
Somebody, Somewhere Needs You
Verfasser(in):
Marc Gordon (soul songwriter, producer, and manager) und Frank Wilson (Motown singer/songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:36
30You’ve Got That Something Wonderful
Percy Sledge2:24
31In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:37
32Respect
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bass:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Dewey "Spooner" Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Trompete:
Melvin Lastie (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin2:27
33I’ll Be Loving You
Soul Brothers Six2:19
34Ooh Baby
Deon Jackson2:37
35Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
36Crazy Baby (single version)
The Coasters2:01
37Slip Away
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
recording of:
Slip Away (am 1968-04-08)
Verfasser(in):
William Armstrong, Marcus Daniel und Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:28
38Things Get Better
recording of:
Things Get Better
Verfasser(in):
Steve Cropper, Eddie Floyd und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
publisher:
Irving Music (BMI), Rondor Music (London) Ltd. und Warner/Chappell North America
Eddie Floyd2:23
39Kiss My Love Goodbye (single version)
recording of:
Kiss My Love Goodbye
Verfasser(in):
Tony Bell (American 1970s musician, songwriter & engineer) und Phil Hurtt
Bettye Swann3:22
40You Hit Me (Right Where It Hurt Me)
Alice Clark2:53
41Just Say Goodbye
cover recording of:
Just Say Goodbye (am 1965-12-22)
Komponist(in):
Ruth Grant und Rogers Grant
Esther Phillips2:15
42Philly Dog
recorded in:
New York, New York, Vereinigte Staaten (am 1966-05-26)
Produzent(in):
Nesuhi Ertegun
flute:
Herbie Mann (am 1966-05-26)
conductor:
Jimmy Wisner (am 1966-05-26)
arranger:
Jimmy Wisner
instrumental recording of:
Philly Dog (am 1966-05-26)
Verfasser(in):
Rufus Thomas (US blues & funk singer & songwriter)
Herbie Mann2:27
43The Return of the Prodigal Son
Produzent(in):
Arif Mardin
alto saxophone und flute:
James Spaulding (jazz) (am 1966-10-19)
Bass:
Bob Cunningham (am 1966-10-19)
Flügelhorn und Trompete:
Freddie Hubbard (am 1966-10-19)
Klavier:
Albert Dailey (am 1966-10-19)
Perkussion:
Ray Barretto (am 1966-10-19)
Schlagzeug:
Otis Ray Appleton (am 1966-10-19)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1966-10-19)
recording of:
Return of the Prodigal Son (am 1966-10-19)
Komponist(in):
Harold Ousley
Freddie Hubbard45:42
44Dance Dance Dance (mono)
recording of:
Dance, Dance, Dance (Casualeers song)
Verfasser(in):
John Giametta und Rod McBrien
The Casualeers2:42
45Memphis Soul Stew
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-07-05)
Produzent(in):
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (am 1967-07-05)
Bassgitarre [bass]:
Tommy Cogbill (am 1967-07-05)
Gitarre:
R.F. Taylor (guitarist) (am 1967-07-05) und Reggie Young (guitarist and songwriter) (am 1967-07-05)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1967-07-05)
Orgel:
Bobby Emmons (am 1967-07-05)
Schlagzeug [drums]:
Gene Chrisman (am 1967-07-05)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-07-05), King Curtis (saxophonist) (am 1967-07-05) und Jimmy Mitchell (saxophone) (am 1967-07-05)
Trompete:
Bowlegs Miller (American trumpeter) (am 1967-07-05)
vocals:
King Curtis (saxophonist) (am 1967-07-05)
recording of:
Memphis Soul Stew (am 1967-07-05)
Verfasser(in):
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. und Pronto Music (publisher)
King Curtis2:57
46Knucklehead
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
Gitarre:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
Mundharmonika:
Booker T. Jones (in 1967)
Orgel:
Ronnie Caldwell (in 1967)
Schlagzeug:
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
Tenorsaxophon:
Phalon Jones (in 1967)
Trompete:
Ben Cauley (in 1967)
The Bar‐Kays2:23
47Mama Soul
recording of:
Mama Soul
Verfasser(in):
Charlie Ingui und Richie Ingui
The Soul Survivors2:38
48Seventh Son
Mose Allison2:37
49I’m the One Who Loves You
Produzent(in):
Ron Richards
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-06-11)
cover recording of:
I’m the One Who Loves You
Verfasser(in):
Curtis Mayfield
publisher:
EMI Music Publishing (do not use as a release label!) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Paramounts2:09
50What’d I Say, Pt. 1
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone und Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist) (am 1959-02-18)
baritone saxophone:
Hank Crawford (am 1959-02-18)
Bass:
Edgar Willis (bass) (am 1959-02-18)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Schlagzeug:
Milt Turner (am 1959-02-18)
Trompete:
Marcus Belgrave (am 1959-02-18)
Hintergrundgesang:
The Raelettes (am 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-02-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 1)
teilweise recording of:
What’d I Say (am 1959-02-18)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:11
51Tainted Love
Techniker(in):
Mike Stavrou (producer/engineer) und Gary Ulmer
Produzent(in):
Marc Bolan und Gloria Jones (US singer/songwriter, known for “Tainted Love”)
recording of:
Tainted Love (in 1976)
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:43
52Somebody (Somewhere Needs You)
Darrell Banks2:33
53Soul Finger
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
The Stax Staff
E-Bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
Gitarre:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
Orgel:
Ronnie Caldwell (in 1967)
Schlagzeug:
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
Tenorsaxophon:
Phalon Jones (in 1967)
Trompete:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:23
54Comin’ Home Baby
Mel Tormé2:39
55Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Wilson Pickett42:27
56Angel Baby (Don’t You Ever Leave Me)
Darrell Banks2:56
57Philly Dog
recording of:
Philly Dog
Verfasser(in):
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:18
58Hold On (I’m Coming) (mono)
cover recording of:
Hold On, I’m Comin’
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cliff Bennett & the Rebel Rousers2:21
59Keep On Talking
cover recording of:
Keep on Talking
Verfasser(in):
Dewey Oldham und Dan Penn (songwriter, soul singer)
publisher:
Fame Publishing Company LLC (affiliated to BMI) und Screen Gems–EMI Music Ltd.
sub-publisher:
Warner Chappell Music France
Arthur Conley2:28
60Mr. Pitiful
recording of:
Mr. Pitiful
Texter und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:32
61The Sidewinder
recording of:
The Sidewinder
Komponist(in):
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:03
62Both Ends Against the Middle
Jackie Moore2:30
63The Watusi: Killer Joe
Killer Joe Piro2:11
64Go for Yourself (single version)
Larry Laster2:35
65Something New to Do
Bobby Sheen2:34
66I Can’t Stop Lovin’ My Baby
Linda Jones2:05
67Big Bird
Produzent(in):
Booker T. Jones
recording of:
Big Bird
Texter und Komponist(in):
Eddie Floyd und Booker T. Jones
Eddie Floyd3:00
68I’m Getting Weaker
The Soul Shakers2:32
69Got to Find a Way
Cajun Hart3:08
70Just Can’t Get Enough of You
Produzent(in):
Dick Glasser
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Just Can’t Get Enough of You
Verfasser(in):
Jo Armstead, Nickolas Ashford und Valerie Simpson
The Apollas2:25
71Mean It Baby
Carl Hall2:36
72If You Don’t Come Back (single version)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-04-12)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1963-04-12)
Baritongesang:
Eugene Pearson (am 1963-04-12)
Bass-Gesang:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (am 1963-04-12)
Tenor-Gesang:
Rudy Lewis (am 1963-04-12), Johnny Moore (soul/rnb vocalist for The Drifters) (am 1963-04-12) und Charlie Thomas (The Drifters) (am 1963-04-12)
recording of:
If You Don’t Come Back
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Jerry Leiber Music und Mike Stoller Music (ASCAP)
The Drifters2:37
73A Good Thing (Is Hard to Come By)
recorded in:
New York, New York, Vereinigte Staaten (am 1966-11-23)
recording engineer:
Tom Dowd
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Bass:
Victor Gaskin (am 1966-11-23)
Bassgitarre:
Everett Barksdale (am 1966-11-23)
flute:
Herbie Mann (am 1966-11-23)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1966-11-23)
Perkussion:
Carlos “Patato” Valdés (am 1966-11-23)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (am 1966-11-23)
Vibraphon:
Roy Ayers (am 1966-11-23)
vocals:
Tamiko Jones (am 1966-11-23)
conductor:
Herbie Mann (am 1966-11-23)
arranger:
Joe Zawinul (jazz and fusion keyboard player)
Herbie Mann2:14
74Blues in the Night
Johnnie Taylor3:21
75My Girl Sloopy (live at the Uptown Philadelphia 1964)
The Vibrations3:14
76Some Kind of Wonderful
Soul Brothers Six2:38
77Walking the Dog
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 24)
recording of:
Walking the Dog (in 1963)
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas32:30
78Don’t You Even Care
Leslie Uggams2:04
79Tighten Up
recording of:
Tighten Up
Texter:
Billy Butler (60-70s R&B singer)
Komponist(in):
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell3:13
80Number One in Your Heart
cover recording of:
Number One in Your Heart
Verfasser(in):
Wilburt Jackson und Clyde Wilson (R&B singer and songwriter)
Herbie Goins & The Nightimers2:45
81La La La La La
The Blendells2:57
82You Said You Loved Me
recording of:
You Said You Loved Me
Texter und Komponist(in):
Deon Jackson
Deon Jackson2:33
83Man With the Golden Touch
Charles Thomas52:35
84Bring Your Love Back to Me
Linda Lyndell2:06
85I Got My Baby Back
Lorraine Ellison2:19
86You’re Absolutely Right
cover recording of:
You’re Absolutely Right (in 1965)
Verfasser(in):
Jo Armstead, Nickolas Ashford und Valerie Simpson
The Apollas2:20
87Can’t You See (You’re Losing Me)
recording of:
Can’t You See (You’re Losing Me)
Verfasser(in):
Barrett Strong und Nolan Strong
Mary Wells2:46
88In the Twilight Zone
The Astors2:45
89Frantic Escape
The Innocent Bystanders2:18
90Keep On Striving
Moses Smith2:44
91The Reason Why
The Dolls2:25
92Making Love After Hours
recording engineer:
Phil Iehle und Robert Wright (engineer)
Bass:
Major Holley (am 1965-03-14)
Blasinstrumente [tenor sax, manzello, stritch, clarinet, flute]:
Roland Kirk (am 1965-03-14)
Klavier:
Lonnie Smith (am 1965-03-14)
Schlagzeug:
Charles Crosby (drums) (am 1965-03-14)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1965-03-14)
Rahsaan Roland Kirk4:34
93Sho’ Nuff
J.J. Jackson3:04
94Come On, Let Me Love You
Moses Smith3:10
95Everybody Needs Somebody to Love
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 429)
recording of:
Everybody Needs Somebody to Love
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
Solomon Burke52:45
96Where Did I Go Wrong?
The Embers2:20
97Skiing in the Snow
cover recording of:
Skiing in the Snow
Verfasser(in):
Sandy Linzer und Denny Randell
The Invitations2:40
98Sock It to ’Em J.B.
Rex Garvin & The Mighty Cravers2:40
99Backlash
Produzent(in):
Arif Mardin
alto saxophone und flute:
James Spaulding (jazz) (am 1966-10-19)
Bass:
Bob Cunningham (am 1966-10-19, von 1966-10-19 bis 1966-10-24)
Blechblasinstrumente:
Freddie Hubbard (von 1966-10-19 bis 1966-10-24)
Flügelhorn und Trompete:
Freddie Hubbard (am 1966-10-19)
flute:
James Spaulding (jazz) (von 1966-10-19 bis 1966-10-24)
Klavier:
Albert Dailey (am 1966-10-19, von 1966-10-19 bis 1966-10-24)
Perkussion:
Ray Barretto (am 1966-10-19, von 1966-10-19 bis 1966-10-24)
Schlagzeug:
Otis Ray Appleton (am 1966-10-19) und Ray Appleton (von 1966-10-19 bis 1966-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1966-10-19, von 1966-10-19 bis 1966-10-24)
recording of:
Backlash (am 1966-10-19)
Komponist(in):
Donald Pickett
Freddie Hubbard54:15
100Able Mable
Produzent(in):
Al Jackson Jr. (Booker T & The MGs drummer) und Steve Cropper
recording of:
Able Mable
Verfasser(in):
Lillie John und Mable John (blues, R&B and gospel singer)
Mable John2:39