The Complete Masters 1925–1945

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

Track lengths on disc 2 are off.
According to one amazon.com commenter, "On my copy of Disc 2, the great Hot Sevens are not in the order shown on the sleeve and in the booklet, and not in the right date order."
Does anyone have / have access to this set?

edit 2022-10-24: Tried to look via the fingerprints and durations then here what I found (track. old name --> correct name)
6. Alligator Crawl --> Gully Low Blues
7. Potato Head Blues --> That's When I'll Come Back to You
8. Melancholy Blues --> Alligator Crawl
9. Weary Blues --> Potato Head Blues
10. Twelfth Street Rag --> Melancholy Blues
11. Keyhole Blues --> Weary Blues
12. S.O.L. Blues --> Twelfth Street Rag
13. Gully Low Blues --> Keyhole Blues
14. That's When I'll Come Back to You --> S.O.L. Blues

Annotation last modified on 2022-10-24 04:06 UTC.

Tracklist

1▶CD: 1925–1926
2▶CD: 1926–1928
3▶CD: 1928–1929
4▶CD: 1929–1930
5▶CD: 1930–1931
6▶CD: 1932–1933
7▶CD: 1933–1935
8▶CD: 1935–1936
9▶CD: 1936–1937
10▼CD: 1937–1938
#TitleArtistRatingLength
1On the Sunny Side of the Street
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
On the Sunny Side of the Street (on 1937-11-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Louis Armstrong & His Orchestra2:59
2Satchelmouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams (American jazz pianist and composer)
Louis Armstrong & His Orchestra2:37
3Jubilee
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (on 1938-01-12)
composer:
Hoagy Carmichael
Louis Armstrong & His Orchestra2:37
4Struttin’ With Some Barbecue
recording of:
Struttin’ With Some Barbecue (on 1938-01-12)
composer:
Lil Hardin Armstrong
Louis Armstrong & His Orchestra2:59
5Trumpet Player’s Lament
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
The Trumpet Player's Lament (on 1938-01-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
Louis Armstrong & His Orchestra2:54
6I Double Dare You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
I Double Dare You (on 1938-01-13)
writer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
Louis Armstrong & His Orchestra2:57
7True Confession
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
bass and double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
True Confession (on 1938-01-13)
composer:
Sam Coslow and Friedrich Hollaender
Louis Armstrong & His Orchestra3:07
8Let That Be a Lesson to You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Let That Be a Lesson to You (on 1938-01-13)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting (composer)
Louis Armstrong & His Orchestra2:35
9Sweet as a Song
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Sweet as a Song (on 1938-01-13)
composer:
Mack Gordon and Harry Revel (British-born American composer)
Louis Armstrong & His Orchestra3:07
10So Little Time (So Much to Do)
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
So Little Time (So Much to Do) (on 1938-05-13)
lyricist:
Billy Hill (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Louis Armstrong & His Orchestra2:42
11Mexican Swing
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
Mexican Swing (on 1938-05-13)
composer:
Terry Shand (jazz pianist/composer)
Louis Armstrong & His Orchestra2:39
12As Long as You Live (You’ll Be Dead If You Die)
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
As Long as You Live, You'll Be Dead If You Die (on 1938-05-13)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
Louis Armstrong & His Orchestra2:16
13When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong & His Orchestra2:45
14On the Sentimental Side
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
On the Sentimental Side (on 1938-05-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
Louis Armstrong & His Orchestra2:27
15It’s Wonderful
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
It’s Wonderful (on 1938-05-18)
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (jazz violinist) (in 1937)
Louis Armstrong & His Orchestra2:36
16Something Tells Me
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Something Tells Me (on 1938-05-18)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
Louis Armstrong & His Orchestra2:32
17Love Walked In
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Love Walked In (on 1938-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Louis Armstrong & His Orchestra2:31
18The Flat Foot Floogie
recorded in:
New York, New York, United States (on 1938-06-10)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-10)
trumpet:
Louis Armstrong (on 1938-06-10)
baritone vocals:
Harry Mills (on 1938-06-10)
bass vocals:
John Mills, Sr. (on 1938-06-10)
tenor vocals:
Donald Mills (on 1938-06-10) and Herbert Mills (on 1938-06-10)
vocals:
Louis Armstrong (on 1938-06-10)
recording of:
The Flat Foot Floogie (on 1938-06-10)
composer:
Slim Gaillard, Bud Green and Slam Stewart
Louis Armstrong and The Mills Brothers3:00
19The Song Is Ended
recorded in:
New York, New York, United States (on 1938-06-13)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-13)
trumpet:
Louis Armstrong (on 1938-06-13)
baritone vocals:
Harry Mills (on 1938-06-13)
bass vocals:
John Mills, Sr. (on 1938-06-13)
tenor vocals:
Donald Mills (on 1938-06-13) and Herbert Mills (on 1938-06-13)
vocals:
Louis Armstrong (on 1938-06-13) and The Mills Brothers (on 1938-06-13)
recording of:
The Song Is Ended (but the Melody Lingers On) (on 1938-06-13)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
Louis Armstrong and The Mills Brothers3:13
20My Walking Stick
recorded in:
New York, New York, United States (on 1938-06-13)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-13)
trumpet:
Louis Armstrong (on 1938-06-13)
baritone vocals:
Harry Mills (on 1938-06-13)
bass vocals:
John Mills, Sr. (on 1938-06-13)
tenor vocals:
Donald Mills (on 1938-06-13) and Herbert Mills (on 1938-06-13)
vocals:
Louis Armstrong (on 1938-06-13) and The Mills Brothers (on 1938-06-13)
recording of:
My Walking Stick (on 1938-06-13)
lyricist and composer:
Irving Berlin
Louis Armstrong and The Mills Brothers2:43
21Shadrack
recorded in:
New York, New York, United States (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Shadrack (on 1938-06-14)
lyricist and composer:
R. MacGimsey
Louis Armstrong with The Decca Mixed Chorus2:35
22Going to Shout All Over God’s Heaven
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Going to Shout All Over God’s Heaven (on 1938-06-14)
writer:
[traditional] (special purpose artist)
Louis Armstrong with The Decca Mixed Chorus2:49
23Nobody Knows the Trouble I’ve Seen
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Nobody Knows the Trouble I’ve Seen (on 1938-06-14)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
Louis Armstrong with The Decca Mixed Chorus3:13
24Jonah and the Whale
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Jonah and the Whale (on 1938-06-14)
lyricist and composer:
Robert MacGimsey
Louis Armstrong with The Decca Mixed Chorus2:48
11▶CD: 1938–1939
12▶CD: 1939–1941
13▶CD: 1941–1945
14▶CD: 1923–1927 Selected Tracks