80s HITS – 100 Greatest Songs of the 1980s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Take on Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:48
2The Best
produttore:
Dan Hartman e Tina Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 4) e Cachitos Nochevieja 2022 (numero: 154)
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:29
3Material Girl
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
tecnico aggiunto:
Rob "Ace" Eaton
produttore:
Nile Rodgers
tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer) e Madonna (“Queen of Pop”)
basso :
Bernard Edwards (American bassist and record producer)
batteria [drums] :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra , sintetizzatore [Juno 60] e synclavier [Synclavier II] :
Nile Rodgers
voce di accompagnamento:
Curtis King (American singer and songwriter), Madonna (“Queen of Pop”), Frank Simms e George Simms
voce principale:
Madonna (“Queen of Pop”)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1984)
è stato produttore per:
Nile Rodgers Productions Inc.
video musicali:
Material Girl di Madonna (“Queen of Pop”)
registrazione di:
Material Girl
autore:
Peter Brown (70s/80s Miami disco artist/songwriter, "Do Ya Wanna Get Funky With Me") e Robert Rans
editore:
Candy Castle Music, Minong Publishing Company e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Madonna4.54:00
4It’s My Life
programmazione e produttore:
Tim Friese‐Greene
basso senza tasti :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
batteria :
Tim Friese‐Greene e Lee Harris (singer-songwriter & musician)
chitarra :
Robbie McIntosh (English guitarist for The Pretenders)
chitarra acustica :
Mark Hollis
drum machine e sintetizzatore :
Tim Friese‐Greene
percussione :
Morris Pert
pianoforte :
Tim Friese‐Greene e Phil Ramocon (soul/R&B/reggae songwriter)
tastiera :
Ian Curnow
voce:
Mark Hollis
voce di accompagnamento:
Mark Hollis e Paul Webb (Video game music composer)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
5Always on My Mind
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987, nel 1991)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 42)
registrazione cover di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
registrazione di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:54
6Save a Prayer
Duran Duran5:33
7True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
8Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan & Rufus3.74:45
9Blue Monday ’88New Order4:11
10Love Shack (edit)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s3.654:17
11Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:43
12Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
13Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
14Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
15Don’t Get Me Wrong
tecnico:
Bruce Lampcov
produttore:
Bob Clearmountain e Jimmy Iovine
tecnico di missaggio:
Bob Clearmountain
basso :
Chucho Merchán
batteria e percussione :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
pianoforte e sintetizzatore :
Wix (UK / Paul Wickens)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) e Warner Music UK Ltd. (not for release label use!) (nel 2007)
registrazione di:
Don’t Get Me Wrong
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hynde House of Hits Music
Pretenders4.23:47
16This Charming Man
tecnico:
Phil Bush (engineer, composer and musician) e Neil King (sound engineer)
produttore:
John Porter (producer and musician US and UK)
armonica (a bocca) , chitarra e chitarra e armonica (a bocca) :
Johnny Marr
batteria :
Mike Joyce (UK drummer)
chitarra basso :
Andy Rourke
voce:
Morrissey (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1983)
video musicali:
This Charming Man di The Smiths (1980s English rock band)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 11) e Indie 88: Top 500 Indie Rock Songs (numero: 36)
registrazione di:
This Charming Man
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.82:42
17If You Don’t Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce (drummer for Simply Red)
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
registrazione di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
18Young Turks
assistente tecnico:
Ricky Charles Delena
tecnico:
George Tutko (engineer, producer)
co-produttore:
Jim Cregan (producer & member of Family)
produttore:
Rod Stewart
tecnico di missaggio:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
batteria [drums] :
Carmine Appice
chitarra :
Jim Cregan (producer & member of Family)
chitarra basso :
Jay Davis (guitarist)
percussione aggiunto:
Tony Brock
tastiera [keyboards] :
Kevin Savigar
tastiera [keyboards] aggiunto:
Duane Hitchings
voce di accompagnamento:
Carmine Appice, Tony Brock e Jim Cregan (producer & member of Family)
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Young Turks
paroliere:
Kevin Savigar e Rod Stewart
compositore:
Carmine Appice e Duane Hitchings
Rod Stewart4.155:02
19What Have I Done to Deserve This?Pet Shop Boys feat. Dusty Springfield4:20
20Once in a Lifetime
assistente tecnico:
Kendal Stubbs
tecnico:
Dave Jerden
tecnico aggiunto:
Jack Nuber, John Potoker (producer/engineer aka Tokes) e Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
produttore:
Brian Eno e Talking Heads
tecnico di missaggio:
David Byrne (Talking Heads), Brian Eno, Dave Jerden e John Potoker (producer/engineer aka Tokes)
basso :
Tina Weymouth
batteria :
Chris Frantz
chitarra e voce principale:
David Byrne (Talking Heads)
tastiera :
Jerry Harrison (Talking Heads & producer)
voce di accompagnamento:
Brian Eno e Nona Hendryx (American vocalist, record producer, songwriter, musician, author and actress)
arrangiatore:
Talking Heads
arrangiatore voci:
David Byrne (Talking Heads) e Brian Eno
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1980)
registrata in aggiunta presso:
Eldorado Studios in Burbank, California, Stati Uniti e Sigma Sound Studios (New York) in New York, New York, Stati Uniti
registrata presso:
Compass Point Studios in Nassau, Bahamas, Eldorado Studios in Burbank, California, Stati Uniti (voce principale, voce di accompagnamento) e Sigma Sound Studios (New York) in New York, New York, Stati Uniti (voce principale, voce di accompagnamento)
mixata presso:
Eldorado Studios in Burbank, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 28), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 35) e Indie 88: Top 500 Indie Rock Songs (numero: 54)
registrazione di:
Once in a Lifetime
paroliere:
David Byrne (Talking Heads)
compositore:
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co. (publisher), Careers–BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) e Index Music
Talking Heads4.44:19
21Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:26
22Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran4.153:40
23Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
24The Sun Always Shines on T.V.
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 11) e The Downloader’s Music Source Book (numero: 283)
registrazione di:
The Sun Always Shines on T.V.
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e Sony ATV Publishing
a‐ha3.95:02
25Little LiesFleetwood Mac33:39
26We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
27What’s Love Got to Do With It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.153:50
28Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:05
29Working My Way Back to YouThe Spinners54:02
30Money’s Too Tight
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
pubblicazioni successive:
Money’s Too Tight (to Mention) di Simply Red (English soul and pop band)
parte di:
Q50 – December 2005 (numero: 29)
registrazione cover di:
Money’s Too Tight (to Mention) (nel 1985)
autore:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) e Carolyn Wiggins
editore:
Songs for Today Ltd
Simply Red54:12
31I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.954:57
32Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:33
33Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:28
34Self Control
registrazione cover di:
Self Control
paroliere:
Steve Piccolo
autore aggiunto:
Harro Steffen
compositore:
Giancarlo Bigazzi e Raffaele Riefoli (Italian pop singer)
editore:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) e Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4:07
35Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:24
36Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:32
37We Don’t Need Another Hero (Thunderdome)
assistente tecnico:
Mike Ging
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
sassofono :
Tim Cappello
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
video musicali:
We Don’t Need Another Hero di Tina Turner
registrazione di:
We Don’t Need Another Hero
paroliere e compositore:
Terry Britten e Graham Lyle
editore:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:13
38I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
39True Faith
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
American Psycho
New Order4:12
40Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
41Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
registrazione di:
Glow
paroliere e compositore:
Gary Kemp
Spandau Ballet3.53:51
42I Feel for You
registrazione cover di:
I Feel for You
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3:38
43Edge of Seventeen
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine
batteria :
Russ Kunkel (session drummer)
chitarra :
Waddy Wachtel
chitarra basso [bass] :
Bob Glaub
organo :
Benmont Tench
percussione :
Bobbye Hall
pianoforte :
Roy Bittan
voce principale:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 217)
registrazione di:
Edge of Seventeen
paroliere e compositore:
Stevie Nicks
dedicata a:
John Lennon (The Beatles)
Stevie Nicks4.055:29
44You’re the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago53:50
45Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:16
46Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
47You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford4:14
48La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:53
49Some Guys Have All the Luck
Rod Stewart4:34
50Hunting High and Low
registrazione di:
Hunting High and Low
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. (nel 1984)
a‐ha3:44
51Lover of Mine
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Paul Lani
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
Lover of Mine
autore:
Kit Johnson, Alannah Myles, David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
Alannah Myles44:37
52Big in Japan
Alphaville3:55
53Here I Go Again 87
produttore:
Kevin Elson, Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
basso elettrico :
Neil Murray (British bass guitar player)
batteria e percussione :
Aynsley Dunbar
chitarra elettrica e voce di accompagnamento:
John Sykes
chitarra elettrica solista :
Adrian Vandenberg
tastiera e tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e Whitesnake Productions (Overseas) Ltd. (nel 1987)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
video musicali:
Here I Go Again ’87 di Whitesnake
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 17)
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake4.054:35
54I Keep Forgettin (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
55Never Ending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:30
56Wind Beneath My Wings
produttore:
Arif Mardin
voce principale:
Bette Midler
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 1) e Alan Cross: Hurricane Songs (numero: 10)
registrazione cover di:
Wind Beneath My Wings
autore:
Larry Henley (singer songwriter) e Jeff Silbar
editore:
Silbar’Songs e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler54:53
57Kiss
produttore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
voce principale:
Tom Jones (Welsh pop singer) (nel 1988)
esecutore:
Art of Noise (nel 1988)
arrangiatore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
diritti fonografici (℗) detenuti da:
China Records (UK label founded by Derek Green) (nel 1988)
campionamenti:
Close (to the Edit) di Art of Noise, Dragnet di Art of Noise, Moments in Love di Art of Noise, Paranoimia (7″ mix) di The Art of Noise with Max Headroom (titular character from "Max Headroom") e Peter Gunn di The Art of Noise featuring Duane Eddy
video musicali:
Kiss di Art of Noise featuring Tom Jones (Welsh pop singer)
registrazione cover di:
Kiss (nel 1988)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Art of Noise feat. Tom Jones33:31
58In Private
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Pet Shop Boys
registrazione di:
In Private
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
Dusty Springfield44:22
59Josephine
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1985)
registrazione di:
Josephine
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea3:57
60Kayleigh
tecnico di registrazione:
Thomas Stiehler
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Hansa Studios in Berlin, Germania (dal 1985-03 al 1985-05)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion3.74:03
61Mornin’
tecnico di registrazione:
Eric Prestis
tecnico:
Ian Eales e Jay Graydon
produttore:
Jay Graydon
batteria :
Jeff Porcaro
chitarra :
Jay Graydon
chitarra basso :
Abe LaBoriel
piano Rhodes e sintetizzatore :
David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento e voce principale:
Al Jarreau (jazz, pop and r&b singer-songwriter)
arrangiatore archi :
Jeremy Lubbock
arrangiatore percussione [rhythm] :
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983)
registrata in aggiunta presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrata presso e mixata presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Mornin’
autore:
David Foster (Canadian music producer, arranger and composer), Jay Graydon e Al Jarreau (jazz, pop and r&b singer-songwriter)
editore:
AlJarreau Music, Garden Rake Music, Inc. e Peermusic III, Ltd. (BMI)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
Al Jarreau54:18
62Everybody Needs Somebody to Love
produttore:
Bob Tischler
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
voce:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) e Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
arrangiatore voce di accompagnamento:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione cover di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
The Blues Brothers4.33:25
63Simply Irresistible
tecnico:
Tim Kramer (engineer)
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Simply Irresistible
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Heavy Nova Music
Robert Palmer3.64:14
64Some People
produttore:
Alan Tarney
voce:
Cliff Richard
registrazione di:
Some People
paroliere e compositore:
Alan Tarney
Cliff Richard3:51
65There Is a Light That Never Goes Out
tecnico:
Stephen Street (famous producer, songwriter)
produttore:
Johnny Marr e Morrissey (English singer‐songwriter)
batteria :
Mike Joyce (UK drummer)
chitarra :
Johnny Marr
chitarra basso :
Andy Rourke
voce principale:
Morrissey (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Rough Trade Records Ltd. e Warner Music UK Ltd. (not for release label use!) (nel 2017)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 86), Indie 88: Top 500 Indie Rock Songs (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 226)
registrazione di:
There Is a Light That Never Goes Out (nel 1985)
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:04
66I.G.Y.
batteria :
James Gadson (American drummer)
batteria aggiunto:
Jeff Porcaro
chitarra :
Hugh McCracken
chitarra basso :
Anthony Jackson (US bassist)
percussione :
Roger Nichols (US mastering, recording engineer and producer) e Starz Vanderlocket
pianoforte elettrico :
Greg Phillinganes
sassofono baritono :
Ronnie Cuber
sassofono contralto :
David Tofani
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
sintetizzatore :
Donald Fagen e Rob Mounsey
tromba :
Randy Brecker
trombone :
Dave Bargeron (US trombonist & tubist)
voce di accompagnamento:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders e Valerie Simpson
voce principale:
Donald Fagen
arrangiatore:
Donald Fagen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
I.G.Y. (What a Beautiful World)
paroliere e compositore:
Donald Fagen
editore:
Freejunket Music
Donald Fagen6:03
67It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:02
68The Harder I TryBrother Beyond13:29
69On the Beach
Chris Rea3:41
70Dirty Old Town
The Pogues3:45
71Letter From America
The Proclaimers4:02
72Gimme All Your Lovin’
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top4.053:58
73I Can’t Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:38
74Really Want to Know You
Gary Wright4:22
75Baby Jane
tecnico:
George Tutko (engineer, producer)
co-produttore:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
produttore:
Tom Dowd e Rod Stewart
tecnico di missaggio:
Jim Cregan (producer & member of Family), Tom Dowd e George Tutko (engineer, producer)
registrazione di:
Baby Jane
paroliere:
Rod Stewart
compositore:
Jay Davis (guitarist)
editore:
Cardinal Music Ltd. e Carlin Music Corp.
Rod Stewart4:43
76St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
77We Don’t Talk Anymore
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:17
78Set Me Free
video musicali:
Set Me Free di Jaki Graham
registrazione di:
Set Me Free
paroliere e compositore:
Derek Bramble
Jaki Graham33:36
79If Ever You’re in My Arms Again
Peabo Bryson4:15
80The Killing Moon
Echo and the Bunnymen5:46
81Something’s Gotten Hold of My Heart
Marc Almond & Gene Pitney4:40
82Jane Says
batteria :
Stephen Perkins (American drummer)
chitarra :
Dave Navarro (American guitarist)
chitarra basso :
Eric Avery
voce:
Perry Farrell
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 129)
registrazione di:
Jane Says
paroliere:
Perry Farrell
compositore:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) e Stephen Perkins (American drummer)
Jane’s Addiction4.14:46
83What’s the Colour of Money
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1986)
registrazione di:
What's the Colour of Money?
autore:
Mark Rogers (Hollywood Beyond) e Jamie B. Rose
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:27
84Dirty Blvd.
tecnico di registrazione:
Jeffrey Lesser
assistente tecnico:
Victor Deyglio
batteria :
Fred Maher
chitarra elettrica :
Mike Rathke e Lou Reed
contrabbasso :
Rob Wasserman
voce di accompagnamento:
Dion Di Mucci (US singer-songerwriter, blends doo-wop, pop rock & R&B)
voce principale:
Lou Reed
registrata presso e mixata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Dirty Blvd.
paroliere e compositore:
Lou Reed
Lou Reed3.83:29
85We’re Not Gonna Take It (single version)
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:37
86Epic
tecnico:
Jim “Watts” Vereecke e Matt Wallace (US producer & engineer)
produttore:
Faith No More e Matt Wallace (US producer & engineer)
tecnico di missaggio:
Matt Wallace (US producer & engineer)
batteria :
Mike Bordin (American drummer)
chitarra :
Jim Martin (ex-Faith No More guitarist)
chitarra basso :
Billy Gould
tastiera :
Roddy Bottum
voce principale:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!) (nel 1986)
video musicali:
Epic di Faith No More
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 54) e Indie 88: Top 500 Indie Rock Songs (numero: 483)
registrazione di:
Epic
paroliere:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
compositore:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould e Jim Martin (ex-Faith No More guitarist)
editore:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.34:53
87Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:34
88Give Me the Night (single version)
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
assistente tecnico:
Sheridan Eldridge, Ralph Osborne (engineer) e Mark Sackett
produttore:
Quincy Jones
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Benson (jazz guitarist/singer) e Lee Ritenour
chitarra basso :
Abraham Laboriel
flauto e sassofono :
Kim Hutchcroft e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
sintetizzatore :
Michael Boddicker
sintetizzatore basso :
Richard Tee
voce di accompagnamento:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray e Jocelyn Allen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
è stato produttore per:
Quincy Jones Productions, Inc.
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti e Kendun Recorders in Burbank, California, Stati Uniti
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Give Me the Night
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson3.654:58
89More Bounce to the Ounce
produttore:
Bootsy Collins (US funk musician & songwriter) e Roger Troutman (funk musician in Zapp)
registrazione di:
More Bounce to the Ounce
paroliere e compositore:
Roger Troutman (funk musician in Zapp)
editore:
Rubberband Music, Inc.
Zapp35:11
90There’s No Easy Way
programmazione degli strumenti:
Steve Porcaro
basso :
Abraham Laboriel
batteria [drums] :
John “JR” Robinson (session drummer)
sintetizzatore :
David Paich
voce principale:
James Ingram (R&B singer)
arrangiatore:
Quincy Jones e David Paich
registrazione di:
There’s No Easy Way
compositore:
Barry Mann
editore:
ATV Music Corp., Dyad Music Ltd., Mann & Weil Songs, Inc. e Sony/ATV Songs LLC
James Ingram3:50
91I Want to Be Your Man (7” version)
registrazione di:
I Want to Be Your Man (song by Roger Troutman)
autore:
Larry Troutman e Roger Troutman (funk musician in Zapp)
Roger4:03
92Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
Levert4:22
93To Cut a Long Story Short
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
mixata presso:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito
registrazione di:
To Cut a Long Story Short
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. e Reformation Publishing Co. Ltd.
Spandau Ballet3.53:19
94Stop Draggin’ My Heart Around
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine e Tom Petty
basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
batteria :
Stan Lynch
chitarra :
Michael Campbell (Tom Petty and the Heartbreakers guitarist) e Tom Petty
organo :
Benmont Tench
percussione :
Phil Jones (Percussionist)
voce principale:
Stevie Nicks e Tom Petty
esecutore:
Tom Petty
esecutore ospite:
Tom Petty and the Heartbreakers
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
registrazione di:
Stop Draggin’ My Heart Around
paroliere:
Tom Petty
compositore:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
editore:
Gone Gator Music (ASCAP affiliated) e Wild Gator Music
Stevie Nicks feat. Tom Petty and the Heartbreakers4.354:04
95Devil WomanCliff Richard3:34
96Veronica
registrazione di:
Veronica
autore:
Declan Patrick MacManus e Paul McCartney (The Beatles)
Elvis Costello3:08
97MonotonieIdeal4:44
98Fine Time (7” version)
registrazione di:
Fine Time
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
New Order3:10
99The Road to Hell, Pt. II
Chris Rea4:32
100Big Love
registrazione di:
Big Love
paroliere e compositore:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Sony/ATV Music Publishing LLC (1995–2020)
Fleetwood Mac13:42