Eight Classic Albums vol. 2

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

1▶CD: Singin' And Swingin' With Anita O'Day (1 - 8) / Anita O'Day At Mister Kelly's (9 - 19)
2▶CD: An Evening With Anita O'Day (1 - 12) / The Lady Is A Tramp (13 - 24)
3▶CD: Cool Heat-- Anita O'Day Sings Arrangements By Jimmy Giuffre (1 - 12) / All The Sad Young Men (13 - 22)
4▼CD: Time For Two (1 - 12) / Anita O'Day And The Three Sounds (13 - 22)
#TitleRatingLength
1Thanks for the Memory
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1962-02)
piano:
Bob Corwin and Lonnie Hewitt
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
lead vocals:
Anita O’Day
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Thanks for the Memory (from 1962-02-26 until 1962-02-28)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1938 winner)
2:46
2It Shouldn T Happen to a Dream
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
It Shouldn’t Happen to a Dream (from 1962-02-26 until 1962-02-28)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Don George (US songwriter/composer, 1909–1987) and Johnny Hodges
publisher:
United Music Corp.
3:00
3Just in Time
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-02-27)
recording engineer:
Al Schmitt
producer:
Creed Taylor
double bass:
Freddie Schreiber (jazz bassist) (on 1962-02-27)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-02-27)
vibraphone:
Cal Tjader (on 1962-02-27)
vocals:
Anita O’Day (on 1962-02-27)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Just in Time (Bells Are Ringing) (on 1962-02-27)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:49
4Under a Blanket of Blue
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Under a Blanket of Blue (from 1962-02-26 until 1962-02-28)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
2:23
5That S Your Red Wagon
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Red Wagon (Your Red Wagon) (from 1962-02-26 until 1962-02-28)
lyricist:
Gene de Paul and Don Raye
composer:
Richard M. Jones (US jazz pianist)
2:48
6Peel Me a Grape
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Peel Me a Grape (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Dave Frishberg
3:05
7An Occasional Man
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
An Occasional Man (from 1962-02-26 until 1962-02-28)
writer:
Ralph Blane and Hugh Martin
publisher:
Saunders Publications
2:28
8The Party S Over
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
The Party’s Over (Bells Are Ringing) (from 1962-02-26 until 1962-02-28)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
2:21
9I Believe in You
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:25
10Mister Sandman
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Mr. Sandman (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
1:56
11Spring Will Be a Little Late
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Spring Will Be a Little Late This Year (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Frank Loesser
3:24
12I M Not Supposed to Be Blue,
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
I'm Not Supposed to Be Blue Blues (from 1962-02-26 until 1962-02-28)
lyricist:
Lew Brown
composer:
Sammy Fain
2:35
13When the World Was Young
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
bass:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
vocals:
Anita O’Day (in 1962-10)
recording of:
When the World Was Young (in 1962-10)
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
3:30
14Someday My Prince Will Come
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
bass:
Andrew Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
recording of:
Someday My Prince Will Come (in 1962-10)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
4:25
15All Too Soon
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
bass:
Andrew Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
vocals:
Anita O’Day (in 1962-10)
recording of:
All Too Soon (in 1962-10)
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
3:20
16My Heart Stood Still
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
double bass [bass]:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
recording of:
My Heart Stood Still (in 1962-10)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:37
17My Ship
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
double bass [bass]:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
vocals:
Anita O’Day (in 1962-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context) (in 1962-10)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
4:34
18Leave It to Me
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
double bass [bass]:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
recording of:
Leave It to Me (in 1962-10)
writer:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director)
4:16
19Whisper Not
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
double bass [bass]:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
trumpet:
Roy Eldridge (in 1962-10)
lead vocals:
Anita O’Day
vocals:
Anita O’Day (in 1962-10)
recording of:
Whisper Not (adaptation w/ lyrics by Leonard Feather) (in 1962-10)
lyricist:
Leonard Feather (in 1962)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
version of:
Whisper Not (original instrumental composition)
2:58
20Blues by Five
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
double bass [bass]:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy (in 1962-10)
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
recording of:
Blues by Five
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
4:41
21Fly Me to the Moon
engineer:
Val Valentin (on 1962-10-12)
producer:
Creed Taylor (on 1962-10-12)
double bass [bass]:
Andy Simpkins (on 1962-10-12)
drums (drum set):
Bill Dowdy (on 1962-10-12)
piano:
Gene Harris (on 1962-10-12)
vocals:
Anita O’Day (on 1962-10-12)
recording of:
Fly Me to the Moon (on 1962-10-12)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
3:49
22You and the Night and the Music
engineer:
Val Valentin (in 1962-10)
producer:
Creed Taylor (in 1962-10)
double bass [bass]:
Andy Simpkins (in 1962-10)
drums (drum set):
Bill Dowdy
piano:
Gene Harris (in 1962-10)
lead vocals:
Anita O’Day
vocals:
Anita O’Day (in 1962-10)
recording of:
You and the Night and the Music (in 1962-10)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
2:38