100 Love Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1No Matter What
recorded in:
London (Greater London), England, Vereinigtes Königreich und Los Angeles, California (Kalifornien), Vereinigte Staaten
Keyboard-Programmierung:
Lee McCutcheon
Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Alex Black (engineer) und Tom (assistant engineeer)
Techniker(in):
Simon Franglen (English score composer), Steve Rinkoff und Robin Sellars (British recording engineer)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Jim Steinman
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman und Nigel Wright (British producer, orchestrator and songwriter)
zusätzliche(r) Produzent(in):
Simon Franglen (English score composer) und Lupino
Mix:
Mick Guzauski und Steve Rinkoff
Akustikgitarre [acoustic guitars] und E-Gitarre [electric guitars]:
Michael Thompson (session guitarist)
Bass:
Angela Lupino
Gitarre:
Fridrik Karlsson
Keyboard [keyboards]:
Simon Franglen (English score composer) und Nigel Wright (British producer, orchestrator and songwriter)
Hintergrundgesang [backing vocals]:
Tracy Ackerman und Andy Caine
Sologesang:
Stephen Gately und Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham und Shane Lynch
arranger:
Simon Franglen (English score composer) und Lupino
phonographisches Urheberrecht (℗) von:
Polydor Ireland (in 1998)
aufgenommen bei:
FLM Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Skratch Studios in Surrey, England, Vereinigtes Königreich
engineered at:
Barking Dog Studios in New York, New York, Vereinigte Staaten
Musikvideos:
No Matter What von Boyzone
cover recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
2The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:17
3Big Big World
Produzent(in):
Urban "Hurb" Eriksson und Yogi (producer Günter Lauke)
phonographisches Urheberrecht (℗) von:
Rodeo Records (Swedish label) (in 1998)
recording of:
Big Big World
Verfasser(in):
Emilia Rydberg (Swedish singer Emilia Rydberg (Mitiku), “Big Big World”, “Twist of Fate”) und Yogi (producer Günter Lauke)
publisher:
Anderson Music und EMI Music Publishing Sweden AB
Emilia2.653:23
4All My Life
recording of:
All My Life
Verfasser(in):
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) und Randy Waldman
publisher:
2 Big Productions, Inc., Cord Kayla Music, EMI April Music Inc., EMI Publishing Ltd, Hee Bee Dooinit Music und Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo4:41
5Cherish
Produzent(in):
Ronald Bell, Jim Bonnefond und Kool and The Gang
phonographisches Urheberrecht (℗) von:
De-Lite Recorded Sound Corp. (not for release) (in 1984)
Bearbeitung von:
Cherish von Kool & the Gang
Musikvideos:
Cherish von Kool & the Gang
recording of:
Cherish
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) und Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windswept Pacific Music Ltd.
Kool & the Gang3.43:54
6Reunited
Produzent(in):
Freddie Perren
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
Bearbeitung von:
Reunited von Peaches & Herb
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb53:55
7All I Ever Need Is You
cover recording of:
All I Ever Need Is You
Verfasser(in):
Jimmy Holiday (American singer, songwriter, producer) und Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
All I Ever Need Is You
Verfasser(in):
Jimmy Holiday (American singer, songwriter, producer) und Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sonny & Cher52:38
8(Your Love Has Lifted Me) Higher and Higher
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1977)
cover recording of:
(Your Love Keeps Lifting Me) Higher and Higher
Verfasser(in):
Gary Jackson (songwriter), Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Rita Coolidge53:56
9My One Temptation
recording of:
My One Temptation
Verfasser(in):
Michael Leeson, Peter Vale (writer/arranger) und Miles Waters (songwriter)
publisher:
Abacus Publishing und Chappell Music Co. Inc.
Mica Paris43:33
10Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:43
11You Wear It Well
Produzent(in):
Rod Stewart
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
recording of:
You Wear It Well
Verfasser(in):
Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.54:21
12Leader of the PackThe Shangri‐Las4.52:50
13Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:25
14Oh the Wings of Love
recording of:
On the Wings of Love
Verfasser(in):
Peter Schless (keyboardist and composer) und Jeffrey Osborne (in 1982)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Rondor Music (London) Ltd.
Jeffrey Osborne4:07
15What Becomes of the Brokenhearted
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Jimmy Ruffin4.652:55
16My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:49
17Turn Back Time
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
Verfasser(in):
Claus Norreen und Søren Rasted
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:05
18Don't Worry
recording of:
Don’t Worry
Texter:
Natalie Appleton und Damian Hastings
Komponist(in):
Craigie Dodds und Damian Hastings
publisher:
Jute Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Appleton2.654:18
19Baby I Love Your Way
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975) und A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton3.654:43
20Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:50
4CD
5CD

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Veröffentlichungsgruppe

Teil von:100 Classics (Reihenfolge: 2)