Electric Youth

~ Veröffentlichung von Debbie Gibson (alle Versionen dieser Veröffentlichung ansehen, 14 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Who Loves You Baby?
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Fred Zarr
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
Akustikgitarre:
Ira Siegel
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Hi-Hat:
Leslie Ming
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Saxophon:
Jeff Smith (US saxophonist)
Hintergrundgesang:
Debbie Gibson, Carrie Johnson, Libby Johnson und Keith Stewart
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Who Loves Ya Baby?
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:01
2Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
53:33
3Love in Disguise
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Phil Castellano (brother of John, uncle of Richie), Chris Floberg, Debbie Gibson, David Lebowitz und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Hi-Hat:
Leslie Ming
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Debbie Gibson und Carrie Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Love in Disguise
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:18
4Helplessly in Love
recording engineer:
Don Feinberg
Programmierung:
Bill Esses
Schlagzeug und Keyboard-Programmierung:
Debbie Gibson
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Bassy Bob Brockmann (engineer, producer, remixer), Debbie Gibson und David Lebowitz
Akustikgitarre und E-Gitarre:
Ira Siegel
Keyboard und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Helplessly in Love
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
54:11
5Silence Speaks (a Thousand Words)
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
zusätzliche(r) Techniker(in):
Phil Castellano (brother of John, uncle of Richie)
Produzent(in):
Debbie Gibson
Mix:
Phil Castellano (brother of John, uncle of Richie) und Debbie Gibson
Akustikgitarre und E-Gitarre:
Ira Siegel
Bass:
Kirk Powers Burkhardt
flute:
Roger Rosenberg
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
Schlagzeug:
Lou Appel (drummer)
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Silence Speaks (a Thousand Words)
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
53:38
6Should’ve Been the One
recording engineer:
Don Feinberg und Bill Scheniman
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
zusätzliche(r) Techniker(in):
Mario Salvetti
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
Akustikgitarre und E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Bass:
Kirk Powers Burkhardt
Keyboard:
Greg Savina
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion und Saxophon:
Adam Tese
Schlagzeug:
Lou Appel (drummer)
arranger:
Debbie Gibson
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Should’ve Been the One
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
45:09
7Electric Youth
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Fred Zarr
Mix:
Bob Rosa, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Carrie Johnson und Libby Johnson
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Electric Youth
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.54:57
8No More Rhyme
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Fred Zarr
Mix:
Phil Castellano (brother of John, uncle of Richie), Debbie Gibson, Jim Goatley und Fred Zarr
Akustikgitarre:
Ira Siegel
Cello:
Bob Osman
Hi-Hat:
Leslie Ming
Horn:
Cadillac Horns
Klavier:
Fred Zarr
Perkussion:
Bashiri Johnson
Posaune:
Matt Finders
Saxophon:
Jeff Smith (US saxophonist)
Tenorsaxophon:
Ed Palermo (US saxophonist, guitarist and composer)
Trompete:
Bud Burridge (trunpet player)
Hintergrundgesang:
Carrie Johnson, Tim Lawless und Sandra St. Victor
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
No More Rhyme
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
54:11
9Over the Wall
recording engineer:
Don Feinberg
Programmierung:
Bill Esses
Schlagzeug und Keyboard-Programmierung:
Debbie Gibson
Techniker(in):
Bill Esses und Matt Malles
zusätzliche(r) Techniker(in):
Rich Travali (Engineer)
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
Akustikgitarre und E-Gitarre:
Ira Siegel
Hi-Hat:
Leslie Ming
Keyboard:
Debbie Gibson
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Debbie Gibson und Keith Stewart
arranger:
Debbie Gibson
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Over the Wall
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
43:58
10We Could Be Together
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Debbie Gibson und Fred Zarr
Mix:
Bassy Bob Brockmann (engineer, producer, remixer), Chris Floberg, Debbie Gibson, David Lebowitz, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Horn:
Cadillac Horns
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Posaune:
Matt Finders
Tenorsaxophon:
Ed Palermo (US saxophonist, guitarist and composer)
Trompete:
Bud Burridge (trunpet player)
Hintergrundgesang:
Debbie Gibson, Carrie Johnson, Libby Johnson, Linda Moran und Keith Stewart
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
We Could Be Together
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
45:33
11Shades of the Past
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
zusätzliche(r) Techniker(in):
Matt Malles
Produzent(in):
Fred Zarr
Mix:
Phil Castellano (brother of John, uncle of Richie), Chris Floberg, Debbie Gibson, David Lebowitz, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Debbie Gibson, Carrie Johnson, Libby Johnson und Tim Lawless
arranger:
Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Shades of the Past
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:55
12We Could Be Together (campfire mix version)
recording engineer:
Don Feinberg
Produzent(in):
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
We Could Be Together
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
5:35
13No More Rhyme (acoustic version)
recording engineer:
Don Feinberg
Produzent(in):
Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
No More Rhyme
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
54:13

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