The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 41-50) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Don Carlo (1884 4 Act Version)
2▶CD: Don Carlo (1884 4 Act Version)
3▶CD: Don Carlo (1884 4 Act Version)
4▶CD: Otello (Berliner Philharmoniker)
5▶CD: Otello (Berliner Philharmoniker)
6▶CD: Il Trovatore (Berliner Philharmoniker)
7▼CD: Il Trovatore (Berliner Philharmoniker)
#TitleArtistRatingLength
1Il Trovatore: Act III, Scene I. "Or co' dadi, ma fra poco"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:26
2Il Trovatore: Act III, Scene I. "In braccio al mio rival!"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
3Il Trovatore: Act III, Scene I. "Giorni poveri vivea"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:33
4Il Trovatore: Act III, Scene I. "Deh! rallentate, o barbari"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:59
5Il Trovatore: Act III, Scene II. "Quale d'armi fragor"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:06
6Il Trovatore: Act III, Scene II. "Ah si, ben mio, coll'essere io tuo"
producer:
Michel Glotz
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:14
7Il Trovatore: Act III, Scene II. "L'onda de'suoni mistici pura discenda al cor!"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:31
8Il Trovatore: Act III, Scene II. "Di quella pira l'orrendo foco"
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:34
9Il Trovatore: Act IV, Scene I. "Siam giunti; ecco la torre"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:08
10Il Trovatore: Act IV, Scene I. "D'amor sull'ali rosee"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:36
11Il Trovatore: Act IV, Scene I. "Miserere" ... "Quel suon, quelle preci"
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
12Il Trovatore: Act IV, Scene I. "Di te! Di te! scordami di te"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:06
13Il Trovatore: Act IV, Scene I. "Udiste?"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:43
14Il Trovatore: Act IV, Scene I. "Miera, d'acerbe lagrime"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:12
15Il Trovatore: Act IV, Scene I. "Conte" ... "Nè basti"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:17
16Il Trovatore: Act IV, Scene I. "Vivrà, contende il giubilo"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:29
17Il Trovatore: Act IV, Scene II. "Madre, non dormi?"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:46
18Il Trovatore: Act IV, Scene II. "Si, la stanchezza m'opprime"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:25
19Il Trovatore: Act IV, Scene II. "Ai nostri monti ritorneremo"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:20
20Il Trovatore: Act IV, Scene II. "Che! Non m'inganna!"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:13
21Il Trovatore: Act IV, Scene II. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:18
22Il Trovatore: Act IV, Scene II. "Ti scota"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:03
23Il Trovatore: Act IV, Scene II. "Prima che d'altri vivere"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:03
8▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
9▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
10▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (Austrian bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)