Tracklist

1CD
2CD
#TitleArtistRatingLength
1Die Zauberflöte: Act II. »Was für eine schreckliche Nacht!« (Tamino, Papageno, Sprecher, Zweiter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
2Die Zauberflöte: Act II. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Sprecher, Zweiter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
tenor vocals [Zweiter Priester]:
Robert Johnston (English tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:52
3Die Zauberflöte: Act II. »He! Die Lichter her!« (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:15
4Die Zauberflöte: Act II. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino, Chor)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
5Die Zauberflöte: Act II. »Du bist standhaft geblieben« (Sprecher, Zweiter Priester, Papageno, Monostatos)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:13
6Die Zauberflöte: Act II. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:11
7Die Zauberflöte: Act II. »Zurück!« / »Mutter!« (Königin der Nacht, Pamina, Monostatos)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:05
8Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals and soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:50
9Die Zauberflöte: Act II. »Morden soll ich?« (Pamina, Monostatos, Sarastro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:28
10Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil’gen Hallen« (Sarastro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) (for piano, arr. Bizet) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
piano arranger:
Georges Bizet (French composer)
arrangement of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro)
Wolfgang Amadeus Mozart2:52
11Die Zauberflöte: Act II. »Von hier an seid ihr euch beide allein überlassen« (Sprecher, Priester, Papageno, Tamino, Papagena)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:08
12Die Zauberflöte: Act II. Nr. 16 Terzett: »Seid uns zum zweitenmal willkommen« (Die drei Knaben)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:25
13Die Zauberflöte: Act II. »Tamino, wollen wir nicht speisen?« (Papageno, Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:21
14Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals and soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
15Die Zauberflöte: Act II. »Siehst du, Tamino« (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:07
16Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris«
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
17Die Zauberflöte: Act II. »Prinz! Bisher hast du dich« (Sarastro, Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:50
18Die Zauberflöte: Act II. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
19Die Zauberflöte: Act II. »Tamino! Lass mich nicht im Stich!« (Papageno, Sprecher, drei Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:04
20Die Zauberflöte: Act II. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:48
21Die Zauberflöte: Act II. »Da bin ich schon, mein Engel« (Papagena, Papageno, Sprecher)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Papagena]:
Constanze Backes (German Soprano vocalist) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:50
22Die Zauberflöte: Act II. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:39
23Die Zauberflöte: Act II. »Du also bist mein Bräutigam?« (Pamina, Die drei Knaben)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:43
24Die Zauberflöte: Act II. »Der, welcher wandert diese Strasse« (Die Geharnischten, Tamino, Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Zweiter Geharnischter Mann]:
Noel Mann (bass vocalist) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Erster Geharnischter Mann]:
Nicolas Robertson (Tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:44
25Die Zauberflöte: Act II. »Tamino mein! O welch ein Glück!« (Pamina, Tamino, Die Geharnischten)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Zweiter Geharnischter Mann]:
Noel Mann (bass vocalist) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Erster Geharnischter Mann]:
Nicolas Robertson (Tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:34
26Die Zauberflöte: Act II. »Wir wandelten durch Feuergluten« (Pamina, Tamino, Chor)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:10
27Die Zauberflöte: Act II. »Papagena! Weibchen! Täubchen!« (Papageno, Die drei Knaben, Papagena) / »Pa‐pa‐gena!« / »Pa‐pa‐geno!« (Papageno, Papagena)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Papagena]:
Constanze Backes (German Soprano vocalist) (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:33
28Die Zauberflöte: Act II. »Nur stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen) / »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
choir vocals [Sarastros Gefolge]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:07
29Die Zauberflöte: Appendix. Nr. 17a Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:55
30Die Zauberflöte: Appendix. From Nr. 21a Finale: »Tamino mein! O welch ein Glück!« (Tamino, Pamina, Die Geharnischten)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Zweiter Geharnischter Mann]:
Noel Mann (bass vocalist) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Erster Geharnischter Mann]:
Nicolas Robertson (Tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:49