19 Songs

~ Release by Sir Henry Rowley Bishop (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Lo, Here the Gentle Lark
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Adriana]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Lo! Here the Gentle Lark (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
4:39
2Welcome to This Place
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
mezzo-soprano vocals [Fourth Fairy]:
Jeanette Ager (in 1996-09)
soprano vocals [First Fairy]:
Rachel Elliott (in 1996-09)
soprano vocals [Second Fairy]:
Joanne Lunn (British soprano vocalist) (in 1996-09)
soprano vocals [Third Fairy]:
Helen Groves (British soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Welcome to This Place (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
2:31
3Should He Upbraid
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Julia]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Should He Upbraid (in 1996-09)
additional lyricist:
Frederic Reynolds
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
4:35
4Who Is Sylvia? What Is She?
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
alto vocals [Curio]:
William Purefoy (in 1996-09)
bass vocals [Benvolio]:
Simon Grant (bass-baritone) (in 1996-09)
soprano vocals [Viola]:
Julia Gooding (soprano) (in 1996-09)
tenor vocals [Salanio]:
Joseph Cornwell (tenor) (in 1996-09)
tenor vocals [Valentino]:
Andrew Murgatroyd (tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Who Is Sylvia? What Is She? (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
2:38
5That Time of Year
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Julia]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
That Time of Year (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:10
6When I Was a Little Tiny Boy
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
alto vocals [Curio]:
William Purefoy (in 1996-09)
bass vocals [Benvolio]:
Simon Grant (bass-baritone) (in 1996-09)
soprano vocals [Olivia]:
Susan Gritton (soprano) (in 1996-09)
soprano vocals [Viola]:
Julia Gooding (soprano) (in 1996-09)
tenor vocals [Fabian]:
Simon Davies (tenor) (in 1996-09)
tenor vocals [Feste]:
Andrew King (operatic tenor) (in 1996-09)
tenor vocals [Salanio]:
Joseph Cornwell (tenor) (in 1996-09)
tenor vocals [Valentino]:
Andrew Murgatroyd (tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
When That I Was a Little Tiny Boy (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:28
7Come Live With Me and Be My Love
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Adriana]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Come Live With Me and Be My Love (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
4:04
8Hark, Hark Each Spartan Hound
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Hark, Hark, Each Spartan Hound (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
1:41
9Oh Never Say That I Was False of Heart
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
alto vocals:
William Purefoy (in 1996-09)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1996-09)
bass vocals:
Simon Grant (bass-baritone) (in 1996-09)
soprano vocals [Sylvia]:
Julia Gooding (soprano) (in 1996-09)
tenor vocals:
Andrew King (operatic tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Oh! Never Say That I Was False of Heart (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
4:21
10Who Is Sylvia? What Is She?
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
alto vocals [Serenader]:
William Purefoy (in 1996-09)
baritone vocals [Serenader]:
Roderick Williams (British baritone and composer) (in 1996-09)
bass vocals [Serenader]:
Simon Grant (bass-baritone) (in 1996-09)
soprano vocals [Julia]:
Susan Gritton (soprano) (in 1996-09)
tenor vocals [Serenader]:
Andrew King (operatic tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Who Is Sylvia? What Is She? (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:45
11Swing Willow
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Adriana]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Sing Willow (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:21
12It Was a Lover and His Lass
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Luciana]:
Julia Gooding (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
It Was a Lover and His Lass (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:04
13Under the Greenwood Tree
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [Ctestiphon]:
Roderick Williams (British baritone and composer) (in 1996-09)
countertenor vocals [Cerimon]:
Christopher Robson (operatic counter-tenor) (in 1996-09)
tenor vocals [Antipholus of Ephesus]:
Andrew King (operatic tenor) (in 1996-09)
tenor vocals [Balthazar]:
Joseph Cornwell (tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Under the Greenwood Tree (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
4:05
14Tak, Oh! Take Those Lips Away
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Adriana]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Take, Oh! Take Those Lips Away (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:12
15Flower of the Purple Dye
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
tenor vocals [Oberon]:
Mark Tucker (tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Flower of This Purple Dye (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
2:03
16Now the Hungry Lions Roar
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Now the Hungry Lions Roar (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
2:21
17Oprheus and His Lute
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Olivia]:
Susan Gritton (soprano) (in 1996-09)
soprano vocals [Viola]:
Julia Gooding (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Orpheus With His Lute (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
4:52
18Come, Thou Monarch of the Vine
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [Ctestiphon]:
Roderick Williams (British baritone and composer) (in 1996-09)
countertenor vocals [Cerimon]:
Christopher Robson (operatic counter-tenor) (in 1996-09)
tenor vocals [Antipholus of Ephesus]:
Andrew King (operatic tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Come, Thou Monarch of the Star (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
3:17
19Spirits Advance
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [First Fairy]:
Rachel Elliott (in 1996-09)
soprano vocals [Second Fairy]:
Joanne Lunn (British soprano vocalist) (in 1996-09)
tenor vocals [Oberon]:
Mark Tucker (tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Spirits Advance (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
6:11