BBC Sessions 1965-1968

~ Pubblicazione di Small Faces (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Prof. Stoned compilation

Annotazione modificata l'ultima volta il 2025-08-29 01:09 UTC.

Elenco tracce

1Supporto digitale
#TitoloValutazioneDurata
1Steve Marriott Interview (Saturday Club, 4 September 1965)
?:??
2What’cha Gonna Do About It (Saturday Club, 4 September 1965)
registrazione di:
What’cha Gonna Do About It
autore:
Brian Potter (US songwriter & producer) e Ian Samwell
?:??
3Jump Back (Saturday Club, 4 September 1965)
registrazione di:
Jump Back
autore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
?:??
4Baby Don’t You Do It (Saturday Club, 4 September 1965)
registrazione di:
Baby Don’t You Do It
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Agate Music
?:??
5Sha‐La‐La‐La‐Lee (Joe Loss Show, 14 January 1966)
registrazione di:
Sha-La-La-La-Lee
autore:
Kenny Lynch (English singer, songwriter, entertainer & actor) e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
?:??
6What’cha Gonna Do About It (Joe Loss Show, 14 January 1966)
registrazione di:
What’cha Gonna Do About It
autore:
Brian Potter (US songwriter & producer) e Ian Samwell
?:??
7Comin’ Home Baby (Joe Loss Show, 14 January 1966)
registrazione di:
Comin’ Home Baby (later version with lyrics)
paroliere:
Bob Dorough
compositore:
Ben Tucker
revisione di:
Comin’ Home Baby (original instrumental)
?:??
8You Need Loving (Joe Loss Show, 14 January 1966)
registrazione di:
You Need Loving
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
si basa su:
You Need Love
?:??
9You Really Got a Hold on Me (Joe Loss Show, 11 March 1966)
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
?:??
10Shake (Joe Loss Show, 11 March 1966)
registrazione di:
Shake (Sam Cooke song)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd.
?:??
11Shake (Saturday Club, 19 March 1966)
registrazione di:
Shake (Sam Cooke song)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd.
?:??
12Steve Marriott Interview (Saturday Club, 19 March 1966)
?:??
13Sha‐La‐La‐La‐Lee (Saturday Club, 19 March 1966)
registrazione di:
Sha-La-La-La-Lee
autore:
Kenny Lynch (English singer, songwriter, entertainer & actor) e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
?:??
14You Need Loving (Saturday Club, 19 March 1966)
registrazione di:
You Need Loving
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
si basa su:
You Need Love
?:??
15You Really Got a Hold on Me (Saturday Club, 14 March 1966)
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
?:??
16Steve Marriott Interview (Saturday Club, 7 May 1966)
?:??
17Hey Girl (Saturday Club, 7 May 1966)
registrazione di:
Hey Girl (Small Faces song)
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
?:??
18Still No Sign of the Beatles (Saturday Club, 7 May 1966)
?:??
19E to D (Saturday Club, 7 May 1966)
registrazione di:
E Too D
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
?:??
20One Night Stand (Saturday Club, 7 May 1966)
registrazione di:
One Night Stand
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
?:??
21Pop Profile Steve Marriott (11 July 1966)
?:??
22You’d Better Believe It (Saturday Club, 3 September 1966)
registrazione di:
You Better Believe It
autore:
Kenny Lynch (English singer, songwriter, entertainer & actor) e Jerry Ragovoy
?:??
23Steve Marriott Interview (Saturday Club, 3 September 1966)
?:??
24All or Nothing (Saturday Club, 3 September 1966)
registrazione di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
?:??
25Understanding (Saturday Club, 3 September 1966)
registrazione di:
Understanding
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
?:??
26My Mind’s Eye (Top of the Pops, 24 November 1966)
registrazione di:
My Mind’s Eye
compositore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Carlin Music Corporation
?:??
27Sha‐La‐La‐La‐Lee (Top of the Pops, 26 December 1966)
registrazione di:
Sha-La-La-La-Lee
autore:
Kenny Lynch (English singer, songwriter, entertainer & actor) e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
?:??
28All or Nothing (Top of the Pops, 27 December 1966)
registrazione di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
?:??
29Here Comes the Nice (Top of the Pops, 1 June 1967)
registrazione di:
Here Come the Nice
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa)
?:??
30Itchycoo Park (Top of the Pops, 7 September 1967)
registrazione di:
Itchycoo Park (il 1967-09-07)
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
?:??
31Tin Soldier (Once a Fortnight, BBC1 TV, 16 December 1967)
registrazione di:
Tin Soldier
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Artists e EMI United Partnership Ltd. (nel 1967)
versione di:
Anything
?:??
32Tin Soldier (Top of the Pops, 4 January 1968)
registrazione di:
Tin Soldier
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Artists e EMI United Partnership Ltd. (nel 1967)
versione di:
Anything
?:??
33If I Were a Carpenter (Top Gear, 14 April 1968)
registrazione di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
?:??
34Kenny Jones Interview (Top Gear, 14 April 1968)
?:??
35Lazy Sunday (Top Gear, 14 April 1968)
registrazione di:
Lazy Sunday
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Partnership Music Ltd. (conclusa) e EMI United Partnership Ltd.
?:??
36Every Little Bit Hurts (Top Gear, 14 April 1968)
registrazione di:
Every Little Bit Hurts
paroliere e compositore:
Ed Cobb
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
?:??
37Get Ready (Top Gear, 14 April 1968)
?:??
38Every Little Bit Hurts (Unedited) (Top Gear, 14 April 1968)
registrazione di:
Every Little Bit Hurts
paroliere e compositore:
Ed Cobb
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
?:??
39If I Were a Carpenter (No Voiceover) (Top Gear, 14 April 1968)
registrazione di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
?:??
40Lazy Sunday (Top of the Pops, 25 April 1968)
registrazione di:
Lazy Sunday
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Partnership Music Ltd. (conclusa) e EMI United Partnership Ltd.
?:??
41Song of a Baker (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
Song of a Baker
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd.
?:??
42One of the Most Idiosyncratic Records (Colour Me Pop, BBC2 TV, 21 June 1968)
?:??
43Happiness Stan (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
Happiness Stan
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa)
?:??
44Rollin’ Over (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
Rollin' Over
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd.
?:??
45The Hungry Intruder (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
The Hungry Intruder
autore:
Ronnie Lane, Steve Marriott (English musician and songwriter) e Ian McLagan
editore:
EMI United Partnership Ltd.
?:??
46The Journey (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
The Journey
autore:
Kenney Jones (drummer for Small Faces, Faces, and The Who), Ronnie Lane, Steve Marriott (English musician and songwriter) e Ian McLagan
editore:
EMI United Partnership Ltd.
?:??
47Mad John (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
Mad John
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa)
?:??
48Happydaystoytown (Colour Me Pop, BBC2 TV, 21 June 1968)
registrazione di:
Happydaystoytown
autore:
Ronnie Lane, Steve Marriott (English musician and songwriter) e Ian McLagan
editore:
EMI United Partnership Ltd.
?:??
49The Universal (Top of the Pops, 11 July 1968)
registrazione di:
The Universal
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa)
?:??
50The Universal (Top of the Pops, 22 August 1968)
registrazione di:
The Universal
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa)
?:??
51My Mind’s Eye (hidden bonus track, 1966‐12‐01)
registrazione di:
My Mind’s Eye
compositore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Carlin Music Corporation
?:??

Accreditamenti