The Late, Great Nina Simone: Legendary Concert Recordings

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Don’t Let Me Be Misunderstood
Sologesang:
Nina Simone
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
Don’t Let Me Be Misunderstood (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
Don’t Let Me Be Misunderstood (am 1968-06-16)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
23:47
2I Want a Little Sugar in My Bowl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
3:21
3Mississippi Goddam
recorded in:
Vereinigte Staaten
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1964)
Bearbeitung von:
Mississippi Goddam (live, 1985: USA) von Nina Simone
live recording of:
Mississippi Goddam (in 1985)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4:37
4Backlash Blues
Bearbeitung von:
Backlash Blues (live, 1985: USA, with Nina Simone addressing the crowd at the end) von Nina Simone
live recording of:
Backlash Blues (in 1985)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
2:42
5Do What You Gotta Do
recorded in:
Vereinigte Staaten
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1968) und BMG Music (in 1968)
Bearbeitung von:
Do What You Gotta Do (live, 1985: USA) von Nina Simone
live cover recording of:
Do What You Gotta Do (in 1985)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
33:36
6The Other Woman
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
VPI Records USA (in 1987)
live cover recording of:
The Other Woman (in 1985)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4:08
7You Took My Teeth
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
VPI Records USA (in 1987)
live recording of:
You Took My Teeth (in 1985)
Verfasser(in):
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
1:04
8To Be Young, Gifted and Black
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
To Be Young, Gifted and Black (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live recording of:
To Be Young, Gifted and Black (am 1969-04-26)
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
4:09
9Ain’t Got No, I Got Life
Bearbeitung von:
Ain’t Got No, I Got Life (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live cover recording of:
Ain’t Got No, I Got Life (am 1969-04-26)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
3:43
10For a While
Bearbeitung von:
For a While (live, 1985: USA) von Nina Simone
live cover recording of:
For a While (Frank Sinatra song) (vom 1985 bis heute)
Texter und Komponist(in):
Bob Gaudio und Jake Holmes
publisher:
De Valbo Music Co., Devalbo Inc, Sergeant Music Co. und WB Music Corp. (1929–2019)
5:02
11Four Women
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter) (in 1985)
Klavier:
Nina Simone (in 1985)
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
vocals:
Nina Simone (in 1985)
live recording of:
Four Women (in 1985)
Texter und Komponist(in):
Nina Simone
publisher:
EMI Tunes Ltd
4:50
12I Loves You Porgy
recorded in:
Vereinigte Staaten
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1985)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:58
13Pirate Jenny
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1964)
live cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation) (in 1985)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer)
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) und Weill-Brecht-Harms Co., Inc.
übersetzte Version von:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
4:43
14See‐Line Woman
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
See‐Line Woman (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
See‐Line Woman (am 1968-06-16)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
cover recording of:
See‐Line Woman
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
3:18
15The House of the Rising Sun
Sologesang:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
The House of the Rising Sun (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
House of the Rising Sun (am 1968-06-16)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
1.56:54
16I Sing Just to Know That I Am Alive
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
live recording of:
I Sing Just to Know That I’m Alive (in 1985)
Texter und Komponist(in):
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:41
17My Baby Just Cares for Me3:26

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