| # | Title | Artist | Rating | Length |
|---|
| 1 | Woman | John Lennon | 4 | 3:34 |
| 2 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.4 | 2:42 |
| 3 | The Boxer | Simon & Garfunkel | 4.15 | 5:09 |
| 4 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:08 |
| 5 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:35 |
| 6 | American Pie- engineer:
- Tom Flye
- acoustic guitar and banjo:
- Don McLean (on 1971-05-26)
- bass:
- Bob Rothstein (on 1971-05-26)
- drums (drum set) and percussion:
- Roy Markowitz (on 1971-05-26)
- electric guitar:
- David Spinozza (on 1971-05-26)
- electric piano:
- Ray Colcord (on 1971-05-26)
- marimba and vibraphone:
- Mike Mainieri (on 1971-05-26)
- piano:
- Paul Griffin (on 1971-05-26)
- choir vocals:
- West 44th Street Rhythm and Noise Choir (on 1971-05-26)
- vocals:
- Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1971), EMI (in 1971) and United Artists Records (in 1971)
- partial recording of:
- American Pie (on 1971-05-26)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 5 | 4:07 |
| 7 | Livin’ Thing- engineer:
- Mack , Dick Plant , John Richards and Duane Scott
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1976-07)
- cello:
- Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
- clavinet, Moog and piano:
- Richard Tandy (in 1976-07)
- drums (drum set) and percussion:
- Bev Bevan (in 1976-07)
- guitar:
- Jeff Lynne (in 1976-07) and Richard Tandy (in 1976-07)
- violin:
- Mik Kaminski (in 1976-07)
- background vocals:
- Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
- lead vocals:
- Jeff Lynne (in 1976-07)
- conductor:
- Louis Clark (in 1976-07)
- choir vocals arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- orchestrator:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Epic Records (in 1976), Jet Records (in 1976), Sony Music Entertainment (in 1976, in 2005), United Artists Music and Records Group, Inc. (in 1976) and Sony Music Productions Pty. Ltd. (in 1994)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1976-07) and Musicland Studios in München , Bayern , Germany (in 1976-07)
- mixed at:
- Musicland Studios in München , Bayern , Germany
- edited at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Livin’ Thing (in 1976-07)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.3 | 3:32 |
| 8 | Listen to What the Man Said- recording engineer:
- Alan O’Duffy (on 1975-01-31, on 1975-02-20, on 1975-03-10)
- producer:
- Paul McCartney
- assistant mixer:
- Biff Dawes (on 1975-03-26)
- mixer:
- Alan O’Duffy (on 1975-03-26)
- acoustic guitar, clarinet, electric bass guitar, electric piano, Moog and lead vocals:
- Paul McCartney (from 1975-01-31 until 1975-03-10)
- bongos:
- Denny Laine (from 1975-01-31 until 1975-03-10)
- cello, viola and violin:
- The Sid Sharp Strings (from 1975-01-31 until 1975-03-10)
- drums (drum set) and percussion:
- Joe English (from 1975-01-31 until 1975-03-10)
- electric guitar:
- Denny Laine (from 1975-01-31 until 1975-03-10), Dave Mason (from 1975-01-31 until 1975-03-10), Paul McCartney (from 1975-01-31 until 1975-03-10) and Jimmy McCulloch (from 1975-01-31 until 1975-03-10)
- harp:
- Gayle Levant (from 1975-01-31 until 1975-03-10)
- saxophone:
- Tom Scott (from 1975-01-31 until 1975-03-10)
- background vocals:
- Denny Laine (from 1975-01-31 until 1975-03-10), Linda McCartney (from 1975-01-31 until 1975-03-10) and Paul McCartney (from 1975-01-31 until 1975-03-10)
- strings arranger:
- Tony Dorsey and Paul McCartney
- phonographic copyright (℗) by:
- McCartney Music, Inc. (in 1975), MPL Communications Inc. (in 1975, in 2014) and MPL Communications Ltd. (in 2014)
- recorded at:
- Sea-Saint Recording Studio Inc in New Orleans, Louisiana, United States (on 1975-01-31, on 1975-02-20), Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States (from 1975-03-03 until 1975-03-06) and Sunset Sound, Studio 1 in Hollywood, Los Angeles, California, United States (on 1975-03-10)
- mixed at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States (on 1975-03-26)
- recording of:
- Listen to What the Man Said (from 1975-01-31 until 1975-03-10)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- ATV Music Corp., ATV Music Ltd., McCartney Music Ltd., McCartney Music, Inc., MPL Communications Inc. and MPL Communications Ltd.
| Paul McCartney & Wings | 2.25 | 3:55 |
| 9 | True | Spandau Ballet | 3.65 | 5:27 |
| 10 | Vienna- producer:
- Conny Plank and Ultravox
- bass:
- Chris Cross (in 1980-04)
- drums (drum set):
- Warren Cann (in 1980-04)
- guitar:
- Midge Ure (in 1980-04)
- keyboard and violin:
- Billy Currie (in 1980-04)
- vocals:
- Midge Ure (in 1980-04)
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1981, in 2025)
- recorded at:
- RAK Studios in London , England, United Kingdom (in 1980-04)
- mixed at:
- Conny’s Studio in Neunkirchen, Nordrhein-Westfalen , Germany (in 1980-05)
- edit of:
- Vienna by Ultravox
- music videos:
- Vienna by Ultravox and Vienna (uncut) by Ultravox
- recording of:
- Vienna (in 1980-04)
- writer:
- Warren Cann, Chris Cross , Billy Currie and Midge Ure
- publisher:
- Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. , Sing Sing Songs Ltd. and Universal Music Publishing Ltd.
| Ultravox | 3.35 | 4:39 |
| 11 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:01 |
| 12 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
- phonographic copyright (℗) by:
- EMI Records Ltd. , Sony BMG Music Entertainment (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd.
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 4.6 | 4:04 |
| 13 | Let’s Stay Together | Al Green | | 4:42 |
| 14 | Would I Lie to You? | Charles & Eddie | 3.35 | 3:37 |
| 15 | I Wish It Would Rain Down | Phil Collins | 3.85 | 5:28 |
| 16 | Ordinary World | Duran Duran | 3.3 | 4:43 |
| 17 | Golden Brown | The Stranglers | | 3:09 |
| 18 | Lovin’ You | Minnie Riperton | 3.65 | 3:21 |
| 19 | The First Time Ever I Saw Your Face | George Michael | | 5:18 |
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