Now That’s What I Call Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Take Five
Dave Brubeck5:27
2Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald5:54
3Comin’ Home Baby
Mel Tormé2:45
4Cantaloupe Island
recording engineer:
Rudy van Gelder (on 1964-06-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
cornet:
Freddie Hubbard (on 1964-06-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1964-06-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-06-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-06-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-06-17)
recording of:
Cantaloupe Island (on 1964-06-17)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.855:32
5Songbird
recording of:
Songbird
composer:
Kenny G (saxophonist)
publisher:
EMI Blackwood Music Inc., High Tech Music, Kenny G Music and Kuzu Music (publisher)
Kenny G3:41
6Angela (Theme From “Taxi”)
recorded in:
New York, New York, United States (in 1978)
assistant engineer:
Tim Bomba, Ted Brosnan and Harold Torowsky
producer:
Bob James (US jazz keyboardist, arranger and producer)
alto saxophone:
Phil Bodner (Woodwind player) (in 1978) and Jerry Dodgion (in 1978)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (in 1978)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978)
cello:
Jonathan Abramowitz (in 1978), Seymour Barab (in 1978), Richard Locker (cellist) (in 1978) and Charles McCracken (cellist) (in 1978)
clarinet:
Harvey Estrin (in 1978)
cor anglais, flute, oboe and tenor saxophone:
George Marge (in 1978)
drums (drum set):
Idris Muhammad (in 1978)
electric piano, piano and synthesizer:
Bob James (US jazz keyboardist, arranger and producer) (in 1978)
percussion:
Ralph MacDonald (in 1978)
trombone:
Wayne Andre (in 1978), Dave Bargeron (US trombonist & tubist) (in 1978) and Alan Raph (in 1978)
trumpet:
Randy Brecker (in 1978), Jon Faddis (in 1978), Mike Lawrence (US jazz trumpeter) (in 1978) and Ron Tooley (American trumpeter) (in 1978)
viola:
Jean Dane (in 1978), Theodore Israel (in 1978), Sue Pray (in 1978) and Emanuel Vardi (in 1978)
violin:
Harry Cykman (in 1978), Lewis Eley (in 1978), Max Ellen (in 1978), Louis Gabowitz (in 1978), Diana Halprin (in 1978), Harold Kohon (in 1978), Harry Lookofsky (in 1978), John Pintavalle (in 1978), Matthew Raimondi (in 1978), Herbert Sorkin (in 1978) and Richard Sortomme (violinist/composer) (in 1978)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recording of:
Angela (theme from “Taxi”) (in 1978)
composer:
Bob James (US jazz keyboardist, arranger and producer)
Bob James55:42
7A Certain Smile
producer:
Al Ham and Mitch Miller
orchestra:
Ray Ellis and His Orchestra (on 1958-05-12)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1958)
cover recording of:
A Certain Smile (on 1958-05-12)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
recording of:
A Certain Smile
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
Johnny Mathis32:48
8Stormy Weather
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
Stormy Weather (in 1960-10)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Etta James33:09
9Goodbye Pork Pie Hat
producer:
Teo Macero (American jazz saxophonist and composer)
double bass:
Charles Mingus (on 1959-05-12)
drums (drum set):
Dannie Richmond (drummer) (on 1959-05-12)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-05-12)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-05-12) and John Handy (US jazz alto saxophonist, born 1933) (on 1959-05-12)
recording of:
Goodbye Pork Pie Hat (instrumental) (on 1959-05-12)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing and The Mingus Music Werkshop
Charles Mingus55:44
10Moonlight Serenade
vocals:
Paula Kelly (big band jazz singer) (on 1939-04-04) and The Modernaires (1940s vocal group) (on 1939-04-04)
recording of:
Moonlight Serenade (original instrumental version) (on 1939-04-04)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller and His Orchestra3:22
11Lady Sings the Blues
recording of:
Lady Sings the Blues
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday3:46
12Alfie’s Theme Differently
engineer:
Rudy van Gelder
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1966-01-26)
baritone saxophone:
Danny Banks and Danny Bank (reeds) (on 1966-01-26)
bass guitar:
Walter Booker
double bass:
Walter Booker (on 1966-01-26)
drums (drum set):
Frankie Dunlop (American jazz drummer) (on 1966-01-26)
guitar:
Kenny Burrell (on 1966-01-26)
piano:
Roger Kellaway (on 1966-01-26)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer), Bob Ashton (on 1966-01-26) and Sonny Rollins (American saxophonist) (on 1966-01-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Jimmy Cleveland (US jazz trombonist) (on 1966-01-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1966-01-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Alfie’s Theme Differently (on 1966-01-26)
composer:
Sonny Rollins (American saxophonist)
recording of:
Alfie’s Theme Differently
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins3:46
13Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Sarah Vaughan4.53:18
14My Funny Valentine
bass:
Jimmy Bond
celesta:
Russ Freeman (pianist)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman, Lawrence Marable and Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:20
15My Favorite Things, Pt. 1
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
edit of:
My Favorite Things (single version) by John Coltrane
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:45
16I Wish I Knew (How It Would Feel to Be Free)
Billy Taylor Trio3:41
17Work Song
alto saxophone:
Cannonball Adderley (on 1960-03-29)
cornet:
Nat Adderley (on 1960-03-29)
double bass:
Sam Jones (US jazz bassist) (on 1960-03-29)
drums (drum set):
Louis Hayes (on 1960-03-29)
piano:
Barry Harris (Jazz pianist) (on 1960-03-29)
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011)
recording of:
Work Song (lyrics added by Oscar Brown Jr.) (on 1960-03-29)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
The Cannonball Adderley Quintet5:08
18So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
Miles Davis4.29:24

Credits

Release

ASIN:UK: B07BZ5F74N [info]

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 89)