Wilson Pickett’s Greatest Hits

~ Pubblicazione di Wilson Pickett (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1Don’t Fight ItWilson Pickett2:35
2In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:39
3634–5789
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-12-20)
produttore:
Jerry Wexler
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-12-20)
chitarra :
Steve Cropper (il 1965-12-20)
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-12-20)
pianoforte :
Isaac Hayes (il 1965-12-20)
sassofono baritono :
Floyd Newman (il 1965-12-20)
sassofono tenore :
Charles “Packy” Axton (il 1965-12-20) e Andrew Love (il 1965-12-20)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-12-20)
voce:
Wilson Pickett (il 1965-12-20)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
634‒5789 (Soulsville, U.S.A.) (il 1965-12-20)
autore:
Steve Cropper e Eddie Floyd
editore:
Irving Music, Inc. e Pronto Music (publisher)
Wilson Pickett2:59
4Ninety‐Nine and One‐Half (Won’t Do)
registrazione di:
Ninety‐Nine and a Half (Won’t Do)
autore:
Steve Cropper, Eddie Floyd e Wilson Pickett
editore:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Wilson Pickett2:43
5Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:27
6Everybody Needs Somebody to Love
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso [electric bass] :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-10-12)
batteria :
Roger Hawkins (drummer and producer) (il 1966-10-12)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1966-10-12)
chitarra [lead guitar] :
Lincoln "Chips" Moman (il 1966-10-12)
sassofono tenore :
Gilbert Caples (il 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1966-10-12) e Eddie Logan (il 1966-10-12)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (il 1966-10-12)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (il 1966-10-12)
voce:
Wilson Pickett (il 1966-10-12)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1966-10-12)
registrazione cover di:
Everybody Needs Somebody to Love (il 1966-10-12)
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Wilson Pickett32:21
7Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:08
8Soul Dance Number Three
registrazione di:
Soul Dance Number Three
autore:
Wilson Pickett e Jerry Wexler
editore:
Erva Music Publishing (BMI) e Pronto Music (publisher)
Wilson Pickett2:40
9Funky Broadway
produttore:
Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1967-02-01 al 1967-02-04)
batteria :
Roger Hawkins (drummer and producer) (dal 1967-02-01 al 1967-02-04)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-02-01 al 1967-02-04) e Lincoln "Chips" Moman (dal 1967-02-01 al 1967-02-04)
sassofono baritono :
Floyd Newman (dal 1967-02-01 al 1967-02-04)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-02-01 al 1967-02-04) e Jimmy Mitchell (saxophone) (dal 1967-02-01 al 1967-02-04)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1967-02-01 al 1967-02-04)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-02-01 al 1967-02-04)
voce:
Wilson Pickett (dal 1967-02-01 al 1967-02-04)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1967-02-01 al 1967-02-04)
registrazione cover di:
Funky Broadway (dal 1967-02-01 al 1967-02-04)
paroliere e compositore:
Arlester “Dyke” Christian
editore:
Drive-In Music Co. e Embassy Music Corporation
Wilson Pickett22:37
10I’m in Love
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-07-01 al 1967-07-03)
tecnico di registrazione:
Tom Dowd (dal 1967-07-01 al 1967-07-03)
produttore:
Jerry Wexler
basso [electric bass] :
Tommy Cogbill (dal 1967-07-01 al 1967-07-03)
batteria :
Gene Chrisman (dal 1967-07-01 al 1967-07-03)
chitarra :
Reggie Young (guitarist and songwriter) (dal 1967-07-01 al 1967-07-03)
chitarra [lead guitar] :
Bobby Womack (dal 1967-07-01 al 1967-07-03)
organo :
Bobby Emmons (dal 1967-07-01 al 1967-07-03)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (dal 1967-07-01 al 1967-07-03)
sassofono baritono :
Floyd Newman (dal 1967-07-01 al 1967-07-03)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-07-01 al 1967-07-03) e King Curtis (saxophonist) (dal 1967-07-01 al 1967-07-03)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-07-01 al 1967-07-03)
voce:
Wilson Pickett (dal 1967-07-01 al 1967-07-03)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
I’m in Love (dal 1967-07-01 al 1967-07-03)
paroliere e compositore:
Bobby Womack
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) e Tracebob Music Co.
Wilson Pickett2:32
11She’s Lookin’ Good
registrazione di:
She’s Looking Good
autore:
Justin Dickens
compositore:
Rodger Collins
editore:
Veytig Music
Wilson Pickett2:23
12I Found a True Love
registrata a:
Memphis, Tennessee, Stati Uniti (il 1968-03-04)
produttore:
Tom Dowd
voce:
Wilson Pickett (il 1968-03-04)
arrangiatore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
I Found a True Love (il 1968-03-04)
autore:
Bobby Womack e Reggie Young (guitarist and songwriter)
editore:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) e Tracebob Music Co.
Wilson Pickett2:26
13I’m a Midnight Mover
registrata a:
Memphis, Tennessee, Stati Uniti (il 1968-03-04)
produttore:
Tom Dowd
voce:
Wilson Pickett (il 1968-03-04)
arrangiatore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
I’m a Midnight Mover (il 1968-03-04)
autore:
Wilson Pickett e Bobby Womack
editore:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) e Tracebob Music Co.
Wilson Pickett2:26
14A Man and a Half
registrata a:
Memphis, Tennessee, Stati Uniti (il 1968-09-19)
basso [electric bass] :
Jerry Jemmott (il 1968-09-19)
batteria :
Roger Hawkins (drummer and producer) (il 1968-09-19)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (nel 1968) e Duane Allman (il 1968-09-19)
pianoforte :
Barry Beckett (il 1968-09-19)
sassofono tenore :
Andrew Love (il 1968-09-19) e James Mitchell (US saxophonist/arranger) (il 1968-09-19)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (il 1968-09-19)
voce:
Wilson Pickett (il 1968-09-19)
direttore d'orchestra:
Tom Dowd (il 1968-09-19)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-09-19)
registrazione di:
A Man and a Half (il 1968-09-19)
autore:
Larry Chambers, George Jackson (US soul songwriter/vocalist), Melvin Leakes e Raymond Moore (US songwriter)
editore:
Screen Gems-EMI
Wilson Pickett2:52
15Hey Jude
tecnico e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso elettrico [electric bass] :
Jerry Jemmott (il 1968-11-27)
batteria :
Roger Hawkins (drummer and producer) (il 1968-11-27)
chitarra elettrica :
Duane Allman (il 1968-11-27) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-11-27)
pianoforte :
Barry Beckett (il 1968-11-27)
sassofono :
Floyd Newman (il 1968-11-27)
sassofono tenore :
Andrew Love (il 1968-11-27) e James Mitchell (US saxophonist/arranger) (il 1968-11-27)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (il 1968-11-27)
voce principale:
Wilson Pickett (il 1968-11-27)
arrangiatore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-11-27)
registrazione cover di:
Hey Jude (il 1968-11-27)
scritta a:
England, Regno Unito (nel 1968-06)
autore:
John Lennon (The Beatles) (nel 1968-06) e Paul McCartney (The Beatles) (nel 1968-06)
editore:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
scritta presso:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1968-06 al 1968-07-26)
Wilson Pickett4:07
16You Keep Me Hangin’ On
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
basso :
Harold Cowart (il 1969-08-29)
batteria :
Tubby Ziegler (il 1969-08-29)
chitarra :
Jim O’Rourke (guitar) (il 1969-08-29)
tastiera :
Billy Carter (organ, jazz) (il 1969-08-29)
voce:
Wilson Pickett (il 1969-08-29)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Criteria Recording Studios in Miami, Florida, Stati Uniti (il 1969-08-29)
registrazione cover di:
You Keep Me Hangin’ On (il 1969-08-29)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Wilson Pickett4:56
17Sugar Sugar
produttore:
Tom Dowd e Jerry Wexler
basso [electric bass] :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1969-11-19)
batteria :
Roger Hawkins (drummer and producer) (il 1969-11-19)
chitarra [lead guitar] :
Eddie Hinton (il 1969-11-19)
chitarra [rhythm guitar] :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1969-11-19)
tastiera [piano, organ] :
Barry Beckett (il 1969-11-19)
voce:
Wilson Pickett (il 1969-11-19)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Criteria Recording Studios in Miami, Florida, Stati Uniti (il 1969-11-19)
registrazione cover di:
Sugar, Sugar (il 1969-11-19)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
Wilson Pickett2:59
18Don’t Let the Green Grass Fool You
tecnico di registrazione:
Joe Tarsia (engineer) (il 1970-01-14)
produttore:
Gamble-Huff
basso :
Ronnie Baker (bass) (il 1970-01-14)
batteria :
Earl Young (il 1970-01-14)
organo :
Thom Bell (keyboards, songwriter, producer) (il 1970-01-14)
percussione :
Vince Montana (il 1970-01-14)
arrangiatore:
Lenny Pakula
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (il 1970-01-14)
registrazione di:
Don’t Let the Green Grass Fool You (nel 1970)
autore:
Jerry Akines (soul singer and songwriter), Johnnie Bellmon, Victor Drayton e Reginald Turner
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wilson Pickett2:49
19Get Me Back on Time, Engine Number Nine
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1970-01)
registrazione di:
Engine Number Nine (Engine Number 9) (nel 1970-01)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wilson Pickett6:25
20Don’t Knock My Love, Part 1
tecnico di registrazione:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) e Brad Shapiro (Producer, arranger, bass player and songwriter)
basso elettrico [electric bass] :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1971-01-27)
batteria :
Roger Hawkins (drummer and producer) (il 1971-01-27)
chitarra :
Tippy Armstrong (il 1971-01-27) e Dennis Coffey (il 1971-01-27)
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1971-01-27)
sassofono tenore :
Andrew Love (il 1971-01-27)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1971-01-27)
voce:
Wilson Pickett (il 1971-01-27)
direttore d'orchestra:
Wade Marcus (il 1971-01-27)
arrangiatore:
Wade Marcus
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1971-01-27)
registrazione di:
Don’t Knock My Love (il 1971-01-27)
compositore:
Wilson Pickett e Brad Shapiro (Producer, arranger, bass player and songwriter)
editore:
Erva Music Publishing (BMI)
Wilson Pickett2:24
21Mama Told Me Not to Come
registrazione di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Wilson Pickett2:41
22I Found a Love
registrata a:
Detroit, Michigan, Stati Uniti (nel 1961-06)
produttore:
Robert West (US songwriter)
basso :
Marshall Jones (US bassist & songwriter, member of Ohio Players)
basso [electric bass] :
Marshall Jones (US bassist & songwriter, member of Ohio Players) (nel 1961-06)
batteria :
Cornelius Johnson (Drummer in The Ohio Untouchables) (, nel 1961-06)
chitarra :
Lance Finnie, Lance Finnie (nel 1961-06) e Robert Ward (guitar, blues musician) (nel 1961-06)
clarinetto e pianoforte :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1961)
ottoni :
Ralph "Pee Wee" Middlebrook (nel 1961-06)
sassofono contralto :
Ralph "Pee Wee" Middlebrook
sassofono tenore :
Clarence Satchell (, nel 1961-06)
voce:
Eddie Floyd (nel 1961-06), Mack Rice (nel 1961-06), Ben Night (nel 1961-06), Wilson Pickett (nel 1961-06) e Joe Stubbs (nel 1961-06)
voce aggiuntiva:
Eddie Floyd e Sir Mack Rice
voce principale:
Wilson Pickett
esecutore:
The Ohio Untouchables (nel 1961-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
King Studios in Cincinnati, Ohio, Stati Uniti (nel 1962-01)
registrazione di:
I Found a Love (nel 1961-06)
autore:
Wilson Pickett, Willie Schofield e Robert L. West (US songwriter)
editore:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music e Unichappell Music, Inc.
The Falcons3:00
23It’s Too Late
registrata a:
Detroit, Michigan, Stati Uniti (nel 1963)
produttore:
Robert Bateman (R&B singer/songwriter/record producer)
voce:
Wilson Pickett
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
United Sound Systems in Detroit, Michigan, Stati Uniti (nel 1963)
registrazione di:
It’s Too Late
paroliere e compositore:
Wilson Pickett
editore:
Correc-Tone e Cotillion Music Inc. (BMI)
Wilson Pickett3:08
24If You Need Me
registrata a:
Detroit, Michigan, Stati Uniti (nel 1963)
produttore:
Robert Bateman (R&B singer/songwriter/record producer)
basso :
James Jamerson
batteria :
Benny Benjamin (US drummer)
chitarra :
Robert White (US funk/soul guitarist) e Eddie Willis
pianoforte :
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
voce:
Wilson Pickett
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
United Sound Systems in Detroit, Michigan, Stati Uniti (nel 1963)
registrazione di:
If You Need Me (nel 1963)
autore:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett e Sonny Sanders
editore:
Belinda (conclusa), Cotillion Music Inc. (BMI) e Lupine Music
Wilson Pickett2:34

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