The Warner Recordings 1934-1970

~ Release by George Szell (see all versions of this release, 2 available)

Annotation

Copyright: © 2020 Parlophone Records Limited, a Warner Music Group Company
℗ 2020 This compilation Parlophone Records Limited, a Warner Music Group Company

Annotation last modified on 2024-09-17 16:13 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza by Joachim)
violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-18 until 1934-06-20)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1934-06-18 until 1934-06-20)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-18 until 1934-06-20)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (from 1934-06-18 until 1934-06-20)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven21:10
2Violin Concerto in D major, op. 61: II. Larghetto
violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-18 until 1934-06-20)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1934-06-18 until 1934-06-20)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-18 until 1934-06-20)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (from 1934-06-18 until 1934-06-20)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:14
3Violin Concerto in D major, op. 61: III. Rondo allegro (Cadenza by Joachim)
violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-18 until 1934-06-20)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1934-06-18 until 1934-06-20)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-18 until 1934-06-20)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1934-06-18 until 1934-06-20)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven8:34
4Symphonie espagnole in D minor, op. 21: I. Allegro ma non troppo
solo violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-20 until 1934-06-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1934-06-20 until 1934-06-22)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-20 until 1934-06-22)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1934-06-20 until 1934-06-22)
recording of:
Symphonie espagnole in D minor, op. 21: I. Allegro non troppo (from 1934-06-20 until 1934-06-22)
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo7:13
5Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto
solo violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-20 until 1934-06-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1934-06-20 until 1934-06-22)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-20 until 1934-06-22)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1934-06-20 until 1934-06-22)
recording of:
Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto (from 1934-06-20 until 1934-06-22)
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo3:44
6Symphonie espagnole in D minor, op. 21: IV. Andante
solo violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-20 until 1934-06-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1934-06-20 until 1934-06-22)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-20 until 1934-06-22)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1934-06-20 until 1934-06-22)
recording of:
Symphonie espagnole in D minor, op. 21: IV. Andante (from 1934-06-20 until 1934-06-22)
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo5:55
7Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro
solo violin:
Bronislaw Huberman (Polish violinist) (from 1934-06-20 until 1934-06-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1934-06-20 until 1934-06-22)
conductor:
George Szell (conductor, pianist, composer) (from 1934-06-20 until 1934-06-22)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1934-06-20 until 1934-06-22)
recording of:
Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro (from 1934-06-20 until 1934-06-22)
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo7:45
8An der schönen blauen Donau, op. 314
producer:
Fred Gaisberg (on 1934-06-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1934-06-26)
conductor:
George Szell (conductor, pianist, composer) (on 1934-06-26)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1934-06-26)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (on 1934-06-26)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II9:12
9Frühlingsstimmen, op. 410
producer:
Fred Gaisberg (on 1934-06-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1934-06-26)
conductor:
George Szell (conductor, pianist, composer) (on 1934-06-26)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1934-06-26)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring) (on 1934-06-26)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss II4:38
10Pizzicato-Polka
producer:
Fred Gaisberg (on 1934-06-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1934-06-26)
conductor:
George Szell (conductor, pianist, composer) (on 1934-06-26)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1934-06-26)
recording of:
Pizzicato-Polka (on 1934-06-26)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss II, Josef Strauss2:10
11Tritsch-Tratsch Polka, op. 214
producer:
Fred Gaisberg (on 1934-06-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1934-06-26)
conductor:
George Szell (conductor, pianist, composer) (on 1934-06-26)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1934-06-26)
recording of:
Tritsch–Tratsch Polka, op. 214 (on 1934-06-26)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:35
12Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
piano:
Artur Schnabel (Austrian classical pianist and teacher) (from 1938-01-09 until 1938-12-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-01-09 until 1938-12-18)
conductor:
George Szell (conductor, pianist, composer) (from 1938-01-09 until 1938-12-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1938-01-09 until 1938-12-18)
recording of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso (from 1938-01-09 until 1938-12-18)
composer:
Johannes Brahms (German composer) (from 1854 until 1859)
part of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15
Johannes Brahms20:58
13Piano Concerto no. 1 in D minor, op. 15: II. Adagio
piano:
Artur Schnabel (Austrian classical pianist and teacher) (from 1938-01-09 until 1938-12-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-01-09 until 1938-12-18)
conductor:
George Szell (conductor, pianist, composer) (from 1938-01-09 until 1938-12-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1938-01-09 until 1938-12-18)
recording of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio (from 1938-01-09 until 1938-12-18)
composer:
Johannes Brahms (German composer) (from 1854 until 1859)
part of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15
Johannes Brahms15:51
14Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
piano:
Artur Schnabel (Austrian classical pianist and teacher) (from 1938-01-09 until 1938-12-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-01-09 until 1938-12-18)
conductor:
George Szell (conductor, pianist, composer) (from 1938-01-09 until 1938-12-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1938-01-09 until 1938-12-18)
recording of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo (from 1938-01-09 until 1938-12-18)
composer:
Johannes Brahms (German composer) (from 1854 until 1859)
part of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15
Johannes Brahms10:33
15Die Meistersinger von Nürnberg, Act I: Prelude
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1938-10-21)
conductor:
George Szell (conductor, pianist, composer) (on 1938-10-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1935-10-15)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel (on 1938-10-21)
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner8:35
16Oberon, J. 306: Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1938-10-21)
conductor:
George Szell (conductor, pianist, composer) (on 1938-10-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1935-10-15)
recording of:
Oberon, J. 306: Overture (on 1938-10-21)
composer:
Carl Maria von Weber (composer)
part of:
Oberon, J. 306
Carl Maria von Weber8:18
17Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
producer:
Lawrance Collingwood (on 1938-10-21)
solo piano:
Benno Moiseiwitsch (pianist) (on 1938-10-21)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1938-10-21)
conductor:
George Szell (conductor, pianist, composer) (on 1938-10-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1938-10-21)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (on 1938-10-21)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven20:06
18Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
producer:
Lawrance Collingwood (on 1938-10-21)
solo piano:
Benno Moiseiwitsch (pianist) (on 1938-10-21)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1938-10-21)
conductor:
George Szell (conductor, pianist, composer) (on 1938-10-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1938-10-21)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (on 1938-10-21)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:55
19Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro
producer:
Lawrance Collingwood (on 1938-10-21)
solo piano:
Benno Moiseiwitsch (pianist) (on 1938-10-21)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1938-10-21)
conductor:
George Szell (conductor, pianist, composer) (on 1938-10-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1938-10-21)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (on 1938-10-21)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:25
20Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": I. Adagio - Allegro molto
recorded in:
London (Greater London), England, United Kingdom (on 1937-10-30)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937, on 1937-10-30)
conductor:
George Szell (conductor, pianist, composer) (in 1937, on 1937-10-30)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (on 1937-10-30)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (in 1937)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák8:36
21Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": II. Largo
recorded in:
London (Greater London), England, United Kingdom (on 1937-10-30)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937, on 1937-10-30)
conductor:
George Szell (conductor, pianist, composer) (in 1937, on 1937-10-30)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (on 1937-10-30)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (in 1937)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:34
22Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace
recorded in:
London (Greater London), England, United Kingdom (on 1937-10-30)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937, on 1937-10-30)
conductor:
George Szell (conductor, pianist, composer) (in 1937, on 1937-10-30)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (on 1937-10-30)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (in 1937)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:53
23Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": IV. Finale. Allegro con fuoco
recorded in:
London (Greater London), England, United Kingdom (on 1937-10-30)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937, on 1937-10-30)
conductor:
George Szell (conductor, pianist, composer) (in 1937, on 1937-10-30)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (on 1937-10-30)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (in 1937)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák10:38
24Cello Concerto in B minor, op. 104, B. 191: I. Allegro
recorded in:
Praha (Prague), Czechia (in 1937-04)
cello:
Pablo Casals (cellist, aka Pablo Casals) (in 1937-04)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937-04)
conductor:
George Szell (conductor, pianist, composer) (in 1937-04)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro (in 1937-04)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák13:41
25Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo
recorded in:
Praha (Prague), Czechia (in 1937-04)
cello:
Pablo Casals (cellist, aka Pablo Casals) (in 1937-04)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937-04)
conductor:
George Szell (conductor, pianist, composer) (in 1937-04)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (in 1937-04)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák10:35
26Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato
recorded in:
Praha (Prague), Czechia (in 1937-04)
cello:
Pablo Casals (cellist, aka Pablo Casals) (in 1937-04)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1937-04)
conductor:
George Szell (conductor, pianist, composer) (in 1937-04)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (in 1937-04)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák11:57
274 Letzte Lieder: No. 1, Frühling
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:46
284 Letzte Lieder: No. 2, September
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:23
294 Letzte Lieder: No. 3, Beim Schlafengehen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:27
304 Letzte Lieder: No. 4, Im Abendrot
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (from 1965-09-01 until 1965-09-03)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss8:26
313 Gesänge älterer deutscher Dichter, op. 43: No. 2, Muttertändelei
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Muttertändelei, op. 43 no. 2 (for voice and orchestra) (from 1965-09-01 until 1965-09-03)
lyricist:
Gottfried August Bürger
composer:
Richard Strauss (German composer) (in 1899)
arranger:
Richard Strauss (German composer) (in 1900)
arrangement of:
Muttertändelei, op. 43 no. 2 (for voice and piano)
Richard Strauss2:08
328 Lieder, op. 49: No. 1, Waldseligkeit
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Waldseligkeit, op. 49 no. 1 (from 1965-09-01 until 1965-09-03)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (from 1900 until 1901)
part of:
8 Lieder for voice and piano (op. 49; TrV 204)
Richard Strauss3:18
338 Gedichte aus Letzte Blätter, op. 10: No. 1, Zueignung
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Zueignung, op. 10 no. 1 (for soprano and orchestra, arr. Heger) (from 1965-09-01 until 1965-09-03)
orchestrator:
Robert Heger (conductor)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
arrangement of:
Zueignung, op. 10 no. 1 (for voice and piano)
Richard Strauss1:55
345 Lieder, op. 48: No. 1, Freundliche Vision
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Freundliche Vision, op. 48 no. 1 (from 1965-09-01 until 1965-09-03)
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer) (in 1900)
part of:
5 Lieder for voice and piano (op. 48; TrV 202)
Richard Strauss3:10
356 Lieder, op. 56: No. 6, Die heiligen drei Könige
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Die heiligen drei Könige aus Morgenland, op. 56 no. 6 (for voice and orchestra) (from 1965-09-01 until 1965-09-03)
lyricist:
Heinrich Heine (German poet)
composer:
Richard Strauss (German composer)
orchestration of:
Die heiligen drei Könige aus Morgenland, op. 56 no. 6 (for voice and piano)
Richard Strauss6:41
36Ch'io mi scordi di te?... Non temer, amato bene, K. 505
producer:
Walter Legge (British classical producer)
piano:
Alfred Brendel (Austrian pianist) (from 1968-09-10 until 1968-09-18)
solo soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (conductor, pianist, composer) (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" (from 1968-09-10 until 1968-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786-12)
dedicated to:
Nancy Storace
premiered at:
[farewell concert of Nancy Storage] (1787-02-23)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 505), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 505) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 505)
Wolfgang Amadeus Mozart11:14
37Vado, ma dove?, K. 583
producer:
Walter Legge (British classical producer)
solo soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (conductor, pianist, composer) (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (from 1968-09-10 until 1968-09-18)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 583)
Wolfgang Amadeus Mozart4:23
38Alma grande e nobil core, K. 578
producer:
Walter Legge (British classical producer)
solo soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (conductor, pianist, composer) (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" (from 1968-09-10 until 1968-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 578) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 578)
Wolfgang Amadeus Mozart4:30
39Nehmt meinen Dank, K. 383
producer:
Walter Legge (British classical producer)
solo soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (conductor, pianist, composer) (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" (from 1968-09-10 until 1968-09-18)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 383) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 383)
Wolfgang Amadeus Mozart3:59
404 Lieder, op. 27: No. 1, Ruhe meine Seele! (version with Orchestra)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1997)
recording of:
Ruhe, meine Seele, op. 27 no. 1
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
Gustav Mahler3:54
416 Lieder, op. 37: No. 3, Meinem Kinde (version with Orchestra)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Meinem Kinde, op. 37 no. 3 (for voice and orchestra)
lyricist:
Gustav Falke
composer:
Richard Strauss (German composer) (from 1897 until 1898)
arranger:
Richard Strauss (German composer) (in 1918)
arrangement of:
Meinem Kinde, op. 37 no. 3 (for voice and piano)
Gustav Mahler2:51
425 Lieder, op. 41: No. 1, Wiegenlied (version with Orchestra)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Wiegenlied, op. 41 no. 1 (catch-all for arrangements)
composer:
Richard Strauss (German composer) (in 1899)
arrangement of:
Wiegenlied, op. 41 no. 1 (Lullaby, op. 41 no. 1)
Gustav Mahler4:45
434 Lieder, op. 27: No. 4, Morgen! (version with Orchestra)
producer:
Walter Legge (British classical producer)
violin:
Edith Peinemann (violinist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1997)
recording of:
Morgen!, op. 27 no. 4 (for voice and orchestra)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
arranger:
Richard Strauss (German composer) (in 1897)
arrangement of:
Morgen!, op. 27 no. 4 (for voice and piano)
George Szell3:46
443 Lieder, op. 88: No. 1, Das Bächlein (version with Orchestra)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Das Bächlein (for voice and orchestra; op. 88/1; TrV 264; AV 118)
lyricist:
Johann Wolfgang von Goethe
composer:
Richard Strauss (German composer) (in 1933)
arranger:
Richard Strauss (German composer) (in 1935)
part of:
Works of Richard Strauss by opus number (number: op. 88/1)
arrangement of:
Das Bächlein (for voice and piano; op. 88/1; TrV 264; AV 118)
Gustav Mahler2:01
454 Lieder, op. 36: No. 1, Das Rosenband (version with Orchestra)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1997)
recording of:
Das Rosenband, op. 36 no. 1 (for voice and orchestra)
lyricist:
Friedrich Gottlieb Klopstock
composer:
Richard Strauss (German composer) (from 1897 until 1898)
arrangement of:
Das Rosenband, op. 36 no. 1 (for voice and piano)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Gustav Mahler3:13
465 Lieder, op. 48: No. 4, Winterweihe (version with Orchestra)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Winterweihe, op. 48 no. 4
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1900)
part of:
5 Lieder for voice and piano (op. 48; TrV 202)
Gustav Mahler3:22
47Des Knaben Wunderhorn: No. 11, Revelge
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
compilation of:
Des Knaben Wunderhorn, ‘Revelge’ (part 1) by Dietrich Fischer‐Dieskau (baritone), London Symphony Orchestra, George Szell (conductor, pianist, composer), Des Knaben Wunderhorn, ‘Revelge’ (part 2) by Dietrich Fischer‐Dieskau (baritone), London Symphony Orchestra, George Szell (conductor, pianist, composer) and Des Knaben Wunderhorn, ‘Revelge’ (part 3) by Dietrich Fischer‐Dieskau (baritone), London Symphony Orchestra, George Szell (conductor, pianist, composer)
recording of:
Des Knaben Wunderhorn: Revelge (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 36)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler7:11
48Des Knaben Wunderhorn: No. 5, Das irdische Leben
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Das irdische Leben (from 1968-03-08 until 1968-03-09)
premiered in:
Wien (Vienna), Austria (on 1900-01-14)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 26-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:47
49Des Knaben Wunderhorn: No. 2, Verlor'ne Müh'
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Verlor’ne Müh (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 22-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:30
50Des Knaben Wunderhorn: No. 7, Rheinlegendchen
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Rheinlegendchen (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 29-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler3:08
51Des Knaben Wunderhorn: No. 12, Der Tamboursg'sell
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Der Tamboursg’sell (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 38)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler5:52
52Des Knaben Wunderhorn: No. 1, Der Schildwache Nachtlied
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Der Schildwache Nachtlied (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 21-K)
orchestration of:
Des Knaben Wunderhorn : I. Der Schildwache Nachtlied (for voice and piano)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler6:18
53Des Knaben Wunderhorn: No. 4, Wer hat dies Liedlein erdacht?
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht? (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 23-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:00
54Des Knaben Wunderhorn: No. 10, Lob des hohen Verstandes
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Lob des hohen Verstandes (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 33-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:49
55Des Knaben Wunderhorn: No. 6, Des Antonius von Padua Fischpredigt
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer) (until 1893-08-01)
part of:
Gustav Mahler Werke (number: GMW 28-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler4:01
56Des Knaben Wunderhorn: No. 8, Lied des Verfolgten im Turm
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Lied des Verfolgten im Turm (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 34)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler3:43
57Des Knaben Wunderhorn: No. 3, Trost im Unglück
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Trost im Unglück (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 25-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:13
58Des Knaben Wunderhorn: No. 9, Wo die schönen Trompeten blasen
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Wo die schönen Trompeten blasen (from 1968-03-08 until 1968-03-09)
premiered in:
Wien (Vienna), Austria (on 1900-01-14)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 35)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler7:33
59Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven14:28
60Piano Concerto no. 1 in C major, op. 15: II. Largo
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven12:30
61Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven8:48
62Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven14:17
63Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven9:03
64Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven6:26
65Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (from 1968-04-29 until 1968-05-04)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven16:39
66Piano Concerto no. 3 in C minor, op. 37: II. Largo
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven10:26
67Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven8:50
68Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven18:52
69Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:47
70Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven10:00
71Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
producer:
Paul Myers (classical record producer) (from 1968-04-29 until 1968-05-04)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) (from 1968-04-29 until 1968-05-04) and E.T. Graham (classical sound engineer) (from 1968-04-29 until 1968-05-04)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven20:17
72Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
The Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:56
73Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro
producer:
Paul Myers (classical record producer)
piano:
Emil Gilels (pianist) (from 1968-04-29 until 1968-05-04)
orchestra:
Cleveland Orchestra (from 1968-04-29 until 1968-05-04)
conductor:
George Szell (conductor, pianist, composer) (from 1968-04-29 until 1968-05-04)
balance engineer:
Frank Bruno (engineer) and E.T. Graham (classical sound engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1968-04-29 until 1968-05-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (from 1968-04-29 until 1968-05-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:36
74Violin Concerto in D major, op. 77: I. Allegro non troppo (Cadenza by J. Joachim)
producer:
Peter Andry (producer)
violin:
David Oistrakh (violinist) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
orchestra:
The Cleveland Orchestra (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
conductor:
George Szell (conductor, pianist, composer) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
balance engineer:
Carson Taylor (engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo (Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo) (from 1969-05-13 until 1969-05-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms22:36
75Violin Concerto in D major, op. 77: II. Adagio
producer:
Peter Andry (producer)
violin:
David Oistrakh (violinist) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
orchestra:
The Cleveland Orchestra (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
conductor:
George Szell (conductor, pianist, composer) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
balance engineer:
Carson Taylor (engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (from 1969-05-13 until 1969-05-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:38
76Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace
producer:
Peter Andry (producer)
violin:
David Oistrakh (violinist) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
orchestra:
The Cleveland Orchestra (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
conductor:
George Szell (conductor, pianist, composer) (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
balance engineer:
Carson Taylor (engineer)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-05-13, from 1969-05-13 until 1969-05-16, on 1969-05-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1969-05-13 until 1969-05-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:37
77Double Concerto for Violin and Cello in A minor, op. 102: I. Allegro
recorded in:
Cleveland, Ohio, United States (from 1969-05-12 until 1969-05-13)
producer:
Peter Andry (producer) (in 1969-05)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1969-05-12 until 1969-05-13)
violin:
David Oistrakh (violinist) (from 1969-05-12 until 1969-05-13)
orchestra:
The Cleveland Orchestra (from 1969-05-12 until 1969-05-13)
conductor:
George Szell (conductor, pianist, composer) (from 1969-05-12 until 1969-05-13)
balance engineer:
Carson Taylor (engineer) (from 1969-05-12 until 1969-05-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1970 to present, from 1993 to present)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1969-05-12 until 1969-05-13)
recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: I. Allegro (from 1969-05-12 until 1969-05-13)
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms17:02
78Double Concerto for Violin and Cello in A minor, op. 102: II. Andante
recorded in:
Cleveland, Ohio, United States (from 1969-05-12 until 1969-05-13)
producer:
Peter Andry (producer) (in 1969-05)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1969-05-12 until 1969-05-13)
violin:
David Oistrakh (violinist) (from 1969-05-12 until 1969-05-13)
orchestra:
The Cleveland Orchestra (from 1969-05-12 until 1969-05-13)
conductor:
George Szell (conductor, pianist, composer) (from 1969-05-12 until 1969-05-13)
balance engineer:
Carson Taylor (engineer) (from 1969-05-12 until 1969-05-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1970 to present, from 1993 to present)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1969-05-12 until 1969-05-13)
recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante (from 1969-05-12 until 1969-05-13)
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms7:55
79Double Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo
recorded in:
Cleveland, Ohio, United States (from 1969-05-12 until 1969-05-13)
producer:
Peter Andry (producer) (in 1969-05)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1969-05-12 until 1969-05-13)
violin:
David Oistrakh (violinist) (from 1969-05-12 until 1969-05-13)
orchestra:
The Cleveland Orchestra (from 1969-05-12 until 1969-05-13)
conductor:
George Szell (conductor, pianist, composer) (from 1969-05-12 until 1969-05-13)
balance engineer:
Carson Taylor (engineer) (from 1969-05-12 until 1969-05-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1970 to present, from 1993 to present)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1969-05-12 until 1969-05-13)
recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo (from 1969-05-12 until 1969-05-13)
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms8:56
80Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo
producer:
Peter Andry (producer) (from 1970-04-21 until 1970-04-22)
orchestra:
The Cleveland Orchestra (from 1970-04-21 until 1970-04-22)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-21 until 1970-04-22)
balance engineer:
Carson Taylor (engineer) (from 1970-04-21 until 1970-04-22)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-21 until 1970-04-22)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo (from 1970-04-21 until 1970-04-22)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert14:21
81Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto
producer:
Peter Andry (producer) (from 1970-04-21 until 1970-04-22)
orchestra:
The Cleveland Orchestra (from 1970-04-21 until 1970-04-22)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-21 until 1970-04-22)
balance engineer:
Carson Taylor (engineer) (from 1970-04-21 until 1970-04-22)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-21 until 1970-04-22)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto (from 1970-04-21 until 1970-04-22)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert14:32
82Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio
producer:
Peter Andry (producer) (from 1970-04-21 until 1970-04-22)
orchestra:
The Cleveland Orchestra (from 1970-04-21 until 1970-04-22)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-21 until 1970-04-22)
balance engineer:
Carson Taylor (engineer) (from 1970-04-21 until 1970-04-22)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-21 until 1970-04-22)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace (from 1970-04-21 until 1970-04-22)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert9:47
83Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace
producer:
Peter Andry (producer) (from 1970-04-21 until 1970-04-22)
orchestra:
The Cleveland Orchestra (from 1970-04-21 until 1970-04-22)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-21 until 1970-04-22)
balance engineer:
Carson Taylor (engineer) (from 1970-04-21 until 1970-04-22)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-21 until 1970-04-22)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace (from 1970-04-21 until 1970-04-22)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert11:45
84Symphony no. 8 in G major, op. 88, B. 163: I. Allegro con brio
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:51
85Symphony no. 8 in G major, op. 88, B. 163: II. Adagio
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:39
86Symphony no. 8 in G major, op. 88, B. 163: III. Allegretto grazioso - Molto vivace
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:42
87Symphony no. 8 in G major, op. 88, B. 163: IV. Allegro, ma non troppo
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:34
88Slavonic Dances, op. 72, B. 147: No. 2 in E minor
orchestra:
The Cleveland Orchestra (on 1970-04-20)
conductor:
George Szell (conductor, pianist, composer) (on 1970-04-20)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1970-04-20)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) (on 1970-04-20)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
orchestration of:
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák6:06
89Slavonic Dances, op. 46, B. 78: No. 3 in A-flat major
orchestra:
The Cleveland Orchestra (on 1970-04-20)
conductor:
George Szell (conductor, pianist, composer) (on 1970-04-20)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1970-04-20)
recording of:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka) (on 1970-04-20)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:04