Natalie Dessay à l’opéra

~ Release by Natalie Dessay (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Roméo et Juliette : Acte I. « Je veux vivre dans ce rêve » (Juliette)
soprano vocals [Juliette]:
Natalie Dessay (soprano)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles Gounod3:35
2Manon : Acte III. « Suis‐je gentille ainsi ? » (Manon, Chœur)
choir vocals:
Les Éléments (chamber choir)
soprano vocals [Manon]:
Natalie Dessay (soprano)
recording of:
Manon: Acte III, Scène I. “Voici les élégantes !…Suis-je gentille ainsi ?” (Chœur, Brétigny, Manon) (Air du Cours la Reine)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jules Massenet2:53
3Manon : Acte III. « Obéissons quand leur voix appelle » (Manon, Chœur)
choir vocals:
Les Éléments (chamber choir)
soprano vocals [Manon]:
Natalie Dessay (soprano)
recording of:
Manon: Acte III, Scène I. Gavotte “Obéissons quand leur voix appelle” (Manon, Brétigny, Chœur)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jules Massenet2:59
4Le Pardon de Ploërmel (Dinorah) : Acte II. « Ombre légère qui suis mes pas » (Dinorah)
soprano vocals [Dinorah]:
Natalie Dessay (soprano)
recording of:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
composer:
Giacomo Meyerbeer (composer)
librettist:
Jules Barbier, Michel Carré (librettist) and Achille de Lauzières
part of:
Dinorah: Acte II
part of:
Le pardon de Ploërmel
Giacomo Meyerbeer7:50
5Hamlet : Acte IV. « À vos jeux mes amis » … « Et maintenant » (Ophélie)
soprano vocals [Ophélie]:
Natalie Dessay (soprano)
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier (, in 1868) and Michel Carré (librettist) (, in 1868)
part of:
Hamlet : Acte IV.
Ambroise Thomas13:28
6Mignon : Acte II. « Oui, pour ce soir » … « Je suis Titania la blonde » (Philine, Chœur)Ambroise Thomas5:59
7Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika)
recording engineer:
Daniel Michel (recording engineer)
mezzo-soprano vocals [Mallika]:
Delphine Haidan (mezzo-soprano) (from 1997-06-24 until 1997-07-02)
soprano vocals:
Natalie Dessay (soprano)
soprano vocals [Lakmé]:
Natalie Dessay (soprano) (from 1997-06-24 until 1997-07-02)
orchestra:
Orchestre du Capitole de Toulouse (from 1997-06-24 until 1997-07-02)
conductor:
Michel Plasson (conductor) (from 1997-06-24 until 1997-07-02)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1997-06-24 until 1997-07-02)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1997-06-24 until 1997-07-02)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:47
8Lakmé : Acte I. « Les fleurs me paraissent plus belles » (Lakmé)Léo Delibes4:03
9Lakmé : Acte II. « Par les dieux inspirés » … Air des clochettes « Où va la jeune hindoue » (Lakmé, Nilakantha, Chorus)Léo Delibes8:26
10Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia)Jacques Offenbach5:24
11Orphée aux enfers : Acte II. « Ah! quelle triste destinée » (Eurydice)
soprano vocals [Eurydice]:
Natalie Dessay (soprano)
conductor:
Marc Minkowski (bassoonist and conductor)
recording of:
Orphée aux enfers : Acte III. No. 18 - Couplets des regrets : « Ah ! Quelle triste destinée » (Eurydice)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
Jacques Offenbach2:16
12Orphée aux enfers : Acte II. « Il m’a semblé sur mon épaule » (Eurydice, Jupiter)
bass vocals [Jupiter]:
Laurent Naouri (bass-baritone)
soprano vocals [Eurydice]:
Natalie Dessay (soprano)
conductor:
Marc Minkowski (bassoonist and conductor)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Duo de la mouche: “Il m'a semblé sur mon épaule” (Eurydice, Jupiter)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach5:02
13L’Enfant et les Sortilèges, M. 71 : Tableau I. « Arrière ! Je réchauffe les bons » (Le Feu)
soprano vocals [Le Feu]:
Natalie Dessay (soprano)
recording of:
L'Enfant et les sortilèges: Tableau I. « Arrière ! Je réchauffe les bons »
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel2:51
14La sonnambula: Atto I. “Compagne… teneri amici ” … "Come per me sereno” (Amina, Coro)
choir vocals:
Choeurs de l'Opéra National de Lyon
soprano vocals [Amina]:
Natalie Dessay (soprano)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:12
15La sonnambula: Atto I. “Sovra il sen la man mi posa” (Amina, Coro)
choir vocals:
Choeurs de l'Opéra National de Lyon
soprano vocals [Amina]:
Natalie Dessay (soprano)
conductor:
Evelino Pidò (conductor)
recording of:
La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa” (Amina)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:36
16La sonnambula: Atto II. “Oh! Se una volta sola” (Amina, Rodolfo, Teresa, Elvino, Notaro, Lisa, Alessio, Coro)
baritone vocals:
Paul Gay (French bass-baritone)
bass vocals:
Carlo Colombara (operatic bass)
choir vocals:
Choeurs de l'Opéra National de Lyon
mezzo-soprano vocals:
Sara Mingardo (contralto)
soprano vocals:
Jaël Azzaretti (French soprano)
soprano vocals [Amina]:
Natalie Dessay (soprano)
tenor vocals:
Gordon Gietz (tenor) and Francesco Meli (operatic tenor)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:20
17La sonnambula: Atto II. “Ah! No credea mirarti” (Amina, Elvino, Rodolfo, Coro)
bass vocals:
Carlo Colombara (operatic bass)
choir vocals:
Choeurs de l'Opéra National de Lyon
soprano vocals [Amina]:
Natalie Dessay (soprano)
tenor vocals:
Francesco Meli (operatic tenor)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini6:43
18La sonnambula: Atto II. “Ah! Non giunge uman pensiero” (Amina, Rodolfo, Teresa, Elvino, Notaro, Lisa, Alessio, Coro)
baritone vocals:
Paul Gay (French bass-baritone)
bass vocals:
Carlo Colombara (operatic bass)
choir vocals:
Choeurs de l'Opéra National de Lyon
mezzo-soprano vocals:
Sara Mingardo (contralto)
soprano vocals:
Jaël Azzaretti (French soprano)
soprano vocals [Amina]:
Natalie Dessay (soprano)
tenor vocals:
Gordon Gietz (tenor) and Francesco Meli (operatic tenor)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:48
19La traviata: Atto I. “È strano! È strano!” … “Ah, fors’è lui” (Violetta)
soprano vocals [Violetta]:
Natalie Dessay (soprano)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi6:05
20La traviata: Atto I. “Follie! Follie!” … “Sempre libera” (Violetta, Alfredo)
soprano vocals [Violetta]:
Natalie Dessay (soprano)
tenor vocals [Alfredo]:
Roberto Alagna (tenor)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:45
21I puritani: Atto II. “O rendetemi la speme” (Elvira, Giorgio, Riccardo)
baritone vocals:
Franck Ferrari (French baritone)
bass vocals:
Matthew Rose (operatic bass)
soprano vocals [Elvira]:
Natalie Dessay (soprano)
vocals:
Natalie Dessay (soprano) (from 2007-07-28 until 2007-08-05), Franck Ferrari (French baritone) (from 2007-07-28 until 2007-08-05) and Matthew Rose (operatic bass) (from 2007-07-28 until 2007-08-05)
orchestra:
Concerto Köln (from 2007-07-28 until 2007-08-05)
conductor:
Evelino Pidò (conductor) (from 2007-07-28 until 2007-08-05)
recorded at:
Studio Stollberger Strasse Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2007-07-28 until 2007-08-05)
recording of:
I puritani: Atto II. N°16a “O rendetemi la speme” (Elvira, Riccardo, Giorgio) (from 2007-07-28 until 2007-08-05)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini2:08
22I puritani: Atto II. “Qui la voce sua soave” (Elvira, Giorgio, Riccardo)
baritone vocals:
Franck Ferrari (French baritone)
bass vocals:
Matthew Rose (operatic bass)
soprano vocals [Elvira]:
Natalie Dessay (soprano)
vocals:
Natalie Dessay (soprano) (from 2007-07-28 until 2007-08-05), Franck Ferrari (French baritone) (from 2007-07-28 until 2007-08-05) and Matthew Rose (operatic bass) (from 2007-07-28 until 2007-08-05)
orchestra:
Concerto Köln (from 2007-07-28 until 2007-08-05)
conductor:
Evelino Pidò (conductor) (from 2007-07-28 until 2007-08-05)
recorded at:
Studio Stollberger Strasse Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2007-07-28 until 2007-08-05)
recording of:
I puritani: Atto II. N°16b “Qui la voce sua soave” (Elvira, Riccardo, Giorgio) (from 2007-07-28 until 2007-08-05)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini9:03
23I puritani: Atto II. “Vien, diletto, è in ciel la luna” (Elvira, Riccardo, Giorgio)
baritone vocals:
Franck Ferrari (French baritone)
bass vocals:
Matthew Rose (operatic bass)
soprano vocals [Elvira]:
Natalie Dessay (soprano)
vocals:
Natalie Dessay (soprano) (from 2007-07-28 until 2007-08-05), Franck Ferrari (French baritone) (from 2007-07-28 until 2007-08-05) and Matthew Rose (operatic bass) (from 2007-07-28 until 2007-08-05)
orchestra:
Concerto Köln (from 2007-07-28 until 2007-08-05)
conductor:
Evelino Pidò (conductor) (from 2007-07-28 until 2007-08-05)
recorded at:
Studio Stollberger Strasse Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2007-07-28 until 2007-08-05)
recording of:
I puritani: Atto II. N°16d Cabaletta “Vien, diletto, è in ciel la luna!” (Elvira, Giorgio, Riccardo) (from 2007-07-28 until 2007-08-05)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini5:26
24Rigoletto: Atto I. “Gualtier Maldé” … “Caro nome” (Gilda, Borsa, Ceprano, Coro, Marullo)
baritone vocals [Marullo]:
Franck Ferrari (French baritone)
bass vocals [Ceprano]:
Matthew Rose (operatic bass)
choir vocals:
Europäischer Kammerchor (Köln)
soprano vocals [Gilda]:
Natalie Dessay (soprano)
tenor vocals [Borsa]:
Roberto Alagna (tenor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:44
25I Capuleti e i Montecchi: Atto I. “Oh! Quante volte” (Giulietta)
soprano vocals [Giulietta]:
Natalie Dessay (soprano)
recording of:
I Capuleti e i Montecchi: Atto I. N°4b Recitativo e romanza “Oh! quante volte” (Giulietta)
composer:
Vincenzo Bellini (Sicilian opera composer) (from 1830-01 until 1830-03)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (from 1830-01 until 1830-03)
part of:
I Capuleti e i Montecchi: Atto I
Vincenzo Bellini4:01
26Lucia di Lammermoor: Atto I. “Il dolce suono” (Lucia)Gaetano Donizetti2:40
27Lucia di Lammermoor: Atto III. “Ardon gli incensi” (Lucia, Normanno, Raimondo, Coro)
bass vocals [Normanno]:
Wolfgang Klose (operatic bass)
bass vocals [Raimondo]:
Matthew Rose (operatic bass)
choir vocals:
Europäischer Kammerchor (Köln)
soprano vocals [Lucia]:
Natalie Dessay (soprano)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:52
28Lucia di Lammermoor: Atto III. “S’avanza Enrico” (Raimondo, Enrico, Coro, Lucia)
baritone vocals [Enrico]:
Franck Ferrari (French baritone)
bass vocals [Raimondo]:
Matthew Rose (operatic bass)
choir vocals:
Europäischer Kammerchor (Köln)
soprano vocals [Lucia]:
Natalie Dessay (soprano)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “S'avanza Enrico!” (Raimondo, Enrico, Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:57
29Lucia di Lammermoor: Atto III. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
baritone vocals [Enrico]:
Franck Ferrari (French baritone)
bass vocals [Raimondo]:
Matthew Rose (operatic bass)
choir vocals:
Europäischer Kammerchor (Köln)
soprano vocals [Lucia]:
Natalie Dessay (soprano)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:17
30Die Zauberflöte, K. 620: Akt II. “Der Hölle Rache” (Königin der Nacht)
producer:
Étienne Collard
soprano vocals [Pamina]:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
31Die Zauberflöte, K. 620: Akt II: “Ach, ich fühl’s” (Pamina)
producer:
Étienne Collard
soprano vocals:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:51
32Giulio Cesare in Egitto, HWV 17: Atto II. “Se pietà di me non senti” (Cleopatra)
soprano vocals:
Natalie Dessay (soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel9:14
33Giulio Cesare in Egitto, HWV 17: Atto III. “Piangerò la sorte mia” (Cleopatra)
soprano vocals [Cleopatra]:
Natalie Dessay (soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel6:29
34Giulio Cesare in Egitto, HWV 17: Atto III. “Da tempeste il legno infranto” (Cleopatra)
soprano vocals [Cleopatra]:
Natalie Dessay (soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
George Frideric Handel5:54
35Alcina, HWV 34: Atto I. “Tornami a vagheggiar” (Morgana)
soprano vocals [Morgana]:
Natalie Dessay (soprano)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Alcina, HWV 34: Atto I, Scena XIV. Aria “Tornami a vagheggiar” (Morgana)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
George Frideric Handel5:01
36Die Zauberflöte, K. 620: Akt I. “O zittre nicht, mein lieber Sohn!” (Königin der Nacht)
producer:
Étienne Collard
soprano vocals:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:37
37Die Entführung aus dem Serail, K. 384: Akt II. “Traurigkeit ward mir zum Lose” (Konstanze)
producer:
Étienne Collard
soprano vocals:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart6:41
38Der Rosenkavalier, op. 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie)
mezzo-soprano vocals [Octavian]:
Angelika Kirchschlager (mezzo soprano)
soprano vocals [Sophie]:
Natalie Dessay (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:04
39Ariadne auf Naxos, op. 60: “Grossmächtige Prinzessin” … “Noch glaub’ ich dem einem ganz mich gehörend” (Zerbinetta)Richard Strauss11:15
40Le Rossignol : Acte II. « Ah, joie, emplis mon cœur » (Le Rossignol, L’Empereur, Les Courtisans, Le Chambellan)
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
soprano vocals [Le Rossignol]:
Natalie Dessay (soprano)
vocals:
Albert Shagidullin (operatic bass-baritone) and Laurent Naouri (bass-baritone)
conductor:
James Conlon (conductor)
recording of:
Le Rossignol: Acte II : « Ah, joie, emplis mon cœur » (Le rossignol, l'empereur, les courtisans, le chambellan)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Le Rossignol: Act II
Igor Stravinsky4:22
41Candide: Act I. “Glitter and Be Gay” (Cunégonde)
soprano vocals [Cunégonde]:
Natalie Dessay (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
Candide: Act I. Glitter and Be Gay
lyricist:
Richard Wilbur
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein5:36