Concerto for Orchestra / The Miraculous Mandarin

~ Release by Béla Bartók; New York Philharmonic, Pierre Boulez (see all versions of this release, 1 available)

Tracklist

1▼SACD
#TitleArtistRatingLength
1Concerto for Orchestra: I. Introduzione
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók10:00
2Concerto for Orchestra: II. Giuoco delle coppie
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:39
3Concerto for Orchestra: III. Elegia
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:25
4Concerto for Orchestra: IV. Intermezzo interrotto
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:17
5Concerto for Orchestra: V. Finale
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók8:38
6The Miraculous Mandarin: Prelude
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:16
7The Miraculous Mandarin: The Curtain Rises
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:47
8The Miraculous Mandarin: First Seduction Game
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:38
9The Miraculous Mandarin: Second Seduction Game
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:02
10The Miraculous Mandarin: Third Seduction Game
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:24
11The Miraculous Mandarin: General Consternation
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:14
12The Miraculous Mandarin: The Girl Is Undecided
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:32
13The Miraculous Mandarin: The Girl Sinks Down to Embrace Him
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:28
14The Miraculous Mandarin: The Tramps Leap Out, Seize the Mandarin
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:06
15The Miraculous Mandarin: Suddenly the Mandarin's Head Appears
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:00
16The Miraculous Mandarin: The Terrified Tramps Discuss
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:16
17The Miraculous Mandarin: The Lamp Falls to the Floor - Goes Out
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:17

Credits

Release

manufactured in:USA
liner notes:Robert Hurwitz
Phillip Ramey
engineer:Woody Pornpitaksuk
producer:Louise de la Fuente
design:Ed Lee (design, photography, art direction)
Lisa Sparagano
manufactured by:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
copyrighted (©) by:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2002)
ASIN:US: B00006B1NE [info]
Allmusic:https://www.allmusic.com/album/release/mr0002683914 [info]