Global Chart Toppers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Volume 1
2▼CD: Volume 2
Nr.TitelKünstlerBewertungLänge
1Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:11
2It’s Only Make Believe
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:30
3Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:54
4Tom Dooley
The Kingston Trio2:36
5Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:32
6Heartaches by the Number
recording of:
Heartaches by the Number
Texter und Komponist(in):
Harlan Howard
publisher:
Good Ol’ Harlan Music, Sony/ATV Tree Publishing und Legacy of Harlan Perry Howard, LLC (in 1959)
Guy Mitchell2:36
7Sleep Walk
Santo & Johnny3:16
8Come Softly to Me
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods2:31
9Mr Blue
The Fleetwoods2:28
10Twilight Time
cover recording of:
Twilight Time
Texter:
Buck Ram
Komponist(in):
Artie Dunn, Al Nevins und Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) und Victoria Music Publishing Co. Ltd.
übersetzte Version von:
Al caer la noche
The Platters2:47
11I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton (manager and songwriter) und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee2:14
12My Old Man’s a Dustman
Lonnie Donegan3:51
13Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:30
14Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:38
15Runaway
recording of:
Runaway
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon2:29
16Big Bad John
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1961-08-18)
recording of:
Big Bad John (1961 song) (am 1961-08-18)
Texter und Komponist(in):
Jimmy Dean
Verfasser(in):
Roy Acuff
Jimmy Dean43:01
17Moody River
recording of:
Moody River
Verfasser(in):
Chase Webster
Übersetzer:
Kari Tuomisaari
publisher:
Gary Bruce Music und Gil Music
Pat Boone2:31
18Blue Moon
The Marcels2:12
19Strange on the Shore
phonographisches Urheberrecht (℗) von:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) und K‐tel International (do not use as a release label! for copyrights/distributor use only) (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
Komponist(in):
Acker Bilk
publisher:
EMI Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:51
20Hey Paula
vocals:
Ray Hildebrand und Jill Jackson
recording of:
Hey Paula (in 1962)
Texter und Komponist(in):
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:30
21Telstar
Produzent(in):
Joe Meek
recording of:
Telstar (in 1962)
Komponist(in):
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3.353:17
22Sheila
Tommy Roe2:08
23Bad to Me
recording of:
Bad to Me
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
Billy J. Kramer & The Dakotas2:18
24Do You Love Me?
cover recording of:
Do You Love Me
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Brian Poole2:23
3▶CD: Volume 3

Nennungen

Veröffentlichung

ASIN:UK: B000XHBNVA [Info]