Annotation

© «1989 EMI Records Ltd»
℗ «1961 The copyright in this sound recording is owned by EMI Records Ltd. Digital remastering»
℗ «1989 by EMI Records Ltd.»

Annotation last modified on 2026-02-02 19:30 UTC.

Tracklist

1Digital Media
2Digital Media
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1Le nozze di Figaro, K. 492: Act II, Scene 10: “Conoscete, signor Figaro” (Conte, Figaro, Susanna, Contessa) - “Ah signor” (Antonio, Conte, Susanna, Contessa, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
Wolfgang Amadeus Mozart8:22
2Le nozze di Figaro, K. 492: Act II, Scene 12: “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Contessa, Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:59
3Le nozze di Figaro, K. 492: Act III, Scene 1: Recitativo. “Che imbarazzo è mai questo” (Conte) - Recitativo, “Via, fatti core” (Contessa, Conte, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:04
4Le nozze di Figaro, K. 492: Act III, Scene 2: No. 16, Duettino. “Crudel, perché finora farmi languir cosi” (Conte, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:49
5Le nozze di Figaro, K. 492: Act III, Scene 2: Recitativo. “E perché fosti mecco” (Conte, Susanna) - “Ehi, Susanna, ove vai?” (Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:44
6Le nozze di Figaro, K. 492: Act III, Scene 4: No. 17, Recitativo ed Aria. “Hai già vinta la causa! … Vedrò mentre io sospiro” (Conte)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:55
7Le nozze di Figaro, K. 492: Act III, Scene 5: Recitativo. “E decisa la lite” (Don Curzio, Marcellina, Figaro, Conte, Bartolo)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:33
8Le nozze di Figaro, K. 492: Act III, Scene 5: No. 18, Sestetto. “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:52
9Le nozze di Figaro, K. 492: Act III, Scene 6: Recitativo. “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) - “Andiam, andiam” (Barbarina, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:25
10Le nozze di Figaro, K. 492: Act 3: Recitativo. “E Susanna non vien!” - Aria. “Dove sono i bei momenti” (Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:58
11Le nozze di Figaro, K. 492: Act III, Scene 9: Recitativo. “Io vi dico signor” (Antonio, Conte) - “Cosa mi narri” (Contessa, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Antonio]:
Piero Cappuccilli (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart0:51
12Le nozze di Figaro, K. 492: Act 3: Duettino. “Sull’aria…” - Recitativo. “Piegato è il foglio” (Susanna, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:44
13Le nozze di Figaro, K. 492: Act III, Scene 11: No. 21, Coro. “Ricevete, o padroncina” (Coro) - Recitativo, “Queste sono, Madama” (Barbarina, Contessa, Susanna) - “Eh, cospettacio” (Antonio, Contessa, Susanna, Conte, Cherubino, Barba
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:33
14Le nozze di Figaro, K. 492: Act III, Scene 14: No. 22, Finale. “Amanti costanti” (Figaro, Susanna, Conte, Contessa, Chorus)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:14
15Le nozze di Figaro, K. 492: Act IV, Scene 1: No. 23, Cavatina. “L’ho perduta, me meschina” (Barbarina) - Recitativo, “Barbarina cos’ hai?” (Figaro, Barbarina, Marcellina) - Recitativo, “E Barbarina… Chi va là” (Barbarina, Figaro, Ba
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Barberina]:
Elisabetta Fusco (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena II. Recitativo “Barbarina, cos’hai?” (Barbarina, Figaro, Marcellina) / Atto IV, Scena III. Recitativo “Madre!… Figlio!” (Figaro, Marcellina) / Atto IV, Scena IV. “Presto, avvertiam Susanna…” (Marcellina) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:06
16Le nozze di Figaro, K. 492: Act IV, Scene 8: No. 26, Recitativo ed Aria. “Tutto è disposto” - “Aprite un po’ quelgli occhi” (Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:06
17Le nozze di Figaro, K. 492: Act IV, Scene 9: Recitativo. “Signora, ella mi disse” (Susanna, Marcellina) - “Madama voi tremate” (Susanna, Contessa, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:39
18Le nozze di Figaro, K. 492: Act IV, Scene 10: No. 27, Recitativo ed Aria. “Giunse alfin il momento … Deh vieni, non tardar” (Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:20
19Le nozze di Figaro, K. 492: Act IV, Scene 11: Recitativo. “Perfida, e in quella forma meco mentia?” (Figaro, Cherubino, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scenas XI-XIV. Recitativo “Perfida, e in quella forma meco mentia?” (Cherubino, Figaro, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:25
20Le nozze di Figaro, K. 492: Act IV, Scene 11: No. 28, Finale. “Pian, pianin” (Cherubino, Contessa) - “Ecco qui la mia Susanna!” (Conte, Susanna, Figaro, Cherubino, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:24
21Le nozze di Figaro, K. 492: Act IV, Scene 13: “Tutto è tranquillo e placido” (Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:21
22Le nozze di Figaro, K. 492: Act IV, Scene 13: “Pace, pace, mio dolce tesoro” (Figaro, Susanna, Conte)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:54
23Le nozze di Figaro, K. 492: Act IV, Scene 14: “Gente, gente, all’armi, all’armi!” (Conte, Figaro, Basilio, Don Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Antonio]:
Piero Cappuccilli (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio] and tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:58

Credits

Release group

excerpts:Le nozze di Figaro: Highlights (1959 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Schwarzkopf (German-born Austrian/British soprano), Moffo (soprano), Taddei (baritone), Cossotto (mezzo-soprano), Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Giulini (conductor)
Discogs:https://www.discogs.com/master/655148 [info]
other databases:http://www.operadis-opera-discography.org.uk/CLMONOZZ.HTM#51 [info]