Selection of Shirley Bassey

~ Release by Shirley Bassey (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Goldfinger
recording engineer:
John Kurlander (engineer) (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (conductor and composer) (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Goldfinger (from 1984-07 until 1984-08)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
2:51
2Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:02
3I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
43:34
4I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:48
5Somewhere
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:49
6The Party's Over
producer:
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
3:33
7In Other Words (Fly Me to the Moon)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
3:33
8Climb Every Mountain
producer:
Norman Newell (task: recording supervised by)
background vocals:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Geoff Love & His Orchestra
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Climb Ev’ry Mountain (The Sound of Music)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization and Williamson Music Company
part of:
MJ: The Musical
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:11
9On a Wonderful Day Like Today
2:44
10The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:59
11Easy to Love
recording of:
Easy to Love (in 1959)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:05
12Every Time We Say Goodbye
producer:
Norman Newell
orchestra:
Geoff Love and His Orchestra
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:15
13Once a Lifetime
producer:
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
Once in a Lifetime (Stop the World—I Want to Get Off)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Ludlow Music, Inc. and TRO Essex Music Ltd.
part of:
Stop the World – I Want to Get Off
recording of:
Once in a Lifetime (Stop the World—I Want to Get Off)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Ludlow Music, Inc. and TRO Essex Music Ltd.
part of:
Stop the World – I Want to Get Off
2:24
14Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
3:13
15All by Myself
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
4:01
2▶CD

Credits

Release group

includes:I Am What I Am by Shirley Bassey (Welsh singer) with the London Symphony Orchestra conducted by Carl Davis (conductor and composer)