NOW That’s What I Call Massive Hits & #1s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
2Digital Media
#TitleArtistRatingLength
1Bad Habits
programming:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
assistant engineer:
Will Reynolds (engineer)
engineer:
Graham Archer (engineer), FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Johnny McDaid
additional producer:
PARISI
executive producer:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
producer:
Graham Archer (engineer) (task: vocal), FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
assistant mixer:
Charlie Holmes (UK mix engineer / producer), Kieran Beardmorre (mixing engineer) and Matt Wolach
mixer:
Mark “Spike” Stent (producer, engineer)
acoustic guitar:
Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
bass guitar, drums (drum set) [drums], guitar, keyboard [keys] and piano:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
percussion:
Ed Sheeran (UK singer‐songwriter)
slide guitar:
Iain Archer
background vocals:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Ed Sheeran (UK singer‐songwriter)
vocals:
Ed Sheeran (UK singer‐songwriter)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2021, in 2024)
recorded at:
Decoy Studios (Woodbridge UK) in Woodbridge, Suffolk, England, United Kingdom, Fieldwork Studio in London (Greater London), England, United Kingdom, Fieldwork Studio in Suffolk, England, United Kingdom, Gold Valley Studios, Promised Land Music Studios in London (Greater London), England, United Kingdom, Stamford Street in London (Greater London), England, United Kingdom and The Tree House (Suffolk, England) in Suffolk, England, United Kingdom
mixed at:
The Mixsuite in Los Angeles, California, United States
part of:
Billboard Hot 100: 2022-02-05 (number: 12), Billboard Year-End Hot 100 singles of 2022 (number: 13), Billboard Year-End Hot 100 singles of 2021 (number: 15) and BILLIONS CLUB
recording of:
Bad Habits
writer:
Fred Gibson (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
publisher:
Ed Sheeran Limited, Promised Land Music Ltd., Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC) and Universal Music Publishing Group
part of:
Grammy Award: Song of the Year nominees (number: 2022)
Ed Sheeran3.253:51
2Forget Me
drum machine [drums] programming:
Jonathan Gilmore
additional engineer and additional producer:
Chris Bishop (engineer)
engineer:
Jonathan Gilmore (drum machine [drums])
producer:
Lewis Capaldi (singer-songwriter) and TMS (UK songwriting/production team)
assistant mixer:
Matt Wolach
mixer:
Mark “Spike” Stent (producer, engineer)
additional guitar:
Leo Abrahams, Lewis Capaldi (singer-songwriter) and Philip Plested (British singer-songwriter Phil Plested)
bass:
John Garrison (Johnny Vic)
drums (drum set) [drums (live)]:
Freddy Sheed
drums (drum set) [drums]:
Tom Barnes (UK songwriter and drummer)
guitar:
Vern Asbury
piano:
Michael Pollack (songwriter)
synthesizer [synths]:
Ben Kohn (songwriter and producer)
background vocals:
Nick Atkinson (member of Rooster) and Ben Kohn (songwriter and producer)
choir vocals:
LJ Singers
vocals:
Lewis Capaldi (singer-songwriter)
recording of:
Forget Me
writer:
Lewis Capaldi (singer-songwriter), Philip Plested (British singer-songwriter Phil Plested), Michael Pollack (songwriter) and TMS (UK songwriting/production team)
Lewis Capaldi33:23
3Wonderwall
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
acoustic guitar [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
bass guitar, ebow, electric guitar [lead guitar], mellotron, piano and background vocals:
Noel Gallagher
drums (drum set) and percussion:
Alan White (Oasis drummer)
tambourine and lead vocals:
Liam Gallagher (English musician, lead singer of Oasis)
phonographic copyright (℗) by:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (in 1995)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Wonderwall by Oasis (Noel & Liam Gallagher)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1995), Indie 88: Top 500 Indie Rock Songs (number: 12), NME: Greatest “Indie” Anthems Ever: 2007 (number: 27), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 48) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 95)
recording of:
Wonderwall
lyricist and composer:
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Oasis4.24:19
4Paradise
acoustic guitar, piano and lead vocals:
Chris Martin (lead singer of Coldplay)
drums (drum set) and percussion:
Will Champion
electric bass guitar:
Guy Berryman
electric guitar:
Jonny Buckland
keyboard:
Guy Berryman, Jonny Buckland and Chris Martin (lead singer of Coldplay)
background vocals:
Guy Berryman, Jonny Buckland and Will Champion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
Paradise (music video) by Coldplay
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012) and Billboard Year-End Hot 100 singles of 2012 (number: 69)
recording of:
Paradise
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
additional composer:
Brian Eno
Coldplay3.24:39
5Moves Like Jagger
bass:
Mickey Madden
drums (drum set) and percussion:
Matt Flynn (Maroon 5 drummer)
guitar:
James Valentine (Maroon 5)
keyboard:
PJ Morton
background vocals and lead vocals:
Adam Levine (Maroon 5’s lead vocalist)
remix of:
Moves Like Jagger by Maroon 5 (fka Kara’s Flowers (1994-2001)) feat. Christina Aguilera
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012), Billboard Year-End Hot 100 singles of 2011 (number: 9) and Billboard Year-End Hot 100 singles of 2012 (number: 36)
recording of:
Moves Like Jagger
writer:
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik and Shellback
Maroon 5 & Christina Aguilera3.53:21
6bad guy
recorded in:
Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
additional producer:
Billie Eilish
producer:
FINNEAS
assistant mixer:
Casey Cuayo
mixer:
Rob Kinelski
field recordings:
Billie Eilish
phonographic copyright (℗) by:
Darkroom (in 2019, in 2022) and Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
recorded at:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California, United States
music videos:
bad guy (music video) by Billie Eilish
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 4), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Grammy Award: Record of the Year nominees (number: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (number: 27), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2019), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 97), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 178) and BILLIONS CLUB
recording of:
bad guy
writer:
Billie Eilish O’Connell and Finneas O’Connell
publisher:
Drup, Last Frontier and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
Billie Eilish3.853:14
7New Rules
programming and engineer:
Ian Kirkpatrick (producer/songwriter)
producer:
Ian Kirkpatrick (producer/songwriter) (task: and vocal)
mixer:
Josh Gudwin
vocals:
Dua Lipa
phonographic copyright (℗) by:
Dua Lipa Limited (in 2017)
miscellaneous support:
Warner Music UK Limited (not for release label use!) (task: under exclusive license to)
recorded at:
Atlantic Recording Studios in Hollywood, Los Angeles, California, United States, NRG Studios in North Hollywood, Los Angeles, California, United States, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, United Kingdom, TaP Studio in London (Greater London), England, United Kingdom and Zenseven Studios in Woodland, California, United States
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 1), Billboard Year-End Hot 100 singles of 2018 (number: 16), Stereogum: The 200 Best Songs of the 2010s (number: 114) and BILLIONS CLUB
recording of:
New Rules
writer:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) and Emily Warren
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Waterfall Music
sub-publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3.63:29
8Call Me Maybe
engineer and producer:
Josh Ramsay
assistant mixer:
Zach Blackstone and Brock McFarlane
mixer:
Dave Ogilvie (Canadian producer, engineer, and musician)
additional editor:
Nik Pesut
bass guitar, drums (drum set), guitar, keyboard, strings and background vocals:
Tavish Crowe
lead vocals:
Carly Rae Jepsen
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2012) and School Boy (American label) (in 2012)
recorded at:
Umbrella Studio in Richmond, British Columbia, Canada
mixed at:
Mushroom Studios in Vancouver, British Columbia, Canada and Warehouse Studios in Vancouver, British Columbia, Canada
music videos:
Call Me Maybe by Carly Rae Jepsen
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 2), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 8), The Gummy Awards: Your Top 20 Tracks of 2012 (number: 10), Huffington Post: 100 Best Canadian Songs Ever (number: 35), Stereogum: The 200 Best Songs of the 2010s (number: 36), Rolling Stone: The 100 Best Songs of the 2010s (number: 43), Billboard: Greatest of All Time Hot 100 Songs (number: 56) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 436)
recording of:
Call Me Maybe
publisher:
Tavish Crowe
writer:
Tavish Crowe, Carly Rae Jepsen and Josh Ramsay
publisher:
BMG Gold Songs, BMG Platinum Songs US, BMG Rights Management (see annotation), Charlie Rae Music, Crowe Music Publishing, Jepsen Music Publishing, Regular Monkey Productions, Inc., Regular Monkey Publishing, Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing Canada I
Carly Rae Jepsen4.13:14
9One Way or Another (Teenage Kicks)One Direction3.352:37
10Spice Up Your Life
recording engineer and engineer:
Adrian Bushby
additional programming:
Pete Davis (UK engineer, programmer, keyboards)
programming:
Matt Rowe
additional engineer:
Jake Davies
producer:
Matt Rowe and Richard “Biff” Stannard
assistant mixer:
Paul "P.Dub" Walton
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard [keyboards]:
Matt Rowe
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 4)
recording of:
Spice Up Your Life (in 1997)
writer:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls42:54
11Shout Out to My Ex
programming:
Edvard Førre Erfjord and Henrik Michelsen
assistant engineer:
Alex Reid
engineer:
Chris Bishop (engineer), Electric (producer duo), John Hanes (audio engineer, mixer) and Maegan Cottone
producer:
Electric (producer duo) and Maegan Cottone
mixer:
Serban Ghenea
instruments:
Edvard Førre Erfjord and Henrik Michelsen
additional vocals and other vocals [human beatbox]:
Camille Purcell (British singer-songwriter and record producer)
vocals:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson and Perrie (English singer‐songwriter)
performer:
Little Mix (British girl group)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2017), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) and Warner Music UK Limited (not for release label use!) (in 2021)
recording of:
Shout Out to My Ex
writer:
Camille Purcell (British singer-songwriter and record producer), Edvard Førre Erfjord, Henrik Michelsen, JADE (UK vocalist, member of Little Mix), Iain James, Leigh‐Anne, Jesy Nelson and Perrie (English singer‐songwriter)
Little Mix44:06
12Don’t Cha
assistant recording engineer:
Rouble Kapoor
engineer:
Ethan Mates
producer:
CeeLo Green
mixer:
Steve Baughman (mix/recording engineer) and Jason Schweitzer
recording of:
Don’t Cha
writer:
Anthony Ray, Thomas DeCarlo Callaway and Trevor Tahiem Smith, Jr. (Busta Rhymes)
publisher:
Ensign Music Corporation, Notting Hill Music (publisher), Sony/ATV Melody and T’ziah’s Music
The Pussycat Dolls2.54:02
13It’s Like That
additional producer:
Jason Nevins
producer:
Larry Smith (US hip hop producer) and Russell Simmons
remixer:
Jason Nevins
phonographic copyright (℗) by:
Profile Records Ltd. and Smile Communications
produced for:
Rush Groove Productions
recording of:
It’s Like That
writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. VS Jason Nevins3.34:10
14I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. and Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:59
15You Can’t Hurry Love
recording engineer:
Russ Terrana
engineer:
Lamont Dozier
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1966-06-11)
brass [horns]:
Detroit Symphony Orchestra (on 1966-06-11)
drums (drum set):
Benny Benjamin (US drummer) (on 1966-06-11)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (on 1966-06-11)
instruments:
The Funk Brothers (on 1966-06-11)
piano:
Earl Van Dyke (on 1966-06-11)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1966-06-11)
background vocals:
Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
lead vocals:
Diana Ross (on 1966-07-05)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) and Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 280)
recording of:
You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.752:45
16Yester-Me, Yester-You, Yesterday
producer:
Johnny Bristol and Harvey Fuqua
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recording of:
Yester‐Me, Yester‐You, Yesterday
writer:
Ron Miller (Motown songwriter Ronald Norman Miller) and Bryan Wells
publisher:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:05
17Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:05
18Run
engineer:
Jonathan Shakhovskoy
producer:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass:
Jon Garrison (Johnny Vic)
drums (drum set) [drums] and percussion:
Karl Brazil (UK drummer/songwriter)
guitar:
Luke Potashnick (British guitarist)
Hammond organ [Hammond]:
Paul Beard (keyboard player)
piano:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
background vocals:
Alani Gibbon, Chris Ballin, Beverley Brown, Lauraine Bristol, Carmen Reece, Marvin Cotterell, Jewell Elliott, Lincoln Jean-Marie, Ladonna Harley Peters, Joy Malcolm and Vula Malinger
strings arranger:
Will Malone
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2008)
mixed for:
365 Artists
mixed at:
Twenty-One Studios in London (Greater London), England, United Kingdom
cover recording of:
Run
lyricist:
Gary Lightbody
writer:
Iain Archer, Nathan Connolly, Mark McClelland and Jonny Quinn
composer:
Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland and Jonny Quinn
publisher:
Big Life Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Universal Music Publishing BL Limited and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Leona Lewis45:15
19How Deep Is Your Love
cover recording of:
How Deep Is Your Love (Bee Gees song)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Take That3:41
20God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys42:56
21Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4.14:29
3Digital Media
4Digital Media

Credits

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 122)