| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Bande I (from “Jazz in Camera”) | Barney Wilen | | 7:30 |
| 2 | Comédie Musicale (from “Les Sept Péchés capitaux”) | Michel Legrand | | 1:21 |
| 3 | Nice, baie des Anges (from “La Baie des Anges”) | Michel Legrand | | 4:31 |
| 4 | La Belle putain (from “Cléo de 5 a 7”) | Michel Legrand | | 2:11 |
| 5 | Jazz Rapide (from “Los doulos”) | Paul Misraki | | 3:22 |
| 6 | Satan in High Heels (from “Satan in High Heels”) | Mundell Lowe | | 3:27 |
| 7 | Generique (from “J’irai cracher sur vos tombes”) | Barney Wilen | | 2:12 |
| 8 | Filature (from “’Deux hommes dans Manhattan”) | Christian Chevallier | | 2:06 |
| 9 | Chaque jour a son secret (from “Cada día tiene un secreto”) (Bolero marcha) | Eddie Barclay et son orchestre | | 2:33 |
| 10 | Britt’s Blues (from “Kings Go Forth”) | Elmer Bernstein | | 2:11 |
| 11 | Blood on My Hands (from “Jack the Ripper”) | Pete Rugolo | | 1:28 |
| 12 | Main Title (from “The Hustler”) | Kenyon Hopkins | | 1:58 |
| 13 | Strip, Parts 2 & 3 (from “The Rat Race”) | Elmer Bernstein | | 2:54 |
| 14 | Plasma, Scotch And? (from “The Interns”) | Leith Stevens | | 2:33 |
| 15 | Paris Mist (from “A New Kind of Love”) | Erroll Garner | | 3:56 |
| 16 | Hillary (from “Love Sweet Bitter”) | Mal Waldron | | 2:26 |
| 17 | All Night Long (from “All Night Long”) | Tubby Hayes | | 2:40 |
| 18 | Surprise‐partie au bord de l’eau (from “J’irai cracher sur vos tombes”) | Barney Wilen | | 2:13 |
| 19 | Harold’s Way Out (from “The Young Savages”) | David Amram | | 6:59 |
| 20 | The Bishop’s Retreat (from “TV Series Checkmate”) | Johnny Williams Orchestra | | 3:11 |
| 21 | Breezin’ Along With the Breeze (from “Pete Kelly’s Blues”) | Pete Kelly | | 2:44 |
| 22 | Blues for Harry (from “The Conversation”) | David Shire | | 2:41 |
| 23 | Radio in Men’s Ward (from “The Caretakers”) | Elmer Bernstein | | 1:16 |
| 24 | Clark Street (from “The Man with the Golden Arm”) | Elmer Bernstein | | 5:00 |
| 25 | Put Me Off at the Station (from “The Fugitive Kind”) | Kenyon Hopkins | | 2:23 |
| 26 | Jocko’s Theme (from “The Strange One”) | Kenyon Hopkins & His Orchestra | | 2:42 |
| 27 | I Never Knew (from “Pete Kelly’s Blues”) | Pete Kelly | | 2:58 |
| 28 | Generique (from “Ascenseur pour l’echafaud”) | Barney Wilen | 4 | 2:52 |
| 29 | Music for Night Children (from “Mental Cruelty”) | George Gruntz | | 5:24 |
| 30 | Thème de Bob (from ‘’Bob le flambeur’’) | Eddie Barclay | | 2:36 |
| 31 | I soliti ignoti (a.k.a. Lyda / a.k.a. Movimenti con swing) (from “Audace colpo dei soliti ignoti”) | Piero Umiliani | | 4:18 |
| 32 | Rebel at Work (from “The James Dean Story”) (Chet Baker & Bud Shank) | Johnny Mandel | | 3:46 |
| 33 | Smog (from “Smog”) (vocal) | Helen Merrill | | 2:53 |
| 34 | Motorizzazione (from “I soliti ignoti”) (Big Deal on Madonna Street) | Piero Umiliani | | 2:37 |
| 35 | Prelude to Odds Against Tomorrow (from “Odds Against Tomorrow”) | John Lewis | | 1:48 |
| 36 | Staccato’s Theme (from “Staccato TV Show”) | Elmer Bernstein | | 2:57 |
| 37 | Bread and Wine (from “The Subterraneans”) | André Previn | | 4:16 |
| 38 | Who Killed Cock Robin (from “The Connection”) | Freddie Redd | | 5:23 |
| 39 | Bourbon Street Blues (from “Bourbon Street Beat TV Show”) | Don Ralke | | 3:59 |
| 40 | One Before Closing (from “Staccato TV Show”) | Elmer Bernstein | | 2:56 |
| 41 | He Plays It Cool (from “The Naked City TV Show”) | George Duning | | 3:44 |
| 42 | This Is the Naked City (from “The Naked City TV Show”) | George Duning | | 2:16 |
| 43 | Brigitte Strip Blues | Les Aymara | | 2:39 |
| 44 | Speakeasy Blues (from “The Untouchables TV Series”) | Nelson Riddle | | 3:59 |
| 45 | Brownsville Bounce (from “Murder Inc.”) | George David Weiss | | 2:23 |
| 46 | Havana Interlude (from “A Streetcar Named Desire”) (Shorty Rogers) | Leith Stevens | | 4:10 |
| 47 | Ghosts (from “Baby Doll”) | Kenyon Hopkins | | 2:56 |
| 48 | San Diego Party (from “I Want to Live”) | Johnny Mandel | | 4:10 |
| 49 | La Mort (from “A bout de souffle”) | Martial Solal | | 2:09 |
| 50 | Les Cousins (from “Les Cousins”) | Paul Misraki | | 1:42 |
| 51 | Temoin dans la ville (from “Un temoin dans la ville”) | Barney Wilen | | 3:01 |
| 52 | Crazy Girl (from “Knife in the Water”) | Krzysztof Komeda | | 2:47 |
| 53 | Vals em 16mm (from “Los jovenes viejos”) | Gato Barbieri | | 2:35 |
| 54 | Brigitte Strip Blues (from “La Bride sur le cou”) | Georges Arvanitas | | 2:39 |
| 55 | Fan My Brow (from “Murder Inc.”) | George David Weiss | | 1:05 |
| 56 | Manha de Carnaval (Morning of the Carnival) (from “Black Orpheus”) | Antônio Carlos Jobim | | 3:01 |
| 57 | Venice (from “No Sun in Venice”) | The Modern Jazz Quartet | | 4:30 |
| 58 | Elevator Ride (from “The Shakedown”) | Philip Green | | 2:56 |
| 59 | The Loneliness of the Long Distance Runner (from “The Loneliness of the Long Distance Runner”) | Werner Müller | | 2:14 |
| 60 | A Taste of Honey (from “A Taste of Honey”) | Lloyd Mayers | | 3:17 |
| 61 | Saturday Night and Sunday Morning (from “Saturday Night and Sunday Morning”) | John Dankworth and His Orchestra | | 2:52 |
| 62 | Moppin’ and Boppin’ (from “Stormy Weather”) | Bill Robinson | | 4:23 |
| 63 | Spiritual Jazz (from “The Gene Krupa Story”) | Gene Krupa | | 2:04 |
| 64 | Get Happy (from “Young Man With a Horn”) | Harry James and His Orchestra | | 2:58 |
| 65 | California in the Summer (from “Smog”) | Piero Umiliani e la sua Orchestra | | 2:52 |
| 66 | Jazz Bar (from “Intrigo a Los Angeles”) | Piero Umiliani | | 3:27 |
| 67 | Adam and Eve (from “Eve”) | Michel Legrand | | 3:37 |
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