100 Hits: Car Songs 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Perfect
Produzent(in):
Fairground Attraction und Kevin Moloney
assistierende(r) Mix:
Alistair Johnson (engineering)
Mix:
Kevin Moloney
Sologesang:
Eddi Reader
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
aufgenommen bei:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Perfect von Fairground Attraction
recording of:
Perfect
Texter und Komponist(in):
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:38
2Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.153:25
3Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:47
4Holding Out for a Hero
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.154:24
5Maneater
recording of:
Maneater
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates3:20
6Always and Forever
recording engineer:
Paul Brown (smooth jazz performer/producer) (Sologesang, Hintergrundgesang), Dana Jon Chappelle und Dana Jon Chappelle (Hintergrundgesang)
drum machine-Programmierung:
Walter Afanasieff
Programmierung:
Walter Afanasieff und Dan Shea
Synthesizer-Programmierung:
Gary Cirimelli und Ren Klyce
Koproduzent(in):
Luther Vandross
Produzent(in):
Walter Afanasieff
Mix:
Dana Jon Chappelle
Gitarre:
Dann Huff
Hammond-Orgel [Hammond B-3] und Moog [Moog bass]:
Walter Afanasieff
Keyboard und Synthesizer:
Walter Afanasieff und Dan Shea
zusätzlich Gitarre:
Michael Thompson (session guitarist)
Hintergrundgesang:
Johnny Britt, Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Phil Perry (US R&B/jazz singer, songwriter & musician) und Claytoven Richardson
Sologesang:
Luther Vandross
arranger:
Dan Shea
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
cover recording of:
Always and Forever
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Luther Vandross4:55
7Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:13
8Sorry, I’m a Lady
recording of:
Sorry, I’m a Lady (in 1977)
Texter:
Frank Dostal und Rolf Soja
Komponist(in):
Rolf Soja
Baccara33:39
9Daddy Cool
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett (in 1976), Frank Farian (in 1976) und Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographisches Urheberrecht (℗) von:
Far Music Productions GmbH (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 153)
recording of:
Daddy Cool (in 1976)
Texter:
George Reyam
Komponist(in):
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH und Intro (German publisher) (in 1976)
Boney M.4.13:30
10Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:12
11Red Light Spells Danger
recording of:
Red Light Spells Danger
Verfasser(in):
Ben Findon (songwriter and producer) und Leslie Sebastian Charles
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean33:32
12Live It Up
Techniker(in):
Thom Panunzio
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
phonographisches Urheberrecht (℗) von:
Syray Pty. Limited (Australian record company copyright holder and distributor) (in 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) und Festival Records (Australian) (in 1999)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien
recording of:
Live It Up
Texter und Komponist(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:49
13Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:45
14The Show Must Go On
Produzent(in):
David Courtney (songwriter, singer and producer) und Adam Faith
recording of:
The Show Must Go On
Texter:
Leo Sayer
Komponist(in):
David Courtney (songwriter, singer and producer)
Leo Sayer2:54
15Jolene
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1972-05-03) und Buck Trent (am 1972-05-03)
Bass:
Bobby Dyson (am 1972-05-03)
E-Gitarre:
Jimmy Colvard (American session guitarist) (am 1972-05-03)
Fiddle:
Johnny Gimble (am 1972-05-03) und Mack Magaha (Bluegrass Fiddler) (am 1972-05-03)
Gitarre:
Dolly Parton (am 1972-05-03)
Gitarre [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (am 1972-05-03)
Klavier:
Hargus "Pig" Robbins (am 1972-05-03)
Schlagzeug:
Kenny Malone (session drummer/percussion) (am 1972-05-03)
Steel-Gitarre:
Stu Basore (am 1972-05-03)
Hintergrundgesang:
Joe Babcock (am 1972-05-03), Dolores Edgin (am 1972-05-03), June Page (am 1972-05-03) und Hurshel Wiginton (am 1972-05-03)
vocals:
Dolly Parton (am 1972-05-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1972-05-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 217)
recording of:
Jolene (am 1972-05-03)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton4.252:40
16These Boots Are Made for Walkin’
cover recording of:
These Boots Are Made for Walkin’
Texter und Komponist(in):
Lee Hazlewood
publisher:
Lorna Music und Criterion Music Corp. (in 1966)
Version von:
Boots (original melody)
Jessica Simpson3:42
17Don’t Stop
Techniker(in):
Tim Summerhayes
Produzent(in):
Pip Williams (producer)
Editing:
Bias Boshell
phonographisches Urheberrecht (℗) von:
Acklode Ltd. (in 1996)
aufgenommen bei und mixed at:
ARSIS Studios in Surrey, England, Vereinigtes Königreich
cover recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Status Quo3:41
18She’s Not There
Produzent(in):
Tom Coster, David Rubinson & Friends, Inc. und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana2.53:20
19Sex & Drugs & Rock & Roll
E-Bass:
Norman Watt-Roy (in 1976)
E-Gitarre:
Chaz Jankel (English musician and songwriter) (in 1976)
Schlagzeug:
Charley Charles (UK drummer) (in 1976)
Sologesang:
Ian Dury (in 1976)
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1977) und Templemill Music Ltd (in 1977)
aufgenommen bei:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury3.853:17
20Ain’t No Pleasing You
recording of:
Ain’t No Pleasin’ You
Texter und Komponist(in):
Chas Hodges und Dave Peacock (English bass guitarist, Chas & Dave)
Chas & Dave4:13
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5▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 183) (Reihenfolge: 132)
Wikidata:Q31274769 [Info]