Rock & Romance Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD: Rock and Romance: You’ve Got a Friend
2▼CD: Rock and Romance: You’ve Got a Friend
#TitoloArtistaValutazioneDurata
1Feels Like the First Time
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Feels Like the First Time
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Music (publisher) (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4.23:52
2I Keep Forgettin’ (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:40
3Hard to Say I’m Sorry
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione cover di:
Hard to Say I’m Sorry
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago53:52
4Waiting for a Girl Like You
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby
tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Bob Mayo (US session keyboardist & guitarist)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.354:50
5I Need You
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
batteria :
Dave Atwood
chitarra a 12 corde :
Dan Peek
chitarra acustica :
Dewey Bunnell
chitarra basso e pianoforte e voce principale:
Gerry Beckley
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
I Need You
paroliere e compositore:
Gerry Beckley
America3.553:07
6How Sweet It Is (To Be Loved by You)
registrazione di:
How Sweet It Is (to Be Loved by You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor & The Rock Hall Jam Band3:36
7How Much I Feel
produttore:
Freddie Piro
basso :
Joe Puerta
batteria , percussione e voce di accompagnamento:
Burleigh Drummond
chitarra , tastiera e voce principale:
David Pack
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978) e Warner Music H.K. Ltd. (nel 1997)
registrazione di:
How Much I Feel
paroliere e compositore:
David Pack
editore:
EMI Longitude Music e Longitude Music Co.
Ambrosia54:48
8Ready for Love
tecnico di registrazione e tecnico di missaggio:
Ron Nevison
tecnico:
Ron Fawcus (incarico: tape operator)
produttore:
Bad Company (British blues-rock supergroup)
basso :
Boz Burrell (English musician) (nel 1973-11)
batteria :
Simon Kirke (nel 1973-11)
chitarra e tastiera [keyboards] :
Mick Ralphs (nel 1973-11)
voce:
Paul Rodgers (nel 1973-11)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1974)
registrata presso:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Regno Unito (nel 1973-11)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Ready for Love (nel 1973-11)
paroliere e compositore:
Mick Ralphs
editore:
Badco Music, Inc.
Bad Company4.155:00
9Blue Bayou
tecnico di registrazione e tecnico di missaggio:
Val Garay
assistente tecnico:
Mark Howlett
produttore:
Peter Asher
batteria , batteria elettronica [syn-drums] e campanaccio :
Rick Marotta (US drummer/percussionist) (dal 1977-05-23 al 1977-07-22)
chitarra acustica :
Waddy Wachtel (dal 1977-05-23 al 1977-07-22)
chitarra basso [bass] e mandolino :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1977-05-23 al 1977-07-22)
chitarra steel :
Dan Dugmore (dal 1977-05-23 al 1977-07-22)
marimba :
Steve Forman (US percussionist) (dal 1977-05-23 al 1977-07-22)
pianoforte elettrico :
Don Grolnick (dal 1977-05-23 al 1977-07-22)
voce di accompagnamento:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1977-05-23 al 1977-07-22) e Don Henley (dal 1977-05-23 al 1977-07-22)
voce principale:
Linda Ronstadt (dal 1977-05-23 al 1977-07-22)
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 2017)
registrata presso:
Sound Factory, LA (1969–1980) in Los Angeles, California, Stati Uniti (dal 1977-05-23 al 1977-07-22)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 61)
registrazione cover di:
Blue Bayou (English) (dal 1977-05-23 al 1977-07-22)
paroliere:
Joe Melson (nel 1963) e Roy Orbison (nel 1963)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Publications, Inc. (BMI) (nel 1961)
Linda Ronstadt4.253:57
10Baby I’m-A Want You
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
registrazione di:
Baby I’m‐a Want You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher) e Screen Gems–EMI Music Ltd.
Bread42:23
11Steal Away
tecnico:
Gary Brandt
armonica (a bocca) :
Robbie Dupree
chitarra :
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) e Brian Ray
congas :
Miguel Rivera (percussionist)
marimba :
Alan Estes
percussione :
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas e Miguel Rivera (percussionist)
sassofono :
Jerry Peterson
sintetizzatore :
Michael Boddicker e Bill Elliott (conductor, producer)
tastiera :
Rick Chudacoff e Bill Elliott (keyboardist/composer)
voce di accompagnamento:
Kal David, Bill LaBounty, Arno Lucas e Michael McDonald (R&B & soul singer)
arrangiatore:
Bill Elliott (keyboardist/composer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 64)
registrazione di:
Steal Away
paroliere:
Rick Chudacoff
compositore:
Robbie Dupree
editore:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Robbie Dupree3:30
12I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:38
13More Than I Can Say
produttore:
Alan Tarney
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Rhino Entertainment Company (not for release label use!) (nel 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1980) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
registrazione cover di:
More Than I Can Say (nel 1980)
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
registrazione di:
More Than I Can Say
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:38
14Baker Street
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra elettrica :
Hugh Burns e Nigel Jenkins
moog e tastiera :
Tommy Eyre
percussione :
Glen LeFleur
sassofono :
Raphael Ravenscroft
voce principale:
Gerry Rafferty
arrangiatore archi :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 26) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 89)
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:00
15Just Remember I Love You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Just Remember I Love You
paroliere e compositore:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
editore:
Stephen Stills Music
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
Firefall3:14
16That’s the Way I’ve Always Heard It Should Be
produttore:
Eddie Kramer (engineer)
tecnico di missaggio:
Eddie Kramer (engineer) e Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
archi :
Ed Freeman (producer, arranger, musician, and photographer)
basso :
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman stick player), Doug Rauch e Jim Wilkins
batteria :
John Siomos
chitarra :
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist James Earl Thompson) e Jimmy Ryan (American guitarist and singer/songwriter)
chitarra acustica e pianoforte :
Carly Simon
chitarra pedal steel :
Jeff Baxter
tastiera :
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) e Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
violoncello :
Harvey Shapiro (cellist)
voce:
Carly Simon
arrangiatore archi e arrangiatore archi [string arrangement] :
Ed Freeman (producer, arranger, musician, and photographer)
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
That’s the Way I’ve Always Heard It Should Be
paroliere:
Jacob Brackman
compositore:
Carly Simon
editore:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music e Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:17
17You’re the Only Woman
produttore:
Ambrosia (L.A. prog rock band) e Freddie Piro
basso :
Joe Puerta
batteria :
Burleigh Drummond
chamberlin , clavinet , minimoog e organo elettrico :
Christopher North
chitarra e voce principale:
David Pack
percussione :
Burleigh Drummond e Royce Jones
voce:
Burleigh Drummond, Royce Jones e Joe Puerta
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
registrazione di:
You’re the Only Woman (You & I)
paroliere e compositore:
David Pack
editore:
EMI Longitude Music
Ambrosia54:19
3▶CD: Rock and Romance: The Best of Times
4▶CD: Rock and Romance: The Best of Times
5▶CD: Rock and Romance: I’d Do Anything for Love
6▶CD: Rock and Romance: I’d Do Anything for Love
7▶CD: Rock and Romance: Keep on Loving You
8▶CD: Rock and Romance: Keep on Loving You
9▶CD: Power of Love: Feelin’ Good

Accreditamenti

Pubblicazione

ASIN:US: B071CPG31W [info]
acquistare per corrispondenza:http://timelife.com/products/rock-and-romance [info]