70 Hits of the 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1Listen to the Music
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.353:27
2Never Let Her Slip Away
assistente tecnico:
George Ybara
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
percussione :
Andrew Gold (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
sassofono :
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (nel 1978)
sintetizzatore :
Andrew Gold (nel 1978)
voce di accompagnamento:
Andrew Gold (nel 1978), John David Souther (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso e mixata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978)
registrazione di:
Never Let Her Slip Away (nel 1978)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold53:22
3Killing Me Softly With His Song
produttore:
Joel Dorn
pianoforte :
Roberta Flack (singer and pianist)
voce:
Roberta Flack (singer and pianist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 273) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 361)
registrazione cover di:
Killing Me Softly With His Song
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC e Fox-Gimbel Productions Inc. (nel 1972)
Roberta Flack3.554:47
4Disco Inferno (single edit)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:12
5Everybody Dance (edit version)
registrazione di:
Everybody Dance
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic53:58
6Bang a Gong (Get It On)
tecnico:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen e Martin Rushent
produttore:
Tony Visconti
basso elettrico :
Steve Currie (dal 1971-03 al 1971-06)
batteria :
Bill Legend (dal 1971-03 al 1971-06)
chitarra elettrica e voce principale:
Marc Bolan (dal 1971-03 al 1971-06)
percussione :
Mickey Finn (musician and T. Rex member) (dal 1971-03 al 1971-06)
tastiera :
Rick Wakeman (dal 1971-03 al 1971-06)
voce di accompagnamento:
Howard Kaylan (dal 1971-03 al 1971-06) e Mark Volman (dal 1971-03 al 1971-06)
diritti fonografici (℗) detenuti da:
Essex Music International Ltd. (nel 1971), Straight Ahead Productions Ltd. (nel 1971, nel 2001) e Tarantula Productions (nel 1971)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 41)
registrazione di:
Get It On (Bang a Gong) (dal 1971-03 al 1971-06)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4.654:22
7Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:50
8Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:20
9Grease
tecnico e tecnico di missaggio:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
chitarra :
Peter Frampton
voce di accompagnamento:
Barry Gibb
voce principale:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore:
Albhy Galuten e Barry Gibb
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 11)
registrazione di:
Grease (Grease, 1978 film)
paroliere e compositore:
Barry Gibb
editore:
Careers–BMG Music Publishing, Inc. e Gibb Brothers Music
parte di:
Grease (1978 film)
Frankie Valli4.43:27
10You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:18
11Baker Street (radio edit)
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
12Guitar Man
tecnico:
Armin Steiner
produttore:
David Gates (singer/songwriter, lead singer of Bread)
produttore associato:
James Griffin (soft rock singer/songwriter/guitarist)
batteria e percussione :
Michael Botts
chitarra :
David Gates (singer/songwriter, lead singer of Bread) e James Griffin (soft rock singer/songwriter/guitarist)
chitarra basso :
David Gates (singer/songwriter, lead singer of Bread)
pianoforte :
James Griffin (soft rock singer/songwriter/guitarist)
arrangiatore:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Elektra Sound Recorders in Los Angeles, California, Stati Uniti
registrazione di:
The Guitar Man
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–Columbia Music, Inc.
Bread43:44
13Kid
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico e tecnico di missaggio:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso e mixata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
registrazione di:
Kid
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Hynde House of Hits Music, Modern Music Publishing Co., Inc., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pretenders4.53:05
14Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:46
15Can’t Get Enough
tecnico di registrazione e tecnico di missaggio:
Ron Nevison
tecnico:
Ron Fawcus (incarico: tape operator)
produttore:
Bad Company (British blues-rock supergroup)
basso :
Boz Burrell (English musician) (nel 1973-11)
batteria :
Simon Kirke (nel 1973-11)
chitarra :
Mick Ralphs (nel 1973-11)
chitarra [second guitar] e voce principale:
Paul Rodgers (nel 1973-11)
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1974)
registrata presso:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Regno Unito (nel 1973-11)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Can’t Get Enough (nel 1973-11)
paroliere e compositore:
Mick Ralphs
editore:
Badco Music, Inc.
Bad Company3.654:14
16You Make Me Feel Like Dancing (single version)
tecnico di registrazione:
Bill Schnee
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Chuck Rainey (American bassist)
batteria :
Steve Gadd (drummer)
chitarra :
Larry Carlton e Ray Parker Jr.
clavinet :
John Barns
voce:
Leo Sayer
voce di accompagnamento:
Clydie King, Becky Louis e Sherlie Matthews (US vocalist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1976) e Silverbird Ltd. (nel 1976)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:39
17I Saw the Light
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren53:00
18The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:04
19She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
20Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
21Rock Your Baby
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae6:24
22I’m Every Woman (Lew Hahn remix)
registrazione di:
I’m Every Woman
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan4:05
23You’ve Got a Friend
tecnico:
Richard Sanford Orshoff
produttore:
Peter Asher
cabassa, congas e batteria :
Russ Kunkel (session drummer)
chitarra acustica :
James Taylor (singer-songwriter and guitarist)
chitarra acustica e congas :
Danny Kortchmar (Danny Kootch)
chitarra basso :
Leland Sklar (bassist, session musician)
voce di accompagnamento:
Joni Mitchell e James Taylor (singer-songwriter and guitarist)
registrazione cover di:
You’ve Got a Friend
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc. e Screen Gems–EMI Music Ltd.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
James Taylor4.44:29
24Cat’s in the Cradle
produttore:
Paul Leka
arrangiatore:
Paul Leka
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1974)
registrata presso:
Connecticut Recording Studios in Connecticut, Stati Uniti
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
25The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.652:41
26Undercover Angel
Alan O’Day3:31
27You Are My Love
registrazione di:
You Are My Love
autore:
Roger Scott Craig e Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:15
28I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:39
29Dance With Me
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1975)
registrazione di:
Dance With Me
paroliere:
Johanna Hall
compositore:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Orleans53:01
30If You Could Read My Mind
tecnico di registrazione:
Gary Brandt e Lee Herschberg
produttore:
Lenny Waronker e Joe Wissert
tecnico di missaggio:
Lee Herschberg
voce:
Gordon Lightfoot
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1970)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 8)
registrazione di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Gordon Lightfoot4.63:49
31Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:06
32December, 1963 (Oh What a Night!)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli & The Four Seasons3.853:21
33Welcome Back (them from “Welcome Back, Kotter”)
registrazione di:
Welcome Back (70’s Song by John Sebastian)
paroliere e compositore:
John Sebastian
John Sebastian52:52
34That’s the Way (I Like It) (edited version)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:04
35Pick Up the Pieces
Average White Band3:59
36I Got The…
registrazione di:
I Got The
paroliere e compositore:
Labi Siffre
Labi Siffre6:25
37Street Player
tecnico:
Jim Boyer (producer/engineer)
produttore:
Chicago (American pop rock/jazz fusion band) e Phil Ramone
percussione :
Airto Moreira (percussionist)
sintetizzatore :
David “Hawk” Wolinski
tromba :
Maynard Ferguson
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2003)
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Street Player
autore:
Danny Seraphine e David “Hawk” Wolinski
Chicago9:11
38Black Night
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.253:27
39The Rubberband Man
The Spinners4.653:33
40Then Came You
voce ospite:
Dionne Warwick
esecutore:
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
registrazione cover di:
Then Came You
autore:
Sherman Marshall e Philip Pugh
editore:
Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners & Dionne Warwick4.53:59
41Sailing
produttore:
Tom Dowd
registrazione cover di:
Sailing
paroliere e compositore:
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
editore:
Ackee Music Inc., Island Music (Island Music Ltd.) e Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:39
42Willin’
tecnico di registrazione e tecnico di missaggio:
Donn Landee
produttore:
Ted Templeman
batteria e percussione :
Richie Hayward
chitarra e voce principale:
Lowell George
chitarra basso :
Roy Estrada
chitarra steel ospite :
Sneaky Pete Kleinow
tastiera :
Bill Payne
voce di accompagnamento:
Roy Estrada e Richie Hayward
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
registrazione di:
Willin’
paroliere e compositore:
Lowell George
editore:
Abraham Music e Naked Snake Music
Little Feat2:55
43Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
44Jealous Mind
registrazione di:
Jealous Mind
paroliere e compositore:
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust52:42
45Wishing on a Star (edit)
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce43:59
46Light My Fire
registrazione cover di:
Light My Fire
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
Shirley Bassey2.53:29
47Supernatural Thing
Ben E. King43:24
48The Mexican (edit)
registrazione di:
The Mexican
paroliere e compositore:
Alan Shacklock
compositore aggiunto:
Ennio Morricone (Italian classical and score composer)
Babe Ruth3:27
49I’m Gonna Run Away From You (radio edit)
registrazione di:
I’m Gonna Run Away From You
paroliere e compositore:
Bert Russell Berns
Tami Lynn2:49
50Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:47
51Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:50
52Breezin’
tecnico di registrazione:
Al Schmitt (dal 1976-01-06 al 1976-01-08)
assistente tecnico:
Don Henderson (engineer)
assistente produttore:
Noel Newbolt
produttore:
Tommy LiPuma
tecnico di missaggio:
Al Schmitt
batteria :
Harvey Mason (jazz drummer) (dal 1976-01-06 al 1976-01-08)
chitarra [lead guitar] :
George Benson (jazz guitarist/singer) (dal 1976-01-06 al 1976-01-08)
chitarra basso e chitarra [rhythm guitar] :
Phil Upchurch (dal 1976-01-06 al 1976-01-08)
clavinet e pianoforte :
Jorge Dalto (dal 1976-01-06 al 1976-01-08)
minimoog [mini-moog] e pianoforte elettrico :
Ronnie Foster (dal 1976-01-06 al 1976-01-08)
percussione :
Ralph MacDonald (dal 1976-01-06 al 1976-01-08)
direttore d'orchestra:
Claus Ogerman (dal 1976-01-06 al 1976-01-08)
orchestratore:
Claus Ogerman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1976)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1976-01-06 al 1976-01-08)
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Breezin’ (dal 1976-01-06 al 1976-01-08)
compositore:
Bobby Womack
editore:
Unart Music Corp. (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:42
53Until You Come Back to Me (That’s What I Am Going to Do)
tecnico:
Lew Hahn
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1973-09-07)
batteria :
Bernard “Pretty” Purdie (il 1973-09-07)
chitarra :
Hugh McCracken (il 1973-09-07)
flauto solista :
Joe Farrell (il 1973-09-07)
organo :
Richard Tee (il 1973-09-07)
pianoforte e voce principale:
Aretha Franklin (il 1973-09-07)
pianoforte elettrico :
Donny Hathaway (il 1973-09-07)
sintetizzatore :
Ken Bichel (keyboardist) (il 1973-09-07)
voce di accompagnamento:
Margaret Branch (il 1973-09-07), Ann S. Clark (il 1973-09-07) e Pat Smith (soul vocalist) (il 1973-09-07)
arrangiatore:
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-09-07)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (il 1973-09-07)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Aretha Franklin4.353:26
54Cindy Incidentally
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
pianoforte :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Cindy Incidentally
editore:
Rod Stewart BMI - United States of America
autore:
Ian McLagan, Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Faces42:39
55Tush
tecnico di registrazione e tecnico di missaggio:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
batteria :
Frank Beard (ZZ Top drummer)
chitarra basso e voce principale:
Dusty Hill
chitarra elettrica :
Billy Gibbons
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 67)
registrazione di:
Tush
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three e Songs of Mosaic
ZZ Top4.652:14
56Wishing Well
registrazione cover di:
Wishing Well (Free song)
autore:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers e Tetsu Yamauchi
editore:
Cayman Music Inc, Keepers Cottage Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-editore:
Universal Music Publishing France (not for release label use!)
Blackfoot53:13
57Psycho Killer
tecnico:
Ed Stasium (US record producer & audio engineer)
tecnico aggiunto:
Matt Cohen (US producer and engineer)
produttore:
Tony Bongiovi, Lance Quinn e Talking Heads
produttore esecutivo:
Karen Ahmed e Robin Hurley
batteria :
Chris Frantz (dal 1976 al 1977)
chitarra :
David Byrne (Talking Heads) (dal 1976 al 1977) e Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
chitarra basso :
Tina Weymouth (dal 1976 al 1977)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce:
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce principale:
David Byrne (Talking Heads) (dal 1976 al 1977)
diritti fonografici (℗) detenuti da:
Sire Records Inc. (nel 1977)
registrata presso:
Sundragon Studios in Flatiron District, New York, New York, Stati Uniti (dal 1976 al 1977)
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 2005)
campionamenti da:
Lexicon Valley #190, "Beyond the Five Ws" di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 108)
registrazione di:
Psycho Killer (dal 1976 al 1977)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
autore:
David Byrne (Talking Heads), Christopher Frantz e Martina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
58Milk and Alcohol
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.22:49
59Elected
produttore:
Bob Ezrin
batteria :
Neal Smith (former Alice Cooper drummer) (dal 1972-08 al 1973-01)
chitarra :
Michael Bruce (of Alice Cooper) (dal 1972-08 al 1973-01) e Glen Buxton (American guitarist) (dal 1972-08 al 1973-01)
chitarra basso :
Dennis Dunaway (original bass player for Alice Cooper) (dal 1972-08 al 1973-01)
tastiera :
Michael Bruce (of Alice Cooper) (dal 1972-08 al 1973-01)
voce di accompagnamento:
Michael Bruce (of Alice Cooper) (dal 1972-08 al 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (dal 1972-08 al 1973-01) e Neal Smith (former Alice Cooper drummer) (dal 1972-08 al 1973-01)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present) (dal 1972-08 al 1973-01)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
video musicali:
Elected di Alice Cooper (the band, active 1964–1974/5)
parte di:
CBC Music: The Ultimate Election Day Playlist
registrazione di:
Elected (dal 1972-08 al 1973-01)
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Sony Songs Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC e Ezra Music (nel 1973)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
revisione di:
Reflected
Alice Cooper3.64:05
60Pretty Vacant
tecnico:
Bill Price (UK producer/engineer)
produttore:
Bill Price (UK producer/engineer) e Chris Thomas (UK record producer / remixer)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (nel 1977-03)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 34)
registrazione dal vivo di:
Pretty Vacant
autore:
Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols), Glen Matlock (bass guitarist of the Sex Pistols) e Paul Thomas Cook (drummer for the Sex Pistols)
editore:
A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
Sex Pistols3.83:18
61No More Heroes (radio edit)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
No More Heroes
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers52:57
62Whole Lotta Love
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
CCS53:33
63Venus
assistente tecnico:
Jim Boyer (producer/engineer)
tecnico e tecnico di missaggio:
Andy Johns
produttore:
Andy Johns e Tom Verlaine
assistente tecnico di missaggio:
Jimmy Douglass (engineer) e Randy Mason
batteria :
Billy Ficca
chitarra basso :
Fred Smith (bassist)
chitarra elettrica :
Richard Lloyd (American guitarist and singer, Television)
chitarra elettrica solista e voce principale:
Tom Verlaine
voce:
Richard Lloyd (American guitarist and singer, Television) e Fred Smith (bassist)
voce di accompagnamento:
Richard Lloyd (American guitarist and singer, Television) e Fred Smith (bassist)
diritti fonografici (℗) detenuti da:
Elektra Records (copyrights holder) (nel 1977) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrata presso:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Venus
paroliere e compositore:
Tom Verlaine
editore:
Double Exposure Music Ltd.
Television53:49
64Wear It Out
produttore:
Verdine White e Robert Wright (disco/funk producer)
registrazione di:
Wear It Out
autore:
Charles Fearing, Rochelle Runnells e Robert Wright (disco/funk producer)
Stargard45:14
652‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:18
66Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:28
67Journey
registrazione di:
The Journey
paroliere e compositore:
Duncan Browne (English singer-songwriter)
Duncan Browne53:22
68Softly Whispering I Love You
tecnico:
Peter Vince (engineer, producer)
esecutore:
Brian Keith e Alan Parker (guitarist & composer)
arrangiatore:
Ken Woodman (British trumpeter, music director, arranger and composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrata presso:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione cover di:
Softly Whispering I Love You
autore:
Roger Frederick Cook (US‐based British singer, songwriter and producer) e Roger John Reginald Greenaway
editore:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:02
69Jesus Was a Cross Maker
produttore:
John Beck (producer & member of The Leaves), Henry Lewy e Jim Pons
chitarra e voce principale:
Judee Sill
voce di accompagnamento:
Rita Coolidge, Venetta Fields e Clydie King
orchestratore:
Don Bagley e Bob Harris (pianist/songwriter, played keyboards with Frank Zappa in May–Aug 1971)
registrazione di:
Jesus Was a Crossmaker
paroliere e compositore:
Judee Sill
editore:
EMI Blackwood Music Inc.
Judee Sill3:30
70Wonderous Stories
assistente tecnico:
David Richards (Swiss-based producer and engineer)
tecnico:
John Timperley
produttore:
Yes (British progressive rock band)
produttore esecutivo:
Brian Lane (producer)
batteria e percussione :
Alan White (Yes drummer) (dal 1976 al 1977)
chitarra basso :
Chris Squire (Yes bassist) (dal 1976 al 1977)
chitarra portoghese [Vachalia] e chitarra elettrica :
Steve Howe (dal 1976 al 1977)
moog [Polymoog] :
Rick Wakeman (dal 1976 al 1977)
voce di accompagnamento:
Steve Howe (dal 1976 al 1977) e Chris Squire (Yes bassist) (dal 1976 al 1977)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (dal 1976 al 1977)
arrangiatore:
Yes (British progressive rock band)
diritti fonografici (℗) detenuti da:
Atlantic (Warner Music imprint) (nel 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1976 al 1977)
registrazione parziale di:
Wonderous Stories (dal 1976 al 1977)
paroliere e compositore:
Jon Anderson (Yes/Jon & Vangelis)
editore:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Topographic Music, Ltd. (nel 1977)
Yes4.353:49