20 Greatest Hits

~ Pubblicazione di Johnny Mathis (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloValutazioneDurata
1Wonderful Wonderful
registrazione di:
Wonderful, Wonderful
paroliere:
Ben Raleigh
compositore:
Sherman Edwards
2:50
2The Twelfth of Never
registrazione di:
The Twelfth of Never
paroliere:
Paul Francis Webster
compositore:
Jerry Livingston (songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Webster Music Co.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
si basa su:
The Riddle Song (aka “I Gave My Love a Cherry”)
2:30
3Misty
produttore:
Al Ham e Mitch Miller
voce:
Johnny Mathis (US pop/soul singer) (nel 1959)
direttore d'orchestra:
Glenn Osser (nel 1959)
arrangiatore:
Glenn Osser
registrazione di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
3:35
4Chances Are
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer) (nel 1957)
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
parte di:
Grammy Hall of Fame (numero: 1998)
registrazione di:
Chances Are (nel 1957)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:04
5Night and Day
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
5:05
6I’ll Never Fall in Love Again
registrazione cover di:
I’ll Never Fall in Love Again (Promises, Promises)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
3:00
7Hello Young Lovers
registrazione cover di:
Hello, Young Lovers (The King and I)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company e Williamson Music, Inc.
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Ltd.
parte di:
The King and I (Rodgers & Hammerstein musical)
4:16
8I Only Have Eyes for You
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
3:36
9Begin the Beguine
registrazione cover di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
4:19
10A Wonderful Day Like Today
registrazione di:
On a Wonderful Day Like Today (The Roar of the Greasepaint—The Smell of the Crowd)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
2:41
11Embraceable You
registrazione cover di:
Embraceable You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
3:26
12Stranger in Paradise
registrazione di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
4:03
13In the Still of the Night
registrazione di:
In the Still of the Night (Cole Porter song)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
2:32
14Come to Me
orchestra:
Ray Ellis and His Orchestra
registrazione di:
Come to Me
paroliere:
Peter Lind Hayes
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Korwin Music, Inc.
3:08
15Wild Is the Wind
2:29
16What Will My Mary Say
registrazione cover di:
What Will My Mary Say
autore:
Eddie Snyder e Paul Vance (US songwriter and producer)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sis ’n Bro Too LLC
3:11
17A Certain Smile
produttore:
Al Ham e Mitch Miller
orchestra:
Ray Ellis and His Orchestra (il 1958-05-12)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1958)
registrazione cover di:
A Certain Smile (il 1958-05-12)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
registrazione di:
A Certain Smile
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
32:49
18Teacher Teacher
2:41
19I’ve Grown Accustomed to Her Face
registrazione di:
I’ve Grown Accustomed to Her Face (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
3:31
20Too Much Too Little Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
42:58

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