The Concerts

~ Release by Jimmy Witherspoon (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Introduction
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
0:30
2Time's Gettin' Tougher Than Tough
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live recording of:
Time’s Gettin’ Tougher Than Tough (from 1959-12-02 until 1959-12-09)
lyricist and composer:
Jimmy Witherspoon
3:04
3How Long Blues
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
How Long, How Long Blues (from 1959-12-02 until 1959-12-09)
lyricist and composer:
Leroy Carr
publisher:
Compact Music and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
3:25
4Corrine, Corrina
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live recording of:
Corrine, Corrina (from 1959-12-02 until 1959-12-09)
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France and Gotham Music Service, Inc. (on 1932-03-18)
3:22
5C.C. Rider
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
See See Rider (Ma Rainey version) (from 1959-12-02 until 1959-12-09)
additional composer:
Lena Arant
composer:
Ma Rainey
version of:
See See Rider Blues
4:41
6Roll 'em Pete
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
Roll ’em Pete (from 1959-12-02 until 1959-12-09)
writer:
Pete Johnson (US boogie‐woogie pianist) and Big Joe Turner
publisher:
MCA Music Ltd.
4:26
7Every Day I Have the Blues
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
Everyday I Have the Blues (from 1959-12-02 until 1959-12-09)
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
2:45
8Kansas City
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
Kansas City (aka “K.C. Loving”) (from 1959-12-02 until 1959-12-09)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. and Sony/ATV Songs LLC
3:11
9I'm Gonna Move to the Outskirts of Town
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
I’m Gonna Move to the Outskirts of Town (from 1959-12-02 until 1959-12-09)
writer:
Roy Jordan and William Weldon (blues slide guitar player)
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:46
10Trouble in Mind
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
baritone saxophone:
Gerry Mulligan (from 1959-12-02 until 1959-12-09)
double bass:
Leroy Vinnegar (from 1959-12-02 until 1959-12-09)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-12-02 until 1959-12-09)
piano:
Jimmy Rowles (from 1959-12-02 until 1959-12-09)
tenor saxophone:
Ben Webster (from 1959-12-02 until 1959-12-09)
vocals:
Jimmy Witherspoon (from 1959-12-02 until 1959-12-09)
live cover recording of:
Trouble in Mind (from 1959-12-02 until 1959-12-09)
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
3:27
11St. Louis Blues
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
clarinet:
Woody Herman (on 1959-10-02)
double bass:
Vernon Alley (on 1959-10-02)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-10-02)
piano:
Earl Hines (jazz pianist and bandleader) (on 1959-10-02)
tenor saxophone:
Coleman Hawkins (on 1959-10-02) and Ben Webster (on 1959-10-02)
trumpet:
Roy Eldridge (on 1959-10-02)
vocals:
Jimmy Witherspoon (on 1959-10-02)
live cover recording of:
St. Louis Blues (on 1959-10-02)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:52
12No Rollin' Blues
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
clarinet:
Woody Herman (on 1959-10-02)
double bass:
Vernon Alley (on 1959-10-02)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-10-02)
piano:
Earl Hines (jazz pianist and bandleader) (on 1959-10-02)
tenor saxophone:
Coleman Hawkins (on 1959-10-02) and Ben Webster (on 1959-10-02)
trumpet:
Roy Eldridge (on 1959-10-02)
vocals:
Jimmy Witherspoon (on 1959-10-02)
live recording of:
No Rollin’ Blues (on 1959-10-02)
lyricist and composer:
Jimmy Witherspoon
5:35
13Good Rockin' Tonight
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
clarinet:
Woody Herman (on 1959-10-02)
double bass:
Vernon Alley (on 1959-10-02)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-10-02)
piano:
Earl Hines (jazz pianist and bandleader) (on 1959-10-02)
tenor saxophone:
Coleman Hawkins (on 1959-10-02) and Ben Webster (on 1959-10-02)
trumpet:
Roy Eldridge (on 1959-10-02)
vocals:
Jimmy Witherspoon (on 1959-10-02)
live cover recording of:
Good Rockin’ Tonight (on 1959-10-02)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
2:27
14Big Fine Girl
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
clarinet:
Woody Herman (on 1959-10-02)
double bass:
Vernon Alley (on 1959-10-02)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-10-02)
piano:
Earl Hines (jazz pianist and bandleader) (on 1959-10-02)
tenor saxophone:
Coleman Hawkins (on 1959-10-02) and Ben Webster (on 1959-10-02)
trumpet:
Roy Eldridge (on 1959-10-02)
vocals:
Jimmy Witherspoon (on 1959-10-02)
live recording of:
Big Fine Girl (on 1959-10-02)
lyricist and composer:
Jimmy Witherspoon
4:55
15T'Ain't Nobody's Bizness If I Do
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
clarinet:
Woody Herman (on 1959-10-02)
double bass:
Vernon Alley (on 1959-10-02)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-10-02)
piano:
Earl Hines (jazz pianist and bandleader) (on 1959-10-02)
tenor saxophone:
Coleman Hawkins (on 1959-10-02) and Ben Webster (on 1959-10-02)
trumpet:
Roy Eldridge (on 1959-10-02)
vocals:
Jimmy Witherspoon (on 1959-10-02)
live cover recording of:
T’ain’t Nobody’s Bizness If I Do (on 1959-10-02)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
6:31
16When I Been Drinkin'
mastering:
Joe Tarantino (audio engineer, mastering)
producer:
David Axelrod (baroque pop composer)
clarinet:
Woody Herman (on 1959-10-02)
double bass:
Vernon Alley (on 1959-10-02)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-10-02)
piano:
Earl Hines (jazz pianist and bandleader) (on 1959-10-02)
tenor saxophone:
Coleman Hawkins (on 1959-10-02) and Ben Webster (on 1959-10-02)
trumpet:
Roy Eldridge (on 1959-10-02)
vocals:
Jimmy Witherspoon (on 1959-10-02)
live cover recording of:
When I Been Drinkin’ (on 1959-10-02)
lyricist and composer:
Big Bill Broonzy
5:38