James Taylor's Greatest Hits ((2019 remaster) 24-bit 192.0 khz - stereo)

~ Veröffentlichung von James Taylor (alle Versionen dieser Veröffentlichung ansehen, 14 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Something in the Way She Moves
Techniker(in):
Val Garay (in 1976-10)
Produzent(in):
Peter Asher (in 1976-10)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1976-10)
E-Bass:
Lee Sklar (bassist, session musician) (in 1976-10)
Pedal-Steel-Gitarre:
Dan Dugmore (in 1976-10)
Hintergrundgesang:
Herb Pedersen (in 1976-10) und James Taylor (singer-songwriter and guitarist) (in 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976-10)
recording of:
Something in the Way She Moves (in 1976-10)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) und EMI Blackwood Music Inc.
33:16
2Carolina in My Mind
Techniker(in):
Val Garay (in 1976-10)
Produzent(in):
Peter Asher (in 1976-10)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1976-10)
E-Bass:
Lee Sklar (bassist, session musician) (in 1976-10)
Fiddle:
Byron Berline (in 1976-10)
Harmonium [harmonium] und Hintergrundgesang:
Andrew Gold (in 1976-10)
Pedal-Steel-Gitarre:
Dan Dugmore (in 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976-10)
recording of:
Carolina in My Mind (in 1976-10)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) und EMI Blackwood Music Inc.
54:02
3Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.33:25
4Sweet Baby James
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
E-Bass:
John London (in 1969-12)
Geige / Violine:
Chris Darrow (US country rock multi-instrumentalist and singer-songwriter) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Pedal-Steel-Gitarre:
Red Rhodes (in 1969-12)
Schlagzeug [drums]:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1970)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
recording of:
Sweet Baby James (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
3.52:54
5Country Road
Techniker(in):
Bill Lazerus
Produzent(in):
Peter Asher
Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
recording of:
Country Road (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
3.653:25
6You've Got a Friend
Techniker(in):
Richard Sanford Orshoff
Produzent(in):
Peter Asher
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Akustikgitarre und Conga:
Danny Kortchmar (Danny Kootch)
Bassgitarre:
Leland Sklar (bassist, session musician)
cabasa, Conga und Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Joni Mitchell und James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
4.44:30
7Don't Let Me Be Lonely Tonight
Produzent(in):
Peter Asher
Mix:
Robert Appère
recording of:
Don’t Let Me Be Lonely Tonight
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), EMI April Music Inc. und EMI Blackwood Music Inc.
52:38
8Walking Man
Techniker(in) und Mix:
Harry Maslin
Produzent(in):
David Spinozza
Akustikgitarre und Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Bass:
Andy Muson
E-Gitarre:
David Spinozza
Hybrid-Piano:
Kenny Ascher
Perkussion:
Ralph MacDonald
Saiteninstrumente:
Gene Orloff
Schlagzeug [drums]:
Rick Marotta (US drummer/percussionist)
concertmaster:
Gene Orloff
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
mixed at und engineered at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1974-01 bis 1974-04)
recording of:
Walking Man (James Taylor song)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (in 1974)
4.53:35
9How Sweet It Is (To Be Loved By You)
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Bass:
Lee Sklar (bassist, session musician)
E-Gitarre:
Danny Kortchmar (Danny Kootch)
Klavier und Rhodes Piano [Fender Rhodes]:
Clarence McDonald
Schlagzeug [drums]:
Jim Keltner und Russ Kunkel (session drummer)
Tamburin:
Russ Kunkel (session drummer)
Hintergrundgesang [vocal harmonies]:
Carly Simon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
3.83:38
10Mexico
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Bass:
Lee Sklar (bassist, session musician)
E-Gitarre:
Danny Kortchmar (Danny Kootch) und James Taylor (singer-songwriter and guitarist)
Harfe:
Gayle Levant (American studio musician, harpist)
Perkussion:
Milt Holland
Schlagzeug [drums] und shakers:
Russ Kunkel (session drummer)
Hintergrundgesang [vocal harmonies]:
David Crosby und Graham Nash
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mexico
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
4.53:00
11Shower the People
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Shower the People
Texter und Komponist(in):
James Vernon Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
4:00
12Steamroller
Techniker(in):
Lee Herschberg (in 1975-08)
Produzent(in):
Peter Asher (in 1975-08), Russ Titelman (in 1975-08) und Lenny Waronker (in 1975-08)
Mix:
Val Garay
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (am 1975-08-02)
E-Bass:
Lee Sklar (bassist, session musician) (am 1975-08-02)
E-Gitarre:
Danny Kortchmar (Danny Kootch) (am 1975-08-02)
Klavier:
Clarence McDonald (am 1975-08-02)
Schlagzeug:
Russ Kunkel (session drummer) (am 1975-08-02)
aufgenommen bei:
Universal Amphitheatre in Universal City, California (Kalifornien), Vereinigte Staaten (am 1975-08-02)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
live recording of:
Steamroller (aka Steamroller Blues) (am 1975-08-02)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
EMI Blackwood Music Inc.
5:19