The Singles Sessions

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Serenata
Gitarre:
Al Chernet (am 1960-05-05), John Pizzarelli (am 1960-05-05) und Art Ryerson (am 1960-05-05)
Holzblasinstrumente:
Stan Webb (US jazz saxophone, flute) (am 1960-05-05)
Klavier:
Ronnell Bright (am 1960-05-05)
Posaune:
Bob Alexander (am 1960-05-05), Bob Byrnes (am 1960-05-05) und Dick Hixson (trombonist) (am 1960-05-05)
Schlagzeug:
Ted Sommer (am 1960-05-05)
vocals:
Sarah Vaughan (am 1960-05-05)
conductor:
Joe Reisman (am 1960-05-05)
arranger:
Joe Reisman
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1960-05-05)
cover recording of:
Serenata (english vocals) (am 1960-05-05)
Texter:
Mitchell Parish (in 1950)
Komponist(in):
Leroy Anderson (am 1947-02-12)
basiert auf:
Serenata (original instrumental)
2:42
2My Dear Little Sweetheart
Celesta:
Ronnell Bright (am 1960-05-05)
Gitarre:
Al Chernet (am 1960-05-05), John Pizzarelli (am 1960-05-05) und Art Ryerson (am 1960-05-05)
Holzblasinstrumente:
Stan Webb (US jazz saxophone, flute) (am 1960-05-05)
Posaune:
Bob Alexander (am 1960-05-05), Bob Byrnes (am 1960-05-05) und Dick Hixson (trombonist) (am 1960-05-05)
Schlagzeug:
Ted Sommer (am 1960-05-05)
vocals:
Sarah Vaughan (am 1960-05-05)
conductor:
Joe Reisman (am 1960-05-05)
arranger:
Joe Reisman
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1960-05-05)
cover recording of:
My Dear Little Sweetheart (am 1960-05-05)
Verfasser(in):
John H Smith (jazz guitarist) und George David Weiss
2:45
3The Green Leaves of Summer
Bass:
Richard Davis (American jazz bassist) (am 1960-10-08)
Bongos und Tamburin:
Percy Brice (am 1960-10-08)
Gitarre:
George van Eps (am 1960-10-08)
Klavier:
“Sir” Roland Hanna (jazz pianist) (am 1960-10-08)
Posaune:
Milt Bernhart (am 1960-10-08), Ed Kusby (am 1960-10-08), Tommy Shepard (trombonist) (am 1960-10-08) und Lloyd Ulyate (am 1960-10-08)
Rohrblattinstrumente:
Chuck Gentry (am 1960-10-08), Justin Gordon (am 1960-10-08), Harry Klee (am 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1960-10-08) und Wilbur Schwartz (am 1960-10-08)
Schlagzeug:
Alvin Stoller (am 1960-10-08)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-10-08), Conrad Gozzo (am 1960-10-08), Manny Klein (am 1960-10-08) und Ray Triscari (am 1960-10-08)
vocals:
Sarah Vaughan (am 1960-10-08)
conductor:
Billy May (am 1960-10-08)
arranger:
Billy May
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-10-08)
recording of:
The Green Leaves of Summer (The Alamo) (am 1960-10-08)
Texter:
Paul Francis Webster
Komponist(in):
Dimitri Tiomkin
Teil von:
The 33rd Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Alamo
2:58
4Them There Eyes
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
2:02
5Don’t Go to Strangers
Bass:
Richard Davis (American jazz bassist) (am 1960-10-08)
Bongos und Tamburin:
Percy Brice (am 1960-10-08)
Gitarre:
George van Eps (am 1960-10-08)
Klavier:
“Sir” Roland Hanna (jazz pianist) (am 1960-10-08)
Posaune:
Milt Bernhart (am 1960-10-08), Ed Kusby (am 1960-10-08), Tommy Shepard (trombonist) (am 1960-10-08) und Lloyd Ulyate (am 1960-10-08)
Rohrblattinstrumente:
Chuck Gentry (am 1960-10-08), Justin Gordon (am 1960-10-08), Harry Klee (am 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1960-10-08) und Wilbur Schwartz (am 1960-10-08)
Schlagzeug:
Alvin Stoller (am 1960-10-08)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-10-08), Conrad Gozzo (am 1960-10-08), Manny Klein (am 1960-10-08) und Ray Triscari (am 1960-10-08)
vocals:
Sarah Vaughan (am 1960-10-08)
conductor:
Billy May (am 1960-10-08)
arranger:
Billy May
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-10-08)
cover recording of:
Don’t Go to Strangers (am 1960-10-08)
Texter:
Redd Evans
Komponist(in):
Arthur Kent und David Mann (American songwriter)
2:33
6Love
recording of:
Love
Verfasser(in):
Ralph Blane und Hugh Martin
publisher:
Leo Feist, Inc.
2:20
7What’s the Use
recording of:
What’s the Use
Verfasser(in):
Robert Mosely (US rhythm & blues singer/songwriter) und Mayme Watts
3:21
8Wallflower Waltz
recording of:
Wallflower Waltz
Verfasser(in):
Marvin Fisher und Jack Segal (US songwriter)
2:49
9True Believer
recording of:
True Believer
Verfasser(in):
Stan Lebowsky und Rose Marie McCoy
2:31
10April
2:25
11If Not for You
cover recording of:
If Not for You
Texter und Komponist(in):
Bob Dylan
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Big Sky Music (publisher for Bob Dylan), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Group (SESAC)
2:47
12Oh, Lover
2:02
13One Mint Julep
cover recording of:
One Mint Julep
Texter und Komponist(in):
Rudolph Toombs
publisher:
Regent Music (BMI) und Unichappell Music
2:49
14Mama, He Treats Your Daughter Mean
cover recording of:
(Mama) He Treats Your Daughter Mean
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
2:40

Nennungen